Volume 11, Issue 33
August 19, 2011


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

FUNDS FOR WRITERS

Chosen for Writer's Digest Magazine
101 Best Websites for Writers
2001, 2002, 2003, 2004, 2005,
2006, 2007, 2008, 2009, 2010, 2011

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Love my lake. Cooling off a moment between novel edits.

Editor: C. Hope Clark
Mailto: Hope@fundsforwriters.com
Website: http://www.fundsforwriters.com
Newsletter: ISSN: 1533-1326

Our subscriber list is NOT made available to others. Use
information listed at your own risk. FundsforWriters gives
no warranty to completeness, accuracy, or fitness of the
markets, contests and grants although research is done to
the best of our ability.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PAID SPONSOR OF THE WEEK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Writer's Resource: From Creation to Contract

Ghostwriting, rewriting, editing, queries, book proposals &
agent searches from an award-winning author with eighteen
years of experience. Laine Cunningham's opinion has been
sought by CNN Money, the National Writer's Union &
international media on the end of the Harry Potter series,
The Oprah Effect and Sarah Palin's ghostwriter.

Clients consistently receive attention from top publishers
and agents. Fiction & nonfiction, adult & juvenile.

Call today!
Toll-free 866-212-9805 or www.WritersResource.us

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
EDITOR'S THOUGHTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Read newsletter online at: http://www.fundsforwriters.com/FFW.htm
Read past issues at: http://www.aweber.com/z/article/?fundsforwriters

=====


BUT WHERE'S THE MONEY?

I have subscribers come and go, and I understand when someone
wants to take a trial run then leave when FundsforWriters is
not a good fit. One such individual left saying she didn't
see enough about finding money for her writing career.

Where exactly is the money? If you are an entrepreneur, (and
if you earn money as a writer, you are), you know where the
money is . . . clients. If you are only an artist, you find
the money with . . . sponsors.

Clients = readers, publishers, magazines, bookstores,
customers, consult-seeking individuals

Sponsors = donors, grantors

The confusion comes when we want to make tons of sales,
or make buckets of money, and want to do it solely via
sponsors. Nope. Face it . . . are you an artist or an
entrepreneur? And if you are indeed both, then understand
that you can't be a prima donna and not get your hands dirty
with self-promotion and sucking up to those who might
buy your product or services.

Some readers tell me they cannot market, and they don't
want to do so. They are happy writing stories and unhappy
trying to promote. But they want the rewards of those who
DO self-promote. Like a person wanting a Mercedes at the
price of a scooter. Sorry. You have to work for it.

You have to work for the money, whether it's finding
markets, grants, shelf space at a bookstore, Amazon sales,
or freelance gigs. You are an artist or an entrepreneur.
If you say you are both, then accept the unsavory tasks.

Learn those nasty words: platform, branding, blogging,
networking - gasp, maybe speaking - even cold-calling.

Writing is a job. Yep. A job. And everyone knows there
isn't a job on the planet that doesn't come with its
downsides. Just remember that your profession is
remarkably fun, and yes, we have to pay a price for
that enjoyment.

Hope


THE BLOG - http://www.hopeclark.blogspot.com
TWITTER - http://twitter.com/hopeclark
FACEBOOK - http://www.facebook.com/chopeclark
ABOUT.ME - http://about.me/hopeclark

=====

THE ANNUAL FUNDSFORWRITERS CONTEST IS OPEN

The 10th Annual FundsforWriters Essay Contest seeks nonfiction
submissions. First prize $400. Five additional cash prizes.
Zero entry fee and $5 entry fee categories. Theme: Diligence.
Limit 750 words. Email submissions only.

Guidelines at www.fundsforwriters.com/annualcontest.htm 



~~~~~~****~~~~~~

WORDS OF SUCCESS


Be ruthless about protecting writing days, i.e., do not cave
in to endless requests to have "essential" and "long overdue"
meetings on those days. The funny thing is that, although writing
has been my actual job for several years now, I still seem to
have to fight for time in which to do it. Some people do not
seem to grasp that I still have to sit down in peace and write
the books, apparently believing that they pop up like mushrooms
without my connivance. I must therefore guard the time allotted
to writing as a Hungarian Horntail guards its firstborn egg.

~J.K. ROWLING



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SUCCESS OF THE WEEK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Dear Hope,

In your May 23, 2010 issue of Funds for Writers, a listing
for The Chudney Agency caught my attention. Steven Chudney
was looking for books for children and teens. His was my
73rd query.

I received a response saying he wanted the first fifty pages.
What euphoria! I tried not to get my hopes up, but they were
already off my roof and soaring! Steven sent me a contract last
October. Both of us thought we'd have a publisher by now, but
after 14 rejections we wondered if I should hire an editor.
Fortunately, he has some great connections.

Steven could have thrown me aside by now, but instead, he
patiently waits for my rewrites. I feel very fortunate to
have an agent who believes in my work and I have learned that
this process should be enjoyed and experienced to its fullest.
Yes, even when the doubts take over. I am now halfway through
my novel's rewrite. Thank you, Hope, for being such a helpful
teacher and trusted source in the process.

With sincere appreciation,
Laura Kepner

Writer, Destination Tampa Bay magazine
www.DestinationTampaBay.com



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARTICLE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


The Dramatists Guild vs. The Writers Guild

By Jeffrey Sweet

Though they both have the word "Guild" in their names, the
Writers Guild of America and the Dramatists Guild are very
different animals. The contracts for writers in film and TV
and contracts for the theatre don't resemble each other much.

In film and television, you're an employee, which means you
can be fired, even if the script was your idea to begin with.
You don't have cast approval or director approval. The
producers not only can change lines in your script, they
absolutely will. (The only issue is how much.) And the
production company owns the copyright of what you created.

Because you're an employee in this world, you can be
represented by a union. In fact, you have to be a member of
the WGA to write for most film and TV. As a union, the WGA
can (and has) ordered strikes that have shut down film and
TV studios in pursuit of better money and increased artistic
rights. (The strikes usually result in a little better money
but virtually no advance in artistic rights.)

It offers the benefits of being a union: if you earn enough,
you'll be covered by very good health insurance, and there
will be a pension waiting for you at the end of your career.

The writer is not an employee in the theatre. You write a
script and, if you're lucky, you find a producer willing to
bring it to the stage. The DG contracts give you cast approval
and director approval and the legal assurance that none of the
lines will be changed without your permission. (These are
terms film and TV writers dream of and don't get unless they
also become their own producers.) You don't sell a script in
the theatre; you license it. At the end of the run, it is
still your property. The copyright is in your name.

Since writers in the theatre are not employees, legally the
Dramatists Guild cannot be a union. Membership is advisable
but not compulsory. You can be a non-member and still get
produced. (If you do, though, you'll probably sign a deal
that doesn't meet Guild standards in terms of artistic and
economic rights.) Unlike the WGA, the DG does not offer
insurance coverage or a pension.

I wrote years of television - drama, sitcoms, soap opera
and TV movies. Not a single script of mine was shot exactly
as I wrote it. One sitcom episode for which I received
primary screen credit retained only my premise for the story;
not one line I had written was left. (It actually turned out
to be a pretty good episode.)

I've been writing for the theatre professionally since I was
20, and, although I can't claim to be happy with every
premiere of every play, the scripts presented were as I wrote
them.

I did a lot of craftsman-like work for TV, but I was hired to
serve other people's needs. When I wrote for the stage, I
wrote primarily to make myself happy.

A lot of us who write scripts do both. We are happy to pick
up assignments for film and television to keep our bank
accounts healthy. And sometimes we're very lucky - what we
write actually gets produced, and we kind of recognize what
we see on the screen.

But many of us regularly return to the stage because it is
there we actually have influence over the production. A play
may flop or succeed, but it does so on our terms, expressing
our intentions.

Most of my scripts for television paid me way more than what
I earn from the stage. But when I'm asked to supply a bio
for a program, it is the stage credits I list.

BIO
Jeffrey Sweet is a resident playwright at the Tony-
winning Victory Gardens Theatre of Chicago and serves on
the Council of the Dramatists Guild. You can read about
his summer playwriting retreat in August at

http://www.artisticnewdirections.org/retreats.html




~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
COMPETITIONS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

WRITER'S DIGEST ROMANCE SHORT STORY COMPETITION
http://www.writersdigest.com/competitions/writing-competitions
---
$20 ENTRY FEE
The First Place-Winner receives $1,000 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

The Second Place-Winner receives $500 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

Honorable Mentions will receive promotion in Writer's
Digest and the 2012 Novel & Short Story Writer's Market.

Entry Deadline: October 15, 2011. All manuscripts must
be 4,000 words or fewer.

=====

WRITER'S DIGEST CRIME SHORT STORY COMPETITION
http://www.writersdigest.com/competitions/writing-competitions
---
$20 ENTRY FEE
The First Place-Winner receives $1,000 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

The Second Place-Winner receives $500 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

Honorable Mentions will receive promotion in Writer's
Digest and the 2012 Novel & Short Story Writer's Market.

Entry Deadline: October 22, 2011. All manuscripts must
be 4,000 words or fewer.

=====

WRITER'S DIGEST HORROR SHORT STORY COMPETITION
http://www.writersdigest.com/competitions/writing-competitions
---
$20 ENTRY FEE
The First Place-Winner receives $1,000 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

The Second Place-Winner receives $500 cash, promotion in
Writer's Digest, $100 worth of Writer's Digest Books and
the 2012 Novel & Short Story Writer's Market.

Honorable Mentions will receive promotion in Writer's
Digest and the 2012 Novel & Short Story Writer's Market.

Entry Deadline: October 31, 2011. All manuscripts must
be 4,000 words or fewer.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GRANTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


MASSACHUSETTS STARS RESIDENCIES
http://www.massculturalcouncil.org/programs/residency.asp
---
Grants in the STARS Residencies go to MA schools to fund
residencies for artists, scientists, and scholars. The
program provides $500-$5,000 to support creative learning
residencies of three days or more.

=====

IDAHO QUICK PROJECT GRANTS
http://www.arts.idaho.gov/grants/indquick.aspx
---
QuickFund$ support professional development and new or exemplary
arts projects. Open to emerging and established artists who have
attained a certain level of proficiency as represented by work
samples, the grants provide timely assistance for projects,
activities, or travel to seminars, workshops, and conferences.
The Commission's emphasis is on increasing the skill of the
applicant; focusing on the process rather than product;
production rather than promotion. Up to $1,500. Quarterly
deadlines.

=====

LEDIG HOUSE INTERNATIONAL WRITERS RESIDENCY
http://www.artomi.org/ledig.php
http://www.artomi.org/ledig/application.php
---
We welcome published writers and translators of every type
of literature. International, cultural and creative exchange
is a foundation of our mission, and a wide distribution of
national background is an important part of our selection
process. Guests may select a residency of one week to two
months; about ten at a time gather to live and work in a
rural setting overlooking the Catskill Mountains. Deadline
October 20, 2011.

(Thanks to http://miraslist.blogspot.com/)


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FREELANCE MARKETS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


BOOKBUILDERS OF BOSTON
http://www.bbboston.org/pageJobs_view.cfm?jobid=8214
---
We are currently looking for experienced high school science
writers and editors for various freelance assignments. Must
have assessment experience. Subjects: bio, chem and physics.

=====

RACKED ATLANTA
http://www.ed2010.com/jobs/whisperjobs/2011/08/racked-atlanta-freelance-editor
---
At present, we're hiring freelance editors for the forthcoming
and surely fantastic Racked Atlanta. Which means now is the time
for editors who will make the magic happen to step forward onto
the dance floor. We're looking for local residents in the Atlanta
areas who have mainlined into the soul of their city's style and
retail universe. This is a freelance gig with commensurate pay;
you'll be able to work from anywhere you want so long as you keep
your ear close to ground for all things industry-related.

RACKED DALLAS
http://www.ed2010.com/jobs/whisperjobs/2011/08/racked-dallas-freelance-editor
Same positions in Dallas.

RACKED BOSTON
http://www.ed2010.com/jobs/whisperjobs/2011/08/racked-boston-freelance-editor
Same positions in Boston.

=====

THE HORN BOOK MAGAZINE
http://www.hbook.com/aboutus/publications/submissions.asp
---
Both The Horn Book Magazine, a bimonthly publication, and
The Horn Book Guide, a semiannual publication, review
children's and young adult books that are published in the
United States. The Horn Book Magazine also reviews audiobooks.
The Horn Book Magazine accepts article submissions. The Horn
Book Guide is exclusively reviews and does not accept article
submissions. Articles submitted to The Horn Book Magazine
should be of a critical nature on some aspect of children's
literature and should be no longer than 2,800 words in length.
Articles of 2,000 to 2,800 pay up to $400. Columns of 2,000
to 3,000 pay up to $400. Also provides two copies.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JOBS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


WRITER-EDITOR
Location Arlington, VA
http://jobview.usajobs.gov/getjob.aspx?JobID=101609507
---
Deadline August 25, 2011. Employer General Services Administration.
Write and edit materials, such as news releases, training
materials, fact sheets, blogs, wikis, feature articles, desk
statements, speeches, success stories or video scripts and
other correspondence. Develop and edit a variety of documents
and materials using AP style and the Gregg Reference Manual
or similar advanced writing references. Development, analysis,
and selection of appropriate information for presentation to
a variety of divergent intended audiences.

=====

SOCIAL MEDIA ASSOCIATE PRODUCER
Location New York, NY
http://blog.brazencareerist.com/2011/08/10/sweet-job-social-media-associate-at-ae/
---
A&E Television Networks is looking for a social media associate
producer to strategize and manage networks for the History
channel. This position includes the classic social-media
responsibilities, including creating a voice that represents
the brand, monitoring trends and competitors and participating
in Twitter conversations during premieres (which, let's face it,
you'd probably do anyhow). Maintain HISTORY social media accounts
on Facebook, Twitter and key platforms. Write and post regular
updates to the social media accounts. Work with Digital producers
to determine optimal content to post.

=====

EDITOR
Location Anniston, AL - 2 vacancies
http://jobview.usajobs.gov/getjob.aspx?JobID=101671784
---
Deadline August 29, 2011. In this position you will be an
important member of the Center for Domestic Preparedness
editing the work of subject matter experts on various topics,
which are key to the mission of FEMA.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PUBLISHERS/AGENTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


BUNKER HILL PUBLISHING
http://www.bunkerhillpublishing.com/about-2/
---
Founded in Charlestown, at the foot of one of Boston's best-
known monuments, Bunker Hill Publishing is an independent
publisher with an exciting list covering the arts, photography,
science, history and books for the very young. Publishing
beautifully designed, high-quality illustrated books at very
affordable prices, the company works closely with museums
and cultural institutions worldwide as well as with individual
authors and artists.

=====

MUSA PUBLISHING
http://musapublishing.blogspot.com/p/submissions.html
---
Musa will consider submissions of any length from short story
to epic novel for all imprints. Royalty ebook publisher.

Calliope--our romance imprint. We are looking for all sorts
of contemporary m/f romance, including erotic and sweet
romances. This imprint will have an adult-only website.

Clio--our historical fiction imprint. We have particular
interest in traditional Regency romances, classical Rome
and Greece, ancient Egypt. Westerns, medieval and Renaissance,
French Revolution, Victorian and Edwardian stories. Also
actively searching for non-romance historicals.

Erato--our LGBT imprint. Beneath the Erato banner, we are
seeking romance, erotic romance and contemporary fiction,
as well as speculative fiction or paranormals.

Euterpe--our all-YA imprint. We are seeking MG and YA
literature in all genres including: historical, romance,
contemporary fiction, paranormal, adventure, mystery/
suspense, fantasy, science fiction, horror. We are
particularly excited about our LGBT line. The Euterpe
site will accept no heat level beyond sweet.

Melpomene - our Mystery/Suspense/Thriller imprint. We are
seeking tales of mystery or suspense. We're looking for the
mystery that's not easily solved, but one that makes you
remember all the little clues at the end.

Polyhymnia - our Action/Adventure imprint. We're looking
for fast-paced, hard knocks, no holds barred stories.

Terpsichore - our Contemporary Fiction imprint. We're
looking for stories of modern literature: women's fiction,
humor and nostalgic tales not quite old enough to qualify
as a historical.

Thalia--our Paranormals imprint. For paranormal romance,
we're seeking heat levels from low to hot. This is for
vampires, shapeshifters and other paranormal-type folks.

Urania--our Speculative Fiction imprint. This imprint plays
host to science fiction, fantasy and horror--and all the
various subgenres under the SF umbrella.

=====

ALGONQUIN BOOKS
http:///www.algonquin.com
---
Algonquin Books publishes literary fiction and nonfiction.
We don't publish poetry, genre fiction (romance, science
fiction, etc.), or children's books.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPONSORS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

How to Write a Dick: A Guide for Writing Fictional Sleuths
from a Couple of Real-Life Sleuths

by Colleen Collins and Shaun Kaufman

Available on Kindle $4.99
http://www.amazon.com/How-Write-Dick-Fictional-ebook/dp/B00595K1UK

"Forget Google and Bing. When you need to research PI work,
go to the experts, Colleen Collins and Shaun Kaufman: they
live it, they teach it, they write it. How to Write a Dick
is the best work of its kind I've ever come across."

- Reed Farrel Coleman, three-time Shamus Award winner for
Best PI Novel of the Year & author of Hurt Machine

How to Write a Dick blog tour & articles:
http://howtowriteadick.wordpress.com/

=====

 

TABLE ROCK WRITERS WORKSHOP

Join a creative community for a weeklong retreat in the cool
mountain air at Wildacres.

September 19-23, 2011

Learn with veteran instructors in fiction, memoir and poetry.
Complete information and course listings available online

www.tablerockwriters.com

Questions? Cindy Campbell 919.923.8857 or cincam@aol.com
 

=====

 

KATHERINE DON, "THE BOOK DON"                                     
PERSONALIZED BOOK EDITING SERVICES                             
                                                                                      
Katherine goes beyond the basic services of copyediting;
she works closely with authors on everything from
concept development to final edits. Services include:
content editing, line editing, book proposals, partial
manuscripts, full manuscripts. She works both with first-time
authors and experienced authors with agents and in-house
editors. Nonfiction, journalism, memoir, fiction.

Contact Katherine: kat.don1@gmail.com
Website: YourBookDon.com

=====


AWARD-WINNING WRITER, PUBLISHER
WILL EDIT YOUR NOVEL, MEMOIR, POETRY

Have your writing edited by an award-winning, professional
writer, editor, and publisher, one who knows how to help
you prepare your writing for publication.  Richard Krawiec
has published novels, biographies, text books, plays, and
a story and poetry collection.  He won the 2009 Excellence
in Teaching Award from UNC Chapel Hill. His essays, feature
articles, and reviews have appeared in major newspapers and
magazines across the US. The NY Times, LA Times, Publishers
Weekly have reviewed his work. Awards include National
Endowment for the Arts and NC Arts Council grants, as well
as nominations for the National Book Award, Best American
Short Stories, and Pushcart Prize. He is founder of Jacar Press.

Contact rkwriter@gmail.com , www.rkeditor.com

=====

 

 

COOL WELL PRESS - NEW PRESS
http://www.coolwellpress.com/pages/home
---
We offer a variety of genres including fantasy, mystery,
science fiction, suspense, historicals, Young Adult, and
non-fiction. We strive to bring you the best and brightest
authors and stories that will touch your heart, open your
mind, and keep you thinking long past The End. Cool Well
Press is a royalty-paying publisher of works for sale in
electronic format and trade paperback. We publish two
distinct lines - book-length Young Adult fiction across
all genres and non-fiction in a variety of genres.
 

=====


 

NEW BOOK RELEASE:

The Heart of a Ready Scribe by Melanie Stiles

Are you ready to connect your passion for writing with your
heart for God? We all have a message to be written for others.
Are you working on yours?

Take this one year journey of weekly encouragement, instruction
and reflection that will enable you to connect your calling to
action.

Is it your time to take on the role of a Ready Scribe?

Amazon link (including Kindle edition)

Ebook link

=====

WHY ADVERTISE IN FUNDSFORWRITERS?

For my first advertising for my fledgling business I needed to
make strategic choices within a very limited budget. I chose
to advertise in two places: the Funds for Writers (FFW)
newsletter and a major writer's magazine (circulation of 100,000).
FFW far outperformed the magazine! From my first FFW ad I got an
immediate and enormous spike in traffic to my web site and within
24-hours had more than 100 people sign up on my website. And that
was just the first ad! Over the course of the six-week ad campaign
I saw a noticeable spike in traffic after each ad hit people's
inboxes and in total garnered at least 500 new sign-ups.

If you're thinking about advertising in FFW, do it!

Joan Dempsey, Founder & President
http://www.literaryliving.com 

=====

ANOTHER FANTASTIC REASON TO ADVERTISE IN FUNDSFORWRITERS

Chalet Publishers, LLC, ran an ad ONE TIME in announcing we
were currently accepting submissions. It had been exactly 24
hours since the newsletter and the ad were distributed. Queries,
chapters, entire manuscripts --- the influx has just now slowed
down. We received way over forty responses to our ad, and they
are still pouring in.  (BTW, this is a very good problem!). Just
wanted to let you know we think you and your newsletter rock!
It's just amazing and lets us know just how loyal your fans are.

Joyce Norman,
Chalet Publishers, LLC
http://www.chaletpublishers.com

=====

WORLDWIDE FREELANCE WRITER

We're in the business of writing. For 10 years we've been
helping freelance writers to find paying markets. Please
browse our free database of 750 markets or join Markets
Plus and have 2500 markets at your fingertips.

http://www.WorldwideFreelance.com

=====


http://www.fundsforwriters.com/adrates.htm 


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUSINESS STUFF
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


C. Hope Clark
E-mail: hope@fundsforwriters.com

140-A Amicks Ferry Road #4
Chapin, SC 29036

http://www.fundsforwriters.com

Copyright 2000-2011, C. Hope Clark
ISSN: 1533-1326


-----------------------------