Volume 8, Issue 26       
June 29, 2008

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FUNDS FOR WRITERS

Writer's Digest's 101 Best Websites for Writers
2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008

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Summertime is here! Picking plums in the hot summer sun with the grandson Gary.

Editor:  C. Hope Clark
Mailto:    Hope@fundsforwriters.com
Website: http://www.fundsforwriters.com
Newsletter: ISSN: 1533-1326

Our subscriber list is NOT made available to others. Use information
listed at your own risk. FundsforWriters gives no warranty to
completeness, accuracy, or fitness of the markets, contests and grants
although research is done to the best of our ability.

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PAID SPONSOR OF THE WEEK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

THE ORGAN GRINDER AND THE MONKEY
By Sam Moffie

Seymour Petrillo, Constance Powers and Irving Hanhart.
Three protagonists from vastly different backgrounds
intimately share a very public secret.

One therapist who impacts them all.
 
From Steubenville, Ohio (Petrillo) to Boardman, Ohio (Powers),
to Brookline, Massachusetts (Hanhart) -- the three protagonist's
imaginative and individual experiences are detailed. From
humorous to outrageous to tragic, the reader is taken on a
journey that finds its ending in New York City. The Organ
Grinder and the Monkey is a highly original and complex novel.
Sam Moffie's never ending imagination is once again hard at work.

http://www.samsstories.com/
Barnes and Noble online - http://tinyurl.com/4onh26
Amazon.com - http://tinyurl.com/4nkoy4

                 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
EDITOR'S THOUGHTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Read newsletter online at: http://www.fundsforwriters.com/FFW.htm
Read past issues at: http://www.aweber.com/z/article/?fundsforwriters

=====

WARNING, BAD LANGUAGE - AND I UNDERSTAND WHY

HARLAN ELLISON - PAY THE WRITER
http://www.youtube.com/watch?v=mj5IV23g-fE

Nothing stirs me more than writers writing for free. Whenever
the topic is set afire in a list serve or chatroom, tempers
flare. Well, Mr. Harlan Ellison is a professional writer, and
his temper goes to town on this subject, let me tell ya!

He goes on a rant that makes me want to applaud. Watch the
language in a couple of small places. But try to look past that for
the message.

Listen. Many folks look at writing as a talent inside of everyone,
therefore, making it a very common commodity. The simple law of
supply and demand cuts the price of it down to pennies per word.
This myth results in most writers receiving little for their
effort.

There are also writers out there who haven't caught grasp of
the seriousness of writing. They think they can scratch out a
first draft, shoot it off, get paid $20, and consider themselves
a professional.

Writing takes an investment of time and buckets of sweat. When
you shortcut the time, the learning process and the exertion
to mold a submission, you hurt the entire profession. By
selling half-baked writing to others, you teach them that
other writers perform in this manner. You instill in nonwriters
and newbies the concept that writers practically give it away
and are happy to do so. They are ridiculously happy to publish
anywhere, anytime, for any recognition, paid or not.

Be proud of your work. Be proud of your profession. When you
shortcut, the ripple effect is phenomenal on everyone.

Take hours to write, not minutes. Rewrite six times, not once.
Recognize passive voice, verb tenses and POV shifts. Read good
writing and study it. Realize what makes it good.

Quit being in such a dang hurry to have a byline and flaunt
you're an author. Would you want to visit a doctor who skipped
three years of medical school? Would you enjoy a class by a
teacher who skimmed the book and taught you no more than you
could have taught yourself?

You want to write like nobody else. You want to spin stories
that grab a reader by the shirt. You want phrases in your
tales that make a person memorize their lyrical qualities to
repeat to their loved one. And you want to get paid.

Write like you deserve a decent wage. Then ask for it.

    Hope

CHAT TIME

On Sunday, June 29, 2008, come to www.writerschatroom.com
at 7PM Eastern to chat with Hope. No password needed.

=====

TOTAL FUNDSFORWRITERS HALF OFF!

Summer is when writers slack off. So to reward those diligent
souls sticking with the task, I'm offering TOTAL FundsforWriters
subscriptions for one-half off. That means you get TOTAL FFW
for $6. Twenty-six issues half off the normal $12 value.

Renew your subscription, sign up like you've always meant to do,
or extend your subscription another year. We'll see to it that
you get your twelve months of grants, contests, markets and
publishing opportunities. 80+ listings in each issue.

http://www.fundsforwriters.com/JulyTOTAL.htm

Only good through the month of July.

=====

http://www.hopeclark.blogspot.com

People are raving about the new look...and the new opportunities
offered four-five days a week.

=====

WE HAVE OTHER NEWSLETTERS, TOO

A lot of folks join FundsforWriters newsletter not realizing
we have three others. Shame on me for not making it clear!

FFW Small Markets - markets that pay under $350 or 20 cents/word.
                    Delivered weekly - no cost.

WritingKid - markets, contests, scholarships for the young
      writer from late grade school into college.
             Basically, 8-21 years old.

TOTAL FFW - the paid subscription - the super, duper version
            of FundsforWriters only instead of 15 opportunities,
            it lists 80+. Very cool.

http://www.fundsforwriters.com/FFWnewsletters.htm

  ~~~~~~****~~~~~~

WORDS OF SUCCESS

Life is not easy for any of us. But what of that?
We must have perseverance and above all confidence in
ourselves. We must believe that we are gifted for something
and that this thing must be attained.

~ Marie Curie

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARTICLE
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How to go from $200 per assignment to $2,000 per assignment
By Mridu Khullar

If you write 4 articles per month at $200 per assignment, you
make $9,600 a year, I wrote on my blog a few days ago. If you
write the same four articles at $2,000 per assignment, you make
$96,000. 

(See blog entry: http://www.mridukhullar.com/journal/2008/03/18/numbers/)

The trick is, a reader commented, to go from that $200 to $2,000.
How do you do it? Here are some tips:

1. Pitch to bigger markets. You'd think this would be obvious.
But the freelancer thinking usually goes like this: "Glamour
would love this. It's also perfect for Reader's Digest. That
would be such a long wait though. Hmm... maybe I'll just send
to the small magazine that always accepts my stuff."  Instant
acceptance is great, but have a little patience and try the
higher-ups first.

2. Take up topics you don't necessarily love. This might mean
doing a few service pieces, or it could mean taking that one
monthly assignment from a trade magazine. But it also means
freedom from a day job, and less income-related worries that
detract you from work that you do love.

3. Create relationships. One-time assignments are great for the
clips and experience, but if you're in this for the long run,
you need to think in terms of relationships with editors. Editors
who've worked with you over the years will be much more eager to
give you more assignments and trust you with different styles, not
to mention increase your rates. Editors need writers they can rely
on. Become such a writer, and you can practically command good
rates.

4. Set realistic income goals. You really do have to think about
money and plan around it. My mindset has usually been of the "I
don't work for money" variety, and I have a very undemanding
lifestyle--I don't even own a television. However, every year that
I have failed to plan financially is a year that I've had trouble
making rent. You may not care much about money either, or maybe
you have a supportive spouse or a full-time job. Writing is my
full-time occupation, and no rich guy has offered to marry me yet,
so I set goals. And I put them in writing. It always helps.

5. I mentioned that you need to write four articles a month. I
kept the number the same, but increased the rates of the
assignments to show how a few hundred dollars can make such a
difference. But in order to do that, you actually need four
stable clients who will buy from you monthly. That is probably
the biggest challenge of freelancing. So your first goal is to
get those four clients (even if they're low-payers) and reach
the level where you have four assignments a month. Then, when
you've proven your worth, you ask for a raise.

6. Sometimes, you'll get a raise. Sometimes, you won't. Always
remember to keep replacing your low-paying clients with new
higher-paying ones. Replace one at a time and don't burn bridges,
but keep climbing up that ladder. This doesn't mean that you can't
write for low-paying clients if you enjoy that work. It simply
means that you also need to focus on attracting higher-paying
clients and making the time for the work they bring in.

7. Network with people who're more successful than you. Associate
with people who know what they're talking about and can back their
claims with solid credentials. There are hundreds of writing
communities online and if you're still taking advice from the
pay-per-click writers, you're doing yourself a huge disservice.
Join professional organizations that require you to pay for
membership, talk to serious professionals who make a living with
their work, and be wary of people who hide behind anonymity.

8. Offer what others can't. I specialize in women's issues. Broad
enough so that a couple hundred other writers do as well. I write
about women's issues in developing countries. Better. I write about
projects by or for women in developing countries that are making
a tangible difference in people's lives. That's my specialty, by
the way. I also claim to have extensive knowledge and contacts on
two other topics: Tibet and disabilities. More specifically,
Tibetan exiles and disability employment.

9. If you've been writing and selling for more than three years,
make a list of all your clients in an Excel sheet. Delete the ones
you no longer want to work with. Of the remaining, next to each,
write down the number of assignments you've done for them and
categorize them as less than 3, 3-5, 5-10, and 10+. The less than
three assignment clients are either one-timers or people you should
be pitching again. The 10+ are your regular clients. But look
closely at the 3-10 range, and figure out how to turn them into
editors who give you work regularly.

10. And finally, the oft-advised, infrequently-taken advice:
negotiate. Be willing to walk away. I've received thousands of
dollars in assignments from an editor who in our first
correspondence said she wanted me to write the first article for
free. Not only did I walk away, I told her precisely why that was
offensive to me. She offered me a $1,000 assignment, and I'm
now one of her regular writers. Respect your work. Only when
you do that, will others too.

BIO:
Mridu Khullar, 26, is a freelance journalist currently working
in Accra, Ghana. She writes for Time, Marie Claire, Elle, Ms.,
Parade.com, Women's eNews, and Writer's Digest, among others.
Visit her at http://www.mridukhullar.com.

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COMPETITIONS
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CARLY PHILLIPS BASEBALL ESCAPE CONTEST
http://www.eharlequin.com/BaseballEscapeContest
http://www.carlyphillips.com/books_hotproperty.php
---
NO ENTRY FEE
Tell author Carly Phillips and MIRA Books in 25 words or
less why you deserve to escape the baseball season this Fall.
Deadline August 29, 2008. Contest is to help kickoff her
newest release HOT PROPERTY. First prize is $1,000 to spend
on a spa retreat or any other escape the winner would like
while her significant other is tied to the tube during
baseball season.

=====

MEET THE AUTHORS WRITING CONTEST
http://www.twwoa.org/
---
$25 ENTRY FEE
First place: $500, or an all-expenses-paid trip to meet
the authors, Sept. 9-10. Second place: $300, or meet the
authors.  Accommodation provided.  Third place $200, or
meet the authors. Ten Honorable Mentions.

Contest winners are eligible for a free trip to New York to
personally meet National Book Award-winning authors E.L.
Doctorow and Peter Matthiessen. The winners will also
receive autographed books by the authors - or, may opt for
a combined $1,000 in cash prizes instead of the trip. In
addition, ten Honorable Mentions will receive recognition.
Deadline: postmarked by August 5, 2008. Submit an unpublished
story (fiction or creative non-fiction), of twenty-five 
pages or less.

=====

FIRST SOUTHERN CALIFORNIA FICTION PRIZE
http://www.usc.edu/dept/LAS/mpw/students/documents/scr_fictionprize_entryform_2009.pdf
---
$10 ENTRY FEE
First prize $1,000. Second prize $200. Third prize $100. Send one
story of up to 8,000 words. All entrants receive a complimentary
copy of Southern California Review. Deadline August 31, 2008.

=====

THE FIRST ANNUAL TENNESSEE WILLIAMS/NEW ORLEANS FESTIVAL
FICTION WRITING CONTEST
http://www.tennesseewilliams.net/article.php/fictioncontest
---
$20 ENTRY FEE
Grand Prize $1,500, VIP Festival Pass ($500 value), March 25-29,
2009, Publication in the New Orleans Review, Domestic Airfare
and Accommodations to attend the Festival in New Orleans, Public
Reading.

Second Prize: $200, a Public Reading, and Festival Pass
Third Prize: $100, a Public Reading, and Festival Pass
Short stories, written in English, up to 7,000 words.
Deadline November 15, 2008.

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GRANTS
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GAP GRANTS - WASHINGTON STATE
http://www.artisttrust.org/grants
---
The Grants for Artist Projects Program provides support for
artist-generated projects, which can include (but are not
limited to) the development, completion or presentation of
new work. GAP awards are open to artists of all disciplines
and offer a maximum of $1,500 for projects. An inter-disciplinary
panel of artists and arts professionals selected from around
Washington State select GAP recipients. GAP applications are
accepted each year at the end of February.

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DUTCHESS COUNTY ARTS COUNCIL INDIVIDUAL FELLOWSHIPS
http://www.artsmidhudson.org
---
The Arts Fund Individual Artists' Fellowship Program has been
established to provide support to individuals living in Dutchess
County who are in the developmental phase of a career as a creative
artist.  These awards are geared toward supporting artists' career
development, rather than project support. This category accepts:
1) Fiction work in all varieties and genres of prose fiction,
including novels, short stories, and experimental forms. Work in
graphic or "comic book" fiction is also accepted in this category.
2) Nonfiction work in all varieties and genres including essays,
criticism, journalism, autobiography, monographs and experimental
forms. 3) Playwriting/ Screenwriting - stageplays, screenplays,
teleplays, libretti, radioplays, and audiodramas. 4) Poetry in
all forms. While both professional and emerging artists are invited
to apply, those artists who demonstrate a developed technique and
vision, as well as perseverance in building a career as a professional
artist, will be given greater consideration. Panelists will consider
the artist's past endeavors, current work and any plans for the
future. In addition, the panelists will look at the applicant's
record of community-based work (lecture demonstrations, arts-in-
education programs, community service, etc.) A full fellowship
is $3,000.  Full or partial fellowships may be awarded. Applicants
must have been residents of Dutchess County, NY for at least two
years as of July 31, 2008.

=====

INDIVIDUAL ARTIST FELLOWSHIPS - NJ, MD, DE, PA
http://www.midatlanticarts.org/funding/artists_programs/fellowships/state_fellowships.html
---
Mid Atlantic Arts Foundation is again administering individual
artist fellowship programs for the states of Delaware, Maryland,
New Jersey, and Pennsylvania in 2009. The application deadlines
for the 2009 fellowships are as follows:

· New Jersey: July 15, 2008
· Maryland: July 31, 2008
· Delaware: August 1, 2008
· Pennsylvania: August 4, 2008

Questions concerning the state individual artist fellowship
programs should be directed to Joanna Raczynska at 410-539-6656
ext. 101 or joanna@midatlanticarts.org.
 

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FREELANCE MARKETS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

108
http://www.108mag.com/submissions.aspx
---
108 welcomes unsolicited submissions of original and fresh
fiction, non-fiction, photographs, illustrations, and
cartoons. All submissions to 108 should relate to baseball
and its historical and/or cultural connection to society and
community. Payment terms for materials published in 108 vary,
but will be determined contractually after selection by 108
and before the beginning of the editorial process. Compensation
for articles typically ranges between $0.50 and $1.00 per word
for written submissions, $50 and $500 per photograph or
illustration, and between $100 and $500 per cartoon.
Compensation for cover art is open to negotiation. 108 prefers
feature articles and short fiction to be between 1,500 and
7,000 words.

=====

NATIVE AMERICAN JOURNAL
http://journalism.berkeley.edu/jobs/details.php?cat=free&ID=6718
http://www.nativeamericanjournal.net/
---
Native American Journal is accepting creative story ideas and
letters of interest from writers who want to be considered for
freelance assignments. Native American Journal is the only in-
print magazine in Indian Country. Published 10 times a year
and has a unique distribution list of 8,000+ tribal leaders.
Native American Journal is about Native American business,
businesspeople, and issues that affect economic growth in Indian
communities. Pays twenty cents/word. Deadline July 20, 2008.

Our main editorial themes through Feb. 2009 are:

September Economic Development in Indian Country
October Finance
November Public Safety
Dec./Jan. Natural Resources
February Health and Social Services

=====

JIM BAEN'S UNIVERSE
http://www.baensuniverse.com/subguide.html
---
Jim Baen's Universe is a professional science fiction and
fantasy magazine which is published on-line and bi-monthly.
For the first 5,000 words, we'll pay 25 cents a word. That
comes to $1,250. For the next 5,000 words (i.e., from 5-10K),
we'll pay 15 cents a word. That comes to $750, or a cumulative
payment of $2,000 for a story that was 10K words long. For the
next 10,000 words (i.e., from 10-20K), we'll pay 10 cents a
word. That comes to $1,000, or a cumulative payment of $3,000 for
a short novella that was 20K words long. For the next 20,000
words (i.e., from 20-40K), we'll pay 8 cents a word. That comes
to $1,600, or a cumulative payment of $4,600 for a short novel
that was 40K long. Anything longer than that, we'll pay 6 cents
a word.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JOBS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 
WRITER-EDITOR
Location Korea
http://jobsearch.usajobs.gov/getjob.asp?JobID=72988982&aid=27015391-2068&WT.mc_n=MKT000125
---
Deadline July 4, 2008. Serves as the Writer-Editor responsible
for all aspects of the Command Information (CI) Program for US
Army Garrison Humphreys and Area III. The writer/editor gathers
information through interviews and takes still photographs of
a variety of subjects for publication. The writer/editor prepares
"camera-ready" digital copy of news and feature articles for
inclusion in the Korea peninsula wide newspaper as well as other
publications. The writer/editor uses desktop publishing hardware
and software to draft, edit, and layout the material and sometimes
to design, print and distribute it. Employer Agency: Army
Installation Management Agency.

=====

LIFESTYLES REPORTER
Location The Villages, FL
http://www.journalismjobs.com/job_listing.cfm?jobid=941485
---
The Villages Daily Sun is seeking a reporter who can generate
lifestyle features and general assignment articles with
confidence and has an understanding of what stories matter to
active retirees. This is an excellent opportunity for a reporter
looking to grow beyond their first year or two of experience.
This successful candidate will write on a range of topics
including, but not limited to: food, religion, arts, theater,
health, travel and gardening as well as general lifestyles
assignments. We are looking for a self-starter who can come
up with article ideas.

=====

PROJECT WRITER
Location Oakland, CA
http://www.idealist.org/en/job/291952-188
---
The Project Associate's responsibilities vary according to each
project but are likely to include: conducting interviews;
facilitating meetings and focus groups; assessing organizational
strengths and weaknesses; conducting and analyzing quantitative
and qualitative research; analyzing the direction of specific
fields or social arenas (e.g. child care, violence prevention,
healthcare, economic development, the arts, public education,
housing); writing press releases; drafting reports and strategic
assessments; developing work plans and budgets; and occasional
grantwriting and reports to foundations. The candidate should
exhibit exceptional writing skills and must be able to think
creatively and strategically.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PUBLISHERS/AGENTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

CARDOZA PUBLISHING
Richard Klonfas
5473 S. Eastern Ave., Las Vegas, NV 89119
E-mail - richard@cardozabooks.com
(ph) 702-870-7200 - (fx) 702-822-6500
---
Cardoza Publishing only publishes book on games, gambling,
chess and backgammon. Please email or send entire manuscripts,
if available, to the above address. If full manuscripts are not
available, we will look at proposals. All proposals, with or
without manuscript, should include a suggested table of contents,
overview of the book, comparison of similar titles, and reasons
why the book is unique and should be published. Please list
qualifications and credentials relevant to the writing of the
proposed book. If you would like any materials returned, please
enclose a S.A.S.E. NOTE: We receive an enormous number of
manuscript submissions, so please have patience--it may take a
few months before we can review and respond to your book
proposal.

=====

MEADOWBROOK PRESS
http://www.meadowbrookpress.com/
---
Since 1975, Meadowbrook has grown to become one of the leading
Midwest publishers of books sold nationally through bookstores
and other retail outlets. We specialize in pregnancy, baby care,
child care, humorous poetry for children, party planning, and
children's activities. Please note that we are not currently
accepting unsolicited manuscripts or queries for the following
genres: adult fiction, adult poetry, humor, and children's fiction.
Also note that we do not currently publish picture books for
children, travel titles, scholarly, or literary works.

=====

EDGE SCIENCE FICTION AND FANTASY PUBLISHING
http://edgewebsite.com/authors.html
---
Currently seeking high-quality novel-length science fiction
and fantasy submissions of all types. Not interested in YA,
horror, erotica, religious fiction, short stories, dark/gruesome
fantasy, or poetry. Manuscripts should be written in good taste
and be aimed at an older (aged 20 and up), well-read, mature
audience. Prefer novels of between 75,000 and 100,000 words,
although occasionally accepts longer works. Both new and
established authors.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPONSORS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

FATE: THE BEGINNING
A Novel

In his first novel "Fate: The Beginning", Ken Davis has done
something no other writer has dared to attempt. He has crafted
a story around science and religion, and mixed in the anticipated
passions of love and romance. Whether you are a hopeless romantic
or science fiction buff, all will enjoy this story.

Eric Miller and Erica Myers will embark on a journey only Fate
can prepare. They have traveled through time and space, just to
meet each other again. But will love be strong enough to bind
them together after? This is one book you owe it to yourself to
read. But be warned, the ending of this story will invoke emotions
of its own.

To get more information visit the books website at:
http://fate.thebeginning.googlepages.com

Or write the author at ken.davis.writer@comcast.net or
at ken.davis.55@comcast.net to request a signed copy.

=====

2008 WOMEN OF WORDS AWARD AND POETRY CHAPBOOK CONTEST

Southern Hum Press is seeking to publish the award-winning
poetry chapbook by a woman. Entries need not be Southern-
themed. Entries should be no longer than 32 pages in length.
Simultaneous submissions are allowed as long as we are
notified immediately if manuscript is accepted elsewhere.

The award winner will receive a prize of $250 and 25 copies
of the chapbook. (Additional copies can be purchased by the
author for a 50% discount.) The chapbook will also be available
for purchase on the Southern Hum Press website.more info:

http://southernhumpress.squarespace.com/contests/

=====

MANUSCRIPT EDITING SERVICES - Fast and Affordable

Need to get unbiased comments on your ms?
Wondering if it's ready for an agent/publisher? I can help!
Services offered: copyediting, proofreading, ms critique,
developmental assistance. More than 10 years of experience
with writers of all skill levels.

Visit www.jacquelincangro.com/editingservices.htm
for rates and details.

Or write: contact@jacquelincangro.com

=====

WORLDWIDE FREELANCE WRITER - Download a free list of writing
markets if you subscribe this week. Our database has almost 2,000
writing markets from USA, Canada, UK, Europe, Australia.

http://www.worldwidefreelance.com

=====

Advertise with FundsforWriters !!!
Advertise with FFW Small Markets!

ADS FOR $9 AND UP!

$ 9 - one week in FFW Small Markets
$30 - four weeks in FFW Small Markets

$20 - one week in FundsforWriters
$60 - four weeks in FundsforWriters

$25 - one week in both FundsforWriters & FFW Small Markets
$75 - four weeks in FundsforWriters & FFW Small Markets

http://www.fundsforwriters.com/adrates.htm

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUSINESS STUFF
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

C. Hope Clark
E-mail: hope@fundsforwriters.com

140-A Amicks Ferry Road #4
Chapin, SC 29036

http://www.fundsforwriters.com

Copyright 2000-2008, C. Hope Clark
ISSN: 1533-1326

-----------------------------