FundsforWriters - May 31, 2013.

Published: Fri, 05/31/13

Volume 13, Issue 22
May 31, 2013

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FUNDS FOR WRITERS

Chosen for Writer's Digest's
101 Best Websites for Writers
2001, 2002, 2003, 2004, 2005, 2006,
2007, 2008, 2009, 2010, 2011, 2012, 2013

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SC Book Festival 2013

Participating in "Women of Mystery" panel at the SC Book Festival last week. It went so well!

Editor: C. Hope Clark
Website: http://www.fundsforwriters.com
Email: Hope@fundsforwriters.com
Newsletter: ISSN: 1533-1326

Our subscriber list is NOT made available to others. Use
information listed at your own risk. FundsforWriters gives
no warranty to completeness, accuracy, or fitness of the
markets, contests and grants although research is done to
the best of our ability.

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPONSOR OF THE WEEK
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
EDITOR'S THOUGHTS
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Read newsletter online at: http://www.fundsforwriters.com/fundsforwriters
Read past issues at: http://www.aweber.com/z/article/?fundsforwriters

=====


"I'M A POET AND DON'T KNOW IT"

How many times have you heard that when someone accidentally
rhymed their words? Amazingly, a lot of people are writing poetry,
however, stymied whether or not they should be doing so. They
want to be poets but don't know if they have what it takes. Often
they write me, attaching their poetry, asking if I think it's good.

Well, I'm NOT a poet and I KNOW it.

So I don't read their poetry. Don't even open the attachment. I
would never profess to know the craft if I don't read or write it
myself.

There used to be a gentleman on Facebook (who I recently unfriended)
who would shoot poetry out on his page, then message me to go read it.
I nicely refused. He then ordered me to read it, that I wouldn't know
if I liked it or not if I didn't read it. Well, since I don't read it,
there's no way I would want to guide him one direction or another as
to its quality.

But he brought up a grand point when he said, "If you don't read it..."

Nine times out of ten, when I explain to poets that I'm not a poet,
therefore, I will not critique their work, they ask me how can they
learn if they are any good. The first question I ask them is:
"How much poetry by other poets do you read?" They usually reply that
they do not read other poetry. They haven't bought a single poetry
book in the last year, two years, five years. In other words, they
cannot identify good poetry because they do not READ good poetry.

To develop a talent at your craft, you need to specialize. We all
know that. So if you are a poet (just picking out a genre here, all
apply), you should read acclaimed poets, study poetry composition,
attend readings, and join groups that are steeped in poetry study.

Don't have time? Don't like reading other people's work? Then dabble
in poetry for fun, but do not expect anyone to take it seriously
outside of your family and friends. It's like saying, "Hey, I'm
going to be a good artist/mechanic/doctor/teacher." Then you have
nothing to do with the good craftsmen who went before you. You
never study how-to lessons. You never analyze why some of them made
it and others did not.

You study the craft, then practice the craft. Study, then practice.
Practice never makes perfect when you don't have a clue what perfection is.

 

Hope

 

THE BLOG - http://www.hopeclark.blogspot.com
TWITTER - http://twitter.com/hopeclark
FACEBOOK - http://www.facebook.com/chopeclark
ABOUT.ME - http://about.me/hopeclark
GOODREADS - http://www.goodreads.com/hopeclark
PINTEREST - http://www.pinterest.com/chopeclark
AUTHOR SITE - http://www.chopeclark.com

====

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Then give TOTAL FundsforWriters a try. At $15 a year,
it's a great resource of 75 grants, contests, markets,
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http://www.fundsforwriters.com/newsletters

=====

 

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Shy types, rejoice! Introversion may seem like a major obstacle to building
a successful writing career, but this wonderful “covers-all-the-bases” book
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not to succeed! Highly recommended.
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Floating suspended in the liquid darkness, arms and legs extended,
I dared a look. Pitch black. Something soft brushed my leg. My
heart leaped, and I slammed my eyes shut again, more afraid to
see a shark come at me than one catching me by surprise. The
pressure in my lungs blossomed to pain. I tried to think about
fields, pastures, anything connected to dirt instead of water.

Kindle
Amazon
Barnes & Noble (print)
To order an autographed edition, order here.

(Purchase entitles you to a year's subscription to TOTAL FundsforWriters.)

 

~~~~~~****~~~~~~

WORDS OF SUCCESS

Solitude is not a way of running away from life ...
from our feelings. On the contrary.
This is the time we sort them out, air them,
get over them, and go on
without the burden of yesterday.

~ Joan Chittister (The Gift of Years)

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARTICLE
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Plan to Recycle BEFORE You Write
by Barbara Florio Graham

Writers are often unsuccessful at reselling published articles
because they address it backwards. You need to plan to recycle
before you write the first draft. Your first step should be to
brainstorm potential angles and markets.

I freelanced for CBC radio, interviewing local people for a
Saturday morning show featuring the arts. I met with a doll maker
who helped organize a doll show, and after I taped my radio segment,
I asked how she made her dolls and how she developed an interest in
this hobby. I requested back issues of the doll magazines she
subscribed to (and if she hadn't wanted to part with these, I would
have copied the masthead), asked about her education, and her husband's
profession.

Right after my segment went on the radio, I sold a short article to
the local daily paper and a longer profile of the doll maker for her
community paper. I queried the alumni magazine about profiling one
of their graduates, and the trade magazine for her husband's profession.
The alumni magazine agreed, and a seniors' magazine was interested in
how this woman had learned about antique dolls from her grandmother.
I then recycled this article once more for a children's magazine,
because I had obtained, in my initial interview, simple instructions
for creating an inexpensive doll out of found materials. That piece
was reworked for a craft magazine as well!

That's seven sales from one interview. Interview time is precious.
You need to prepare interview questions ahead of time with other
angles and markets in mind, so you don't have to spend time on
follow-up calls and queries.

One point the doll-maker mentioned was how popular dolls are as
special gifts for grandchildren, and for weddings. That provided
two additional markets I pursued later on, timed for pre-Christmas
issues of general interest, seniors', and wedding magazines.

Some of these stories never die, if you prepare properly.

Set up monthly marketing folders (or calendar reminders). If a query
is rejected the first time around, put a note to yourself to try
again when the editor changes. Older pieces can be rewritten slightly
pegged to current news, as I did when Peter Falk died and resold, yet
again, an article first published more than 40 years earlier.

When I was a student at Columbia University in the 1950s, I worked
on a student production with Peter Falk. I wrote about that a few
years later for Hollywood Magazine, then for Playbill, then for EMMY
Magazine, and it continued to sell to various newspapers since Columbo
is still on TV. This piece then found a home in Prose to Go: Tales
from a Private List, a collection of first-person stories I edited in
2011. I sold it again just after Falk died, a few months after the book
was published.

It's important to retain copyright in order to recycle the entire
article. But once you have the research, you can write a different
article for each market easily and quickly. Don't ignore a market
because it doesn't pay very well. Look at your hourly rate instead.
I can rewrite one primary article for six different markets in less
than two hours.

So can you.

***
Barbara Florio Graham is an author and publishing consultant. Her
website, http://www.SimonTeakettle.com, contains a great deal of
free information as well as the popular blog written by her cat,
Simon Teakettle III (Terzo).



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COMPETITIONS
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BUZZWORDS POETRY CONTEST
http://buzzwordspoetry.blogspot.co.uk/p/2013-poetry-competition.html
---
ENTRY FEE: Postal entries; £4 per poem or 3 poems for £10.
1st prize-£600. Runner-up- £300. 5 x commended-£50 each.
The Gloucestershire Prize- £200. (for Gloucestershire residents only).
Poems should be no longer than 70 lines. No translations are accepted.
Poems must not have been previously published in print or on the
internet. Deadline August 17, 2013.

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CROOKS CORNERBOOK PRIZE
http://crookscornerbookprize.com/
---
$25 ENTRY FEE
A prize of $1,000 will be given annually for a debut novel published
in the United States in the preceding two years and set in the
American South. The winner will also be entitled to receive a free
glass of wine every day for a year at Crook’s Corner Café and Bar
in Chapel Hill. Eligible novels must be set in Alabama, Arkansas,
Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North
Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia, or
West Virginia. Self-published books are eligible, but e-books are
not. Jill McCorkle will judge. Authors and publishers may submit
two copies of a book (or bound galleys) published between May 1, 2011
and May 1, 2013 by June 30, 2013.

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SALAMANDER FICTION PRIZE
http://salamandermag.org/contests/
---
$15 ENTRY FEE
$1,500 Honorarium and Publication. Deadline June 15, 2013.
All entries will be considered for publication. Contest reading
fee includes a one-year subscription. Each story must not exceed
30 double-spaced pages in 12-point font.

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UTAH WRITING COMPETITION
http://arts.utah.gov/opportunities/competitions/writing.html
---
NO ENTRY FEE
The competition identifies and awards Utah writers for works of
fiction, nonfiction, and poetry in the form of short stories, essays,
poems, and full-length manuscripts for readers of all ages. Submissions
must be original works. They cannot be published or accepted for
publication at the time of entry. Deadline June 28, 2013. Must be
resident of Utah. No age registration.

NOVEL
First prize $1,000. Second prize $500. Fiction. minimum 60,000 words.
Entrant must not be published in novel form.

BIOGRAPHY/AUTOBIOGRAPY/HISTORY
First prize $1,000. Second prize $500. Minimum 50,000 words. Entrant
must not be published in history form.

BOOK-LENGTH COLLECTION STORIES
First prize $1,000. Second prize $500. Minimum 50,000 words. Entrant
must not be published in this form.

YOUNG ADULT BOOK
First prize: $1,000. Second prize: $500. Fiction or nonfiction (general
or biography), appealing to readers ages 12 through 18. Compilations
of stories for young readers will be accepted. Maximum/Minimum length:
none.

POETRY
First prize: $300. Second prize: $150. A collection of 10 poems for
adults; maximum length: 1,000 lines (total).

SHORT STORY
First prize: $300. Second prize: $150. Fiction for adults; maximum
length: 7,500 words.

NARRATIVE NONFICTION/PERSONAL ESSAY
First prize: $300. Second prize: $150. Nonfiction for adults;
maximum length: 7,500 words.

=====

COMSTOCK REVIEW ANNUAL POETRY CONTEST
http://www.comstockreview.org/annualcontest.html
---
$5 ENTRY FEE PER POEM.
First Prize - $1,000; 2nd Prize -$250; 3rd Prize - $100;
Honorable Mentions - Subscriptions for 2013. Deadline July 1, 2013.
No poem must exceed 40 lines, beginning with the first line of text
below the title.


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GRANTS
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JOHN E. NANCY WRITER-IN-RESIDENCE
http://thurberhouse.org/john-e.-nance-writer-in-residence.html
---
An annual residency of four weeks, the Writer-in-Residence program
is designed to provide a writer with the gift of time to develop a
work-in-progress. The residency is a two-bedroom apartment in the
Columbus, Ohio historic home of author and New Yorker cartoonist,
James Thurber. The residency will focus on a specific genre. For
2013, the genre is fiction. Applicants must be a U.S. citizen and
over 18 years of age. Applicants must have a book published by a
traditional publisher within the last three years or have a work under
contract. Applicants must submit two copies of published work and
material from a work in progress. Work in progress can be three
chapters of a novel or three short stories, not to exceed 50 pages
of either. Deadline for submissions: June 3, 2013.

(Thanks http://www.erikadreifus.com/)

=====

GALEN WILLIAMS FELLOWSHIP PROGRAM
http://www.pw.org/content/galen_williams_fellowship_program_201314_multiple_opportunities
---
Poets & Writers offers three part-time, paid fellowships to nurture
the next generation of leaders for the literary field. We will
select one fellow to work in each of the following areas: Editorial,
Online Editorial, and Readings/Workshops. All three positions are
located in our New York City office for a term of forty weeks from
September 2013 through June 2014.

(Thanks http://www.erikadreifus.com/)

=====

STARRY NIGHT RETREAT
http://www.starrynightretreat.com/
---
Starry Night Retreat is the only multidisciplinary Artist In Residence
program in the Southwest. Located in Truth or Consequences, New Mexico,
Starry Night strives to provide a nurturing and focused environment to
researchers, writers and artists of all disciplines. Financial aid is
available for artists for up to 50% of total residency fees. In addition
to the residency application, there is a separate application in which
one can apply for financial aid.

=====

LANESBORO RESIDENCY
http://www.lanesboroarts.org/
---
The Lanesboro Residency Program (Lanesboro, MN) provides an opportunity
for emerging artists to create work and explore new ideas while engaging
with the community through their artwork. Lanesboro has hosted 37
Residency artists between 2001 and 2013, ranging from writers to
painters to videographers to musicians to puppet theater artists.
Residencies are two to four weeks, and include a generous artist stipend,
most meals and fully furnished artist loft. Deadline: June 30.

=====

KALA ARTS INSTITUTE
http://www.kala.org/
---
Artists working in various printmaking techniques, photo-processes,
book arts and digital can apply to become an Artist-in-Residence at
Kala Art Institute. Residency applications are accepted three times
per year. Artists who apply for residency should be familiar with at
least one of the media offered at Kala. Applications are reviewed
three times per year: March 15, July 15, and October 15. Artists may
apply for 1-, 2-, or 3-month residencies, and must specify the desired
residency length in the application. 6-month residencies also exist,
but are only available to continuing and returning Artists-in-Residence
who have completed a 3-month residency.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FREELANCE MARKETS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


SOLDIER OF FORTUNE
http://www.sofmag.com/contact-sof
---
SOLDIER OF FORTUNE focuses on news and adventure based on firsthand
reports from all over the world. Our commitment to presenting the
facts in their entirety sets us apart from mainstream news sources.
Our editorial policy is pro-military, pro-strong U.S. defense, pro-
police, and pro-veteran. We strongly support the right of the individual
to keep and bear arms. By opposing tyranny of all kinds, we support the
basic freedom of mankind. Covers combat hot spots around the world.
Pays up to $250 per page. Articles are 2,000 to 3,000 words. Fillers
are 100 to 250 words and pay $50.

=====

BLUEGRASS UNLIMITED
http://bluegrassmusic.com/content/contact/
---
Pays up to 13 cents/word for nonfiction pieces of how-to, profiles,
experience, travel, history and events. Pays same for fiction.
Humor and ethnic pieces always appreciated. Covers bluegrass,
acoustic and old-timey country music.

=====

SYMPHONY
http://www.americanorchestras.org/symphony-magazine/about-symphony/submission-guidelines.html
---
Symphony, the quarterly magazine of the League of American Orchestras,
reports on the critical issues, trends, personalities, and developments
of the orchestra world. Every issue includes news, provocative essays,
in-depth articles, and cutting-edge research relevant to the entire
orchestra field. Symphony profiles take readers behind the scenes to
meet the people who are making a difference in the orchestra world,
while wide-ranging survey articles reveal the strategies and tactics
that are helping orchestras meet the challenges of the 21st century.
Pays up to $900 for pieces of 1,500 to 3,500 words.

=====

WILDLIFE VIEWS
http://www.azgfd.gov/i_e/pubs/contributorguidelines.shtml
---
General interest, how-to, photo features, popularized technical material
on Arizona wildlife and wildlife management, habitat issues, outdoor
recreation involving wildlife, boating, fishing, hunting, bird watching,
animal observation, off-highway vehicle use, etc., and historical articles
about wildlife and wildlife management. No “me and Joe” articles,
anthropomorphism of wildlife or opinionated pieces not based on
confirmable facts. Features are divided into three categories based
on word count: Fees for the three feature categories are $450 (Less
than 1,200 words), $600 (1,200 to 1,799 words), $800 (1,800 to 2,500
words).

=====

ATLANTIC SALMON JOURNAL
http://www.asf.ca/atlantic-salmon-journal.html
---
News reports and other updates in the world of wild Atlantic salmon.
Pays up to $800 for pieces of 2,000 words. Quarterly magazine covering
the conservation efforts for the Atlantic salmon, catering to the
angler and the conservationist.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PUBLISHERS/AGENTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BARER LITERARY
http://www.barerliterary.com/submission-guidelines/
---
Barer Literary, LLC is a full-service boutique agency that represents
a variety of writers across a literary spectrum, with a strong emphasis
on fiction. Barer Literary represents a variety of fiction and nonfiction.
However, we do not represent books in the following categories:

Health/Fitness
Business/Investing/Finance
Sports
Mind/Body/Spirit
Reference
Thrillers/Suspense
Military
Romance
Cookbooks
Children’s Books/Picture Books
Screenplays

=====

THE WENDY WEIL AGENCY
http://www.wendyweil.com/submissions.html
---
The Wendy Weil Agency, Inc. represents fiction and non-fiction for the
trade market. We work with literary and commercial fiction, mystery/
thriller, memoir, narrative non-fiction, journalism, history, current
affairs, books on health, science, popular culture, lifestyle, and art
history. We do not handle screenplays or textbooks.

=====

SECOND STORY PRESS
http://secondstorypress.ca/
---
Second Story Press is dedicated to publishing feminist-inspired books
for adults and young readers. We are proud to have been publishing
award-winning books that entertain, educate, and empower for over 20
years.

=====

SEVEN FOOTER PRESS
http://www.sevenfooterpress.com/pages/submissions
---
Publishes cutting-edge nonfiction—innovative humor, gift, and high-
concept books—including the enormously successful Would You Rather…?
series (with more than 500,000 copies in print).

THINGS WE PUBLISH
humor books, gift books, high concept books geared towards Adults
and/or Kids, children’s books with a twist, educational books with
a twist, pop culture books, things that are irreverent, things that
are unorthodox, things that transcend the print medium.

THINGS WE DO NOT PUBLISH
novels, poetry, basic children’s books, collections of short stories

THINGS WE’RE ON THE FENCE ABOUT
card decks, games / toys, travel books, cookbooks, photo books,
graphic novels

=====

SEVEN STORIES PRESS
http://www.sevenstories.com/
---
Seven Stories Press publishes works of the imagination and political
titles by voices of conscience. While most widely known for its books
on politics, human rights, and social and economic justice, Seven
Stories continues to champion literature, with a list encompassing
both innovative debut novels and National Book Award–winning poetry
collections, as well as prose and poetry translations from the French,
Spanish, German, Swedish, Italian, Greek, Polish, Korean, Vietnamese,
Russian, and Arabic.

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPONSORS
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=====

 

 

2013 Summit Logo

Join Hope Clark in Louisville, KY this August at
the Business of Writing International Summit.

She will speaking on Funding Your Writing Habit and The Shy Writer.
Attend the Summit to learn how to grow your book sales and build
your author platform. This two-day event for writers and authors
features multiple programming tracks. Tracks include Publishing;
Book Promotion and Marketing; eBooks & Social Media, and the Craft
of Writing. Sessions are presented by industry experts and are
content-rich, timely and relevant to your success in today’s rapidly
changing marketplace.

Over two dozen exciting sessions to choose from; great food;
outstanding networking opportunities; meet published authors;
study the latest tools and resources; all this while learning
how to become successful at the business of writing.

Early registration savings end June 15th.
http://businessofwritingsummit.com

 

=====

Jim Elk Waters

Writers & Authors Workshop - Discover – Create - Realize your Dreams!

http://hiddenbookwithin.com/

A must-attend for aspiring writers, those with book in progress, or are in
writers block. This proven method for writing, publishing and marketing
will kick start your book. With this Easy-To-Understand, layman's approach
to writing, YOUR HIDDEN BOOK WITHIN fills your Writer Toolbox. Learn
proven marketing techniques, brand yourself as an author. Find inspiration
on your path to becoming the next published author! Don't Miss Out!

Make your dream book a reality!
Early Bird BONUS-Great products & services!
$97 WORKSHOP FEE - Cleveland, OH Area - June 22

 

=====

 

Professional Query Lit Services

PQLS provides writers with our trademarked First Read Impression (FRI)
analysis that provides an in-depth roadmap for improving the marketability
of your manuscript, attracting agents and publishers and separating your
work from the dreaded slushpile. Please visit us at www.firstbookdeal.com

PQLS SAMPLE FORM

An FRI Analysis includes:

An Executive Summary
An overview of FRI methodology
Sections on plot, characters, nuts and bolts and setting
Sections on intangibles and marketability
Final Recommendations
A path forward
An appendix with frequently asked questions and over 50 common
mistakes made by new writers

Follow us on Twitter! (Prof_Query_LS)
For free writing advice go to www.firstbookdeal.blogspot.com

 

 

=====

 

 

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at every turn. I value her design services as a trusted part
of my business plan. Thank you, Shaila!”

 

 

=====

 

Book Baby

=====

Your huge pretty ad could be right here.
FundsforWriters readers are loyal and read these ads.
See our testimonials at http://www.fundsforwriters.com/advertising

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUSINESS STUFF
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Please forward the newsletter in its entirety. To reprint
any editorials, contact hope@fundsforwriters.com for permission.
Please do not assume that acknowledgements listed in your
publication is considered a valid right to publish.

C. Hope Clark
E-mail: hope@fundsforwriters.com

140-A Amicks Ferry Road #4
Chapin, SC 29036

http://www.fundsforwriters.com

Copyright 2000-2013, C. Hope Clark
ISSN: 1533-1326

-----------------------------

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