FundsforWriters - December 16, 2007
Published: Fri, 12/14/07
Volume 7, Issue 50
December 16, 2007
December 16, 2007
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FUNDS FOR WRITERS
Writer's Digest's 101 Best Websites for Writers
2001, 2002, 2003, 2004, 2005, 2006, 2007
2001, 2002, 2003, 2004, 2005, 2006, 2007
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Editor: C. Hope Clark
Mailto: Hope@fundsforwriters.com
Website: http://www.fundsforwriters.com
Newsletter: ISSN: 1533-1326
Mailto: Hope@fundsforwriters.com
Website: http://www.fundsforwriters.com
Newsletter: ISSN: 1533-1326
Our subscriber list is NOT made available to others. Use information
listed at your own risk. FundsforWriters gives no warranty to
completeness, accuracy, or fitness of the markets, contests and grants
although research is done to the best of our ability.
listed at your own risk. FundsforWriters gives no warranty to
completeness, accuracy, or fitness of the markets, contests and grants
although research is done to the best of our ability.
~~~~~~~~~~~~~~~~~~~~~~~~~~~
EDITOR'S THOUGHTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~
Read newsletter online at: http://www.fundsforwriters.com/FFW.htm
=====
COURT VOIDS SETTLEMENT IN TASINI V. NEW YORK TIMES
http://email.publishersweekly.com/cgi-bin2/DM/y/h1jF0OO3JJ0OYa0DRH30EB&rid=1808855373
http://email.publishersweekly.com/cgi-bin2/DM/y/h1jF0OO3JJ0OYa0DRH30EB&rid=1808855373
"The Second Circuit Court of Appeals has thrown out a settlement
between freelance writers and publishers reached after a 2001
Supreme Court ruling that publishers had violated the copyright
of freelance writers by using their works in electronic
databases without their permission."
between freelance writers and publishers reached after a 2001
Supreme Court ruling that publishers had violated the copyright
of freelance writers by using their works in electronic
databases without their permission."
If I understand this right, those writers who did not have a
copyright filed for their work, were not entitled to the
settlement. This does not mean that a publisher can take a
print piece and publish it electronically without compensation,
which was the basis of the original case. But this erodes the
decision heavily in that those writers who contracted to write
a print piece, whose work was wrongly published electronically
without additional compensation, cannot file a claim against
that publisher for doing so unless the work had copyright
filed.
copyright filed for their work, were not entitled to the
settlement. This does not mean that a publisher can take a
print piece and publish it electronically without compensation,
which was the basis of the original case. But this erodes the
decision heavily in that those writers who contracted to write
a print piece, whose work was wrongly published electronically
without additional compensation, cannot file a claim against
that publisher for doing so unless the work had copyright
filed.
I don't know about you, but I don't get paid enough per piece
to justify a $35-$45 filing fee for each article I write.
Let's say I write twenty pieces a year averaging $500 per
piece. Out of that $10,000 of income, $900 would go toward
copyright protection. Let's assume that only half of those
publishers I wrote for would consider taking my piece and
putting it online. And let's say I would be paid an additional
25% ($125) for each one placed online. That's $625 worth of
income from online reprints.
to justify a $35-$45 filing fee for each article I write.
Let's say I write twenty pieces a year averaging $500 per
piece. Out of that $10,000 of income, $900 would go toward
copyright protection. Let's assume that only half of those
publishers I wrote for would consider taking my piece and
putting it online. And let's say I would be paid an additional
25% ($125) for each one placed online. That's $625 worth of
income from online reprints.
I received A's in math in school, but it doesn't take a math
major to see that paying $900 to protect $625 isn't profitable
enough to justify filing a copyright on each article I write.
major to see that paying $900 to protect $625 isn't profitable
enough to justify filing a copyright on each article I write.
While many publishers are morally stable, others are not. I
can see some of them now taking advantage of this, using
material online knowing the writer can do nothing about it
without a copyright. One could argue that the publisher
doesn't know which piece is copyrighted and which isn't,
but financially, it's worth it to him (or her) to use the
piece and test the odds. If the author balked, pay him.
If he doesn't, don't. If he does fuss and has no copyright,
then the publisher still wins.
can see some of them now taking advantage of this, using
material online knowing the writer can do nothing about it
without a copyright. One could argue that the publisher
doesn't know which piece is copyrighted and which isn't,
but financially, it's worth it to him (or her) to use the
piece and test the odds. If the author balked, pay him.
If he doesn't, don't. If he does fuss and has no copyright,
then the publisher still wins.
I could be totally off-base with this logic, but reading
this article just pained me. Writers get the short end of
the stick in most situations. I just read where the writer of
a 30-minute prime-time TV show currently makes almost $21,000,
and receives about $11,600 when the episode is first re-run
on television. The companies the writers are fighting are
proposing writers receive $2,600 for writing a show for
online distribution, $139 for unlimited re-runs for a year,
and nothing if the re-run streams for six weeks or less.
this article just pained me. Writers get the short end of
the stick in most situations. I just read where the writer of
a 30-minute prime-time TV show currently makes almost $21,000,
and receives about $11,600 when the episode is first re-run
on television. The companies the writers are fighting are
proposing writers receive $2,600 for writing a show for
online distribution, $139 for unlimited re-runs for a year,
and nothing if the re-run streams for six weeks or less.
To most of us, that's darn good money considering this
compensation is per episode. But this is nickel and dime stuff
when you consider the advertising profits that result from
these shows.
compensation is per episode. But this is nickel and dime stuff
when you consider the advertising profits that result from
these shows.
My maddening point here is to watch your back when dealing
with submissions that have potential for online reprints.
Get a contract wherever possible, and put proper verbiage
in the contract about the potential for future income from
the piece. Contracts have to be honored and can be enforced.
with submissions that have potential for online reprints.
Get a contract wherever possible, and put proper verbiage
in the contract about the potential for future income from
the piece. Contracts have to be honored and can be enforced.
Most editors and publishers are fine. And like Jennifer
Brown Banks said last week in her article "The Catch 22 of
Contracts," sometimes you have to go with your gut on
which editor to trust. Just make sure you go into a writing
gig with an educated grasp of your profession.
Brown Banks said last week in her article "The Catch 22 of
Contracts," sometimes you have to go with your gut on
which editor to trust. Just make sure you go into a writing
gig with an educated grasp of your profession.
And I cannot emphasize this enough...writing for free erodes
these rights that writers are suing and paying a price for.
Think of the big picture before giving your work away.
these rights that writers are suing and paying a price for.
Think of the big picture before giving your work away.
Hope
People are raving about the new look...and the new opportunities
offered four-five days a week.
offered four-five days a week.
=====
FINAL CALL FOR TOTAL
The $6 per year subscription rate for TOTAL FundsforWriters
expires on December 31, 2007. After that, who knows what it
will be? It's been $12 for years. Thought about giving it
as a Christmas gift for a writer friend? Be glad to mail
them a FundsforWriters postcard as notification of your
gift!
expires on December 31, 2007. After that, who knows what it
will be? It's been $12 for years. Thought about giving it
as a Christmas gift for a writer friend? Be glad to mail
them a FundsforWriters postcard as notification of your
gift!
The clock is ticking...
http://www.fundsforwriters.com/totaldeal.htm
http://www.fundsforwriters.com/totaldeal.htm
=====
THE SHY WRITER IS OUT...AGAIN
The second edition of The Shy Writer is out and available for
your Christmas giving. Included is a subscription to TOTAL
FundsforWriters. A nice gift package for a writing pal.
your Christmas giving. Included is a subscription to TOTAL
FundsforWriters. A nice gift package for a writing pal.
=====
THE WOW - WOMEN ON WRITING COLUMN IS UP FOR DECEMBER
http://www.wow-womenonwriting.com/16-Funds4Writers.html
"Compete While Waiting for That Contract"
http://www.wow-womenonwriting.com/16-Funds4Writers.html
"Compete While Waiting for That Contract"
~~~~~~****~~~~~~
WORDS OF SUCCESS
"Nothing gives one person so much advantage over another
as to remain cool and unruffled under all circumstances."
as to remain cool and unruffled under all circumstances."
-- Thomas Jefferson
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARTICLE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Writers & Money: What the h*ll are we doing?
by Pari Noskin Taichert
A long time ago, when I moved in to live with a boyfriend,
my father said to me, "Why pay the cow, when you can get
the milk for free?"
my father said to me, "Why pay the cow, when you can get
the milk for free?"
Okay, there was too much wrong with his offensive question,
but . . . I've been wondering about writers, money and the whole PR
thing lately.
but . . . I've been wondering about writers, money and the whole PR
thing lately.
For years, I've been the poster girl for the "Everything-
You-Do-Is-PR -- Everything-You-Do-Is-Worth-It" school. I've
gone to any event to which I was invited, simply because it
was "good publicity." I've prepared talks, bought nice clothes
and makeup, ordered promotional materials -- just to put on a
good show.
You-Do-Is-PR -- Everything-You-Do-Is-Worth-It" school. I've
gone to any event to which I was invited, simply because it
was "good publicity." I've prepared talks, bought nice clothes
and makeup, ordered promotional materials -- just to put on a
good show.
Yet, I've gotten the sense during the last few months that
a lot of this effort has merely been a distraction. It's taking
me away from writing and returning little of value
professionally, socially or emotionally.
a lot of this effort has merely been a distraction. It's taking
me away from writing and returning little of value
professionally, socially or emotionally.
Worse, it may be damaging. If I'm willing to do all of this
for free, how much are my time, words and work really worth?
for free, how much are my time, words and work really worth?
These questions really hit me last Wednesday when I was a
panelist at a professional women's luncheon. The organizers
were delighted with a much larger than normal turnout. We
authors were a draw. We were given a paltry lunch (not even
chocolate in the dessert) and had to sit through at least
30 minutes of oral ads and testimonials about the organization.
And then, poof, we were the entertainment.
panelist at a professional women's luncheon. The organizers
were delighted with a much larger than normal turnout. We
authors were a draw. We were given a paltry lunch (not even
chocolate in the dessert) and had to sit through at least
30 minutes of oral ads and testimonials about the organization.
And then, poof, we were the entertainment.
No pay.
Few books sold.
Three hours down the drain.
Few books sold.
Three hours down the drain.
What good came of it, other than making some nice women laugh?
Compound this with the compelling arguments I've heard from
people I respect -- people who are making money writing
fiction -- about how we writers should spend our time writing,
producing product. Their view is that the business end of pr/
marketing should still be the purview of publishers.
people I respect -- people who are making money writing
fiction -- about how we writers should spend our time writing,
producing product. Their view is that the business end of pr/
marketing should still be the purview of publishers.
I'm flummoxed, bamboozled, confused.
When did we novelists begin to buy into the idea that we
needed to spend our own cash to market our works? Has this
model always been so? It's incredibly counterintuitive when
you consider how much most of us actually make.
needed to spend our own cash to market our works? Has this
model always been so? It's incredibly counterintuitive when
you consider how much most of us actually make.
Then, I ran across this YouTube video with screenwriter Harlan
Ellison. There's strong language in it, but his point is well
taken. Why do we writers give our words away for free?
Ellison. There's strong language in it, but his point is well
taken. Why do we writers give our words away for free?
Ah, the old refrain: "It's good publicity."
These questions come at a lousy time in my career. Right now,
the University of New Mexico Press and I are lining up out-of-
state booksignings for THE SOCORRO BLAST. I've signed up for
three conventions in '08 and may go to more. I've ordered
5,000 postcards and have come up with at least as many new
PR ideas.
the University of New Mexico Press and I are lining up out-of-
state booksignings for THE SOCORRO BLAST. I've signed up for
three conventions in '08 and may go to more. I've ordered
5,000 postcards and have come up with at least as many new
PR ideas.
Am I being stupid?
Should authors hop on planes, pay for hotel rooms, rent cars
and sell the heck out of their books when these activities
keep them from doing their real work -- writing?
and sell the heck out of their books when these activities
keep them from doing their real work -- writing?
Have we backed ourselves into this corner? Is it a corner?
Do we even want to get out?
Do we even want to get out?
Again, I don't know.
The ego and social parts of me love doing public events and
going to conventions. I adore making people laugh and think.
going to conventions. I adore making people laugh and think.
And then there are the friendships cultivated and nurtured
through these on-site trips. They're worth so much to the
quality of my life.
through these on-site trips. They're worth so much to the
quality of my life.
But . . .
The business side of me -- and my husband, the accountant --
wonder what the hell I'm doing.
wonder what the hell I'm doing.
Should we authors spend so much time giving our milk away for free?
BIO
This piece published in the Murderati blog on December 3, 2007.
Pari Noskin Taichert hails from Albuquerque and has worked as
a belly-dancing instructor, textbook sales consultant, and
long-time PR pro--among her more respectable jobs. A national
award-winning journalist, Pari now devotes her time to writing
novels. Her first mystery, THE CLOVIS INCIDENT, was a regional
bestseller, a Book Sense 76 Pick and a nominee for the
prestigious Agatha Award in 2004. Her next novel, THE BELEN HITCH,
did even better--selling out of its hardcover edition in a little
more than a month and going immediately into trade paperback.
Among its more notable successes, THE BELEN HITCH was selected
as a Book Sense Notable Mystery and garnered a second consecutive
nomination for an Agatha Award--this time for Best Novel--for 2005.
Pari Noskin Taichert hails from Albuquerque and has worked as
a belly-dancing instructor, textbook sales consultant, and
long-time PR pro--among her more respectable jobs. A national
award-winning journalist, Pari now devotes her time to writing
novels. Her first mystery, THE CLOVIS INCIDENT, was a regional
bestseller, a Book Sense 76 Pick and a nominee for the
prestigious Agatha Award in 2004. Her next novel, THE BELEN HITCH,
did even better--selling out of its hardcover edition in a little
more than a month and going immediately into trade paperback.
Among its more notable successes, THE BELEN HITCH was selected
as a Book Sense Notable Mystery and garnered a second consecutive
nomination for an Agatha Award--this time for Best Novel--for 2005.
=====
NOTE FROM HOPE:
I was one of the lucky ones to receive an ARC of Pari's newest
release SOCORRO BLAST. If you don't know the whipped cream-
eating amateur sleuth Sasha Solomon yet, you're missing
some delightful entertainment. The third in the Sasha Solomon
series, SOCORRO BLAST carries Sasha's humor and stumbling
investigative skills into a darker, more serious world of
bigotry, hate crimes, press run amuck and assorted explosive
devices. Test-read Chapter One at Pari's web site and enjoy
the ride.
I was one of the lucky ones to receive an ARC of Pari's newest
release SOCORRO BLAST. If you don't know the whipped cream-
eating amateur sleuth Sasha Solomon yet, you're missing
some delightful entertainment. The third in the Sasha Solomon
series, SOCORRO BLAST carries Sasha's humor and stumbling
investigative skills into a darker, more serious world of
bigotry, hate crimes, press run amuck and assorted explosive
devices. Test-read Chapter One at Pari's web site and enjoy
the ride.
~HOPE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
COMPETITIONS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PEOPLE'S COLLEGE SHORT STORY COMPETITION
http://www.peoplescollege.ie/writingcomp.html
---
ENTRY FEE 5 to 10
First prize in the short story competition will be 500,
second prize 300 and third prize of 200. First prize in
the personal reminiscence competition will be 200. Runners-
up in both categories will receive book tokens. Deadline
February 28, 2008. Stories can be on any subject and must
not exceed 2,500 words. Personal reminiscences should not
exceed 1,000 words. Winning entries will be published in
the 2008 anthology of the People's College Creative Writing
Group.
http://www.peoplescollege.ie/writingcomp.html
---
ENTRY FEE 5 to 10
First prize in the short story competition will be 500,
second prize 300 and third prize of 200. First prize in
the personal reminiscence competition will be 200. Runners-
up in both categories will receive book tokens. Deadline
February 28, 2008. Stories can be on any subject and must
not exceed 2,500 words. Personal reminiscences should not
exceed 1,000 words. Winning entries will be published in
the 2008 anthology of the People's College Creative Writing
Group.
=====
LANTERN BOOKS ESSAY CONTEST
http://www.lanternbooks.com/essay.php
---
NO ENTRY FEE
The aim of our essay competition is to allow new thinking
to emerge on the key subjects of Lantern's publishing program
and to encourage new voices to step forward to shape the
debate of the future. Three topics to choose from:
http://www.lanternbooks.com/essay.php
---
NO ENTRY FEE
The aim of our essay competition is to allow new thinking
to emerge on the key subjects of Lantern's publishing program
and to encourage new voices to step forward to shape the
debate of the future. Three topics to choose from:
How far does personal responsibility extend when it comes
to the environment or other issues affecting the planet?
Where do you find peace, and how can that space be extended?
What "bad" experience has turned out to be "good" for you?
to the environment or other issues affecting the planet?
Where do you find peace, and how can that space be extended?
What "bad" experience has turned out to be "good" for you?
Deadline December 31, 2007. Limit 1,500 words.
$1,000 first prize
$500 second prize
$250 third prize
$1,000 first prize
$500 second prize
$250 third prize
=====
OPIUM 6 BOOKMARK CONTEST
http://www.opiummagazine.com/contest.aspx
---
$10 ENTRY FEE / $17.50 FOR TWO
write a 250-word story (about anything at all, but make it
delightful--in no way does it have to fit our theme), and the
winner will earn their spot on the bookmark that will be
slotted into every issue of Opium6. Deadline: February 8, 2008.
Reward: $1,000, and publication in Opium6 in bookmark form.
http://www.opiummagazine.com/contest.aspx
---
$10 ENTRY FEE / $17.50 FOR TWO
write a 250-word story (about anything at all, but make it
delightful--in no way does it have to fit our theme), and the
winner will earn their spot on the bookmark that will be
slotted into every issue of Opium6. Deadline: February 8, 2008.
Reward: $1,000, and publication in Opium6 in bookmark form.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GRANTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AAUW CAREER DEVELOPMENT GRANTS
http://www.aauw.org/education/fga//fellowships_grants/career_development.cfm
---
Career Development Grants support women who hold a bachelor's
degree and are preparing to advance their careers, change
careers, or re-enter the work force. Special consideration is
given to AAUW members, women of color, and women pursuing their
first advanced degree or credentials in nontraditional fields.
Grants provide support for course work beyond a bachelor's
degree, including a master's degree, second bachelor's degree,
or specialized training in technical or professional fields.
Funds are available for distance learning. Course work must
be taken at an accredited two- or four-year college or
university, or at a technical school that is fully licensed
or accredited by an agency recognized by the U.S. Department
of Education. Funds are not available for doctoral-level work.
http://www.aauw.org/education/fga//fellowships_grants/career_development.cfm
---
Career Development Grants support women who hold a bachelor's
degree and are preparing to advance their careers, change
careers, or re-enter the work force. Special consideration is
given to AAUW members, women of color, and women pursuing their
first advanced degree or credentials in nontraditional fields.
Grants provide support for course work beyond a bachelor's
degree, including a master's degree, second bachelor's degree,
or specialized training in technical or professional fields.
Funds are available for distance learning. Course work must
be taken at an accredited two- or four-year college or
university, or at a technical school that is fully licensed
or accredited by an agency recognized by the U.S. Department
of Education. Funds are not available for doctoral-level work.
=====
CALIFORNIA ARTISTS IN SCHOOLS PROGRAM
http://www.cac.ca.gov/371/index.html
---
The California Arts Council announces that the application is
now available for the 2008-09 Artists in Schools program.
Artists in Schools is designed to support artists in residency
activities that take place in schools, both in the classroom
and in after-school settings. Final application and
supplementary materials are due on January 30, 2008.
http://www.cac.ca.gov/371/index.html
---
The California Arts Council announces that the application is
now available for the 2008-09 Artists in Schools program.
Artists in Schools is designed to support artists in residency
activities that take place in schools, both in the classroom
and in after-school settings. Final application and
supplementary materials are due on January 30, 2008.
=====
U.S.-JAPAN CREATIVE ARTISTS' PROGRAM
http://www.jusfc.gov
---
Five-month residencies in Japan for individual professional
creative artists in any discipline, awarded by Japan-U.S.
Friendship Commission (JUSFC). Artist receives monthly stipends
in yen to cover costs of living and working in Japan, plus up
to $6,000 to cover round-trip transportation for artist,
domestic partner, and/or unmarried minor children; a baggage/
storage allowance; and any pre-departure Japanese language
study in the U.S. Must be U.S. citizen or permanent resident;
preference given to applicants for whom this will be first-time
opportunity for in-depth creative work in Japan. Program seeks
artists who have demonstrated expertise and established
professional recognition (e.g. awards, featured shows,
publication, etc.); playwrights must have had full-length work
professionally produced and/or published in U.S. at least once
in last five years. Deadline: February 1, 2008.
http://www.jusfc.gov
---
Five-month residencies in Japan for individual professional
creative artists in any discipline, awarded by Japan-U.S.
Friendship Commission (JUSFC). Artist receives monthly stipends
in yen to cover costs of living and working in Japan, plus up
to $6,000 to cover round-trip transportation for artist,
domestic partner, and/or unmarried minor children; a baggage/
storage allowance; and any pre-departure Japanese language
study in the U.S. Must be U.S. citizen or permanent resident;
preference given to applicants for whom this will be first-time
opportunity for in-depth creative work in Japan. Program seeks
artists who have demonstrated expertise and established
professional recognition (e.g. awards, featured shows,
publication, etc.); playwrights must have had full-length work
professionally produced and/or published in U.S. at least once
in last five years. Deadline: February 1, 2008.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FREELANCE MARKETS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GRIT
http://www.grit.com/guidelines.html
---
Grit celebrates the intergenerational bonds among those who
live on the land with spirit and style - a legacy of self-
sufficiency, audacious ingenuity and pragmatic problem solving
that gave this country its backbone and continues to shape its
unique character.
http://www.grit.com/guidelines.html
---
Grit celebrates the intergenerational bonds among those who
live on the land with spirit and style - a legacy of self-
sufficiency, audacious ingenuity and pragmatic problem solving
that gave this country its backbone and continues to shape its
unique character.
Rates vary depending on experience and expertise. Generally,
rates are 35 cents /published word for feature articles and
department articles. Payment will include three contributor's
copies. Grit Gazette items pay a flat rate of $50 to $75 per
item.
rates are 35 cents /published word for feature articles and
department articles. Payment will include three contributor's
copies. Grit Gazette items pay a flat rate of $50 to $75 per
item.
=====
AROMATHERAPY THYMES
http://www.aromatherapythymes.com/contact_us.htm
---
Features articles and interviews on holistic health. It answers
the lifestyle needs of a growing market segment. It also
showcases essential oil distilleries, holistic schools and
retreats, as well as their facilities and treatments. It
appeals to masseurs, herbalists, doctors, nurses, perfumers,
alternative health practitioners, home users of essential oils,
and those generally interested in a holistic lifestyle.
http://www.aromatherapythymes.com/contact_us.htm
---
Features articles and interviews on holistic health. It answers
the lifestyle needs of a growing market segment. It also
showcases essential oil distilleries, holistic schools and
retreats, as well as their facilities and treatments. It
appeals to masseurs, herbalists, doctors, nurses, perfumers,
alternative health practitioners, home users of essential oils,
and those generally interested in a holistic lifestyle.
=====
ELDR MAGAZINE
http://www.eldr.com/node/806
---
ELDR is a brand-new magazine and website aimed at affluent
men and women age 60 and older. We seek to promote a healthy,
active, and productive lifestyle. Our topics include elder
politics, environmental concerns, medical breakthroughs,
nutrition, fitness, lifestyle, travel, entertainment, and
technology.
http://www.eldr.com/node/806
---
ELDR is a brand-new magazine and website aimed at affluent
men and women age 60 and older. We seek to promote a healthy,
active, and productive lifestyle. Our topics include elder
politics, environmental concerns, medical breakthroughs,
nutrition, fitness, lifestyle, travel, entertainment, and
technology.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JOBS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WRITER
Location San Rafael, CA
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3G0YQ61S8W74G1808Z
---
Responsible for conceptualizing and developing a wide range
of communication campaigns. Developing web site content for
new and existing products; crafting copy for marketing, sales
and member collateral; producing internal communications; and
providing company-wide editorial support. Employer Health Net.
Location San Rafael, CA
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3G0YQ61S8W74G1808Z
---
Responsible for conceptualizing and developing a wide range
of communication campaigns. Developing web site content for
new and existing products; crafting copy for marketing, sales
and member collateral; producing internal communications; and
providing company-wide editorial support. Employer Health Net.
=====
COPYWRITER
Location Seattle, WA
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3I64668Q1N8J3VSY24
---
Major consumer brands are the focus of this gig, and this
position will be responsible to concept and deliver within
collaborative art direction. If you are an experienced ad
copywriter with a passion to work collaboratively with an
experienced creative team and produce advertising that moves
the needle for a variety of well known brands, then we want
to hear from you!
Location Seattle, WA
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3I64668Q1N8J3VSY24
---
Major consumer brands are the focus of this gig, and this
position will be responsible to concept and deliver within
collaborative art direction. If you are an experienced ad
copywriter with a passion to work collaboratively with an
experienced creative team and produce advertising that moves
the needle for a variety of well known brands, then we want
to hear from you!
=====
SENIOR COPYWRITER
Location Brooklyn Park, MN
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3I5546V8L3ZST8ZGLQ
---
The ideal candidate has a passion for the beauty industry,
can take leadership over Regencys content, is an exceptional
writer with solid skills, and has a strong portfolio. This
person will act as information architect, writer, and
editor for our company's marketing materials and two
websites: www.beautyjobs.com. and www.regencybeauty.com .
The Senior Copywriter will work closely with our graphic
designer and the rest of the marketing team to support other
functions (i.e., admissions, education, and career services)
within Regency.
Location Brooklyn Park, MN
http://www.careerbuilder.com/JobSeeker/Jobs/JobDetails.aspx?sc_extcmp=JS_JobAlert_Title&ipath=PSSK0&psa=1&Job_DID=J3I5546V8L3ZST8ZGLQ
---
The ideal candidate has a passion for the beauty industry,
can take leadership over Regencys content, is an exceptional
writer with solid skills, and has a strong portfolio. This
person will act as information architect, writer, and
editor for our company's marketing materials and two
websites: www.beautyjobs.com. and www.regencybeauty.com .
The Senior Copywriter will work closely with our graphic
designer and the rest of the marketing team to support other
functions (i.e., admissions, education, and career services)
within Regency.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PUBLISHERS/AGENTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
POPCORN PRESS
http://popcornpress.com/?page_id=7
---
A small press for fiction, nonfiction and poetry.
http://popcornpress.com/?page_id=7
---
A small press for fiction, nonfiction and poetry.
Published Authors: If you are a published author with a
finished manuscript that does not suit your usual publishers,
we would like to talk with you. Please contact us at the postal
address or email address above so that we can arrange a
conversation.
finished manuscript that does not suit your usual publishers,
we would like to talk with you. Please contact us at the postal
address or email address above so that we can arrange a
conversation.
Unpublished Authors: If you are an unpublished author with
a finished manuscript, we suggest that you find an agent and
try to place your book with a traditional publisher first.
(It's always good to have New York's marketing power and
distribution channels promoting your work.) After that, if
you still want to publish via Popcorn Press, drop us a line.
a finished manuscript, we suggest that you find an agent and
try to place your book with a traditional publisher first.
(It's always good to have New York's marketing power and
distribution channels promoting your work.) After that, if
you still want to publish via Popcorn Press, drop us a line.
=====
ELLEN PEPUS LITERARY AGENCY
http://www.epliterary.com/fiction%20wish%20list.html
---
What I'm looking for now in fiction:
Well researched historical fiction that weaves compelling
fictional characters into true events. Women's fiction that
transcends "chick lit". Mysteries set in unusual places with
well-organized plots and interesting characters. Thrillers
with a new twist. If you're going to write about CIA agents,
Middle Eastern terrorists, plots to kill the president or
insane serial killers, the writing must be compelling enough
to overcome the familiar topic. Novels with a food theme
(and recipes!). Literary fiction with a well-structured
narrative arc and complex characters -- beautiful writing
is wonderful, but you must also have a strong story line
and characters with conflicts to drive the plot. Multicultural
fiction and stories set in other countries. Animal stories.
Contemporary, edgy, dark stories including urban fantasy.
Romance, erotic romance and erotica.
http://www.epliterary.com/fiction%20wish%20list.html
---
What I'm looking for now in fiction:
Well researched historical fiction that weaves compelling
fictional characters into true events. Women's fiction that
transcends "chick lit". Mysteries set in unusual places with
well-organized plots and interesting characters. Thrillers
with a new twist. If you're going to write about CIA agents,
Middle Eastern terrorists, plots to kill the president or
insane serial killers, the writing must be compelling enough
to overcome the familiar topic. Novels with a food theme
(and recipes!). Literary fiction with a well-structured
narrative arc and complex characters -- beautiful writing
is wonderful, but you must also have a strong story line
and characters with conflicts to drive the plot. Multicultural
fiction and stories set in other countries. Animal stories.
Contemporary, edgy, dark stories including urban fantasy.
Romance, erotic romance and erotica.
=====
ARCADIA PUBLISHING
http://arcadiapublishing.com/about.html
---
Arcadia Publishing is the leading local history publisher
in the United States, with a catalog of more than 4,000
titles in print and hundreds of new titles released every
year.
http://arcadiapublishing.com/about.html
---
Arcadia Publishing is the leading local history publisher
in the United States, with a catalog of more than 4,000
titles in print and hundreds of new titles released every
year.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPONSORS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TAKE YOUR FICTION WRITING TO THE NEXT LEVEL
What do Dan Brown, J.K. Rowling, Stephen King and Nora Roberts
have in common?
have in common?
They're all great storytellers, and great storyTELLERS make
great storySELLERS.
great storySELLERS.
Storytelling, like writing, is a craft that can be learned.
Writers Central specialises in online courses and e-books
devoted to the art and craft of writing great fiction.
Writers Central specialises in online courses and e-books
devoted to the art and craft of writing great fiction.
And great fiction sells.
Join published author and columnist Suzanne Harrison, as she
guides you on a journey through the simple but powerful
processes of freeing your imagination and onto writing your
award winner or bestseller.
guides you on a journey through the simple but powerful
processes of freeing your imagination and onto writing your
award winner or bestseller.
=====
FOUR Ps TO PUBLISHING SUCCESS WORKBOOK -
Your Guide to Getting Published
"4 Ps to Publishing Success is Step One in every beginner's
path to becoming a writer. All that information is condensed
in one place to tell you where and how to commence that dream
career as a copywriter, author or freelance writer." --C. Hope Clark
Publishing consultant and former New York book editor Shelley
Lieber shares easy-to-follow exercises, resources and insider
tips to help beginning and intermediate writers navigate the
entire publishing process from initial concept to publication
and promotion. Convenient ebook format lets you download and
get started in minutes. Full details at:
Your Guide to Getting Published
"4 Ps to Publishing Success is Step One in every beginner's
path to becoming a writer. All that information is condensed
in one place to tell you where and how to commence that dream
career as a copywriter, author or freelance writer." --C. Hope Clark
Publishing consultant and former New York book editor Shelley
Lieber shares easy-to-follow exercises, resources and insider
tips to help beginning and intermediate writers navigate the
entire publishing process from initial concept to publication
and promotion. Convenient ebook format lets you download and
get started in minutes. Full details at:
=====
WORLDWIDE FREELANCE WRITER - Download a free list of writing
markets if you subscribe this week. Our database has almost 2,000
writing markets from USA, Canada, UK, Europe, Australia.
=====
ARE YOU A STARVING POET?
Even if you're not, how would you like a free resource coming
to you monthly via email? Subscribe to the free newsletter,
The Poetry Market Ezine, by logging onto www.thepoetrymarket.com
and using the sign up box, or send any email to:
poetrymarket-subscribe@yahoogroups.com
to you monthly via email? Subscribe to the free newsletter,
The Poetry Market Ezine, by logging onto www.thepoetrymarket.com
and using the sign up box, or send any email to:
poetrymarket-subscribe@yahoogroups.com
The newsletter features poetry markets, contests, and news.
Listed as one of Writer's Digest 101 Best Websites for
Writers 2007, The Poetry Market ezine has been exclusively
catering to poets for over 6 years!
Listed as one of Writer's Digest 101 Best Websites for
Writers 2007, The Poetry Market ezine has been exclusively
catering to poets for over 6 years!
For general info, send any email to tpme@thepoetrymarket.com
=====
Advertise with FundsforWriters !!!
Advertise with FFW Small Markets!
Advertise with FFW Small Markets!
ADS FOR $9 AND UP!
$ 9 - one week in FFW Small Markets
$30 - four weeks in FFW Small Markets
$30 - four weeks in FFW Small Markets
$20 - one week in FundsforWriters
$60 - four weeks in FundsforWriters
$60 - four weeks in FundsforWriters
$25 - one week in both FundsforWriters & FFW Small Markets
$75 - four weeks in FundsforWriters & FFW Small Markets
$75 - four weeks in FundsforWriters & FFW Small Markets
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUSINESS STUFF
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
140-A Amicks Ferry Road #4
Chapin, SC 29036
Chapin, SC 29036
Copyright 2000-2007, C. Hope Clark
ISSN: 1533-1326
ISSN: 1533-1326
-----------------------------