VOLUME 24, ISSUE 26 | june 21, 2024 |
Donald Sutherland I did not realize how much I adored Donald's Sutherland's work until he died yesterday, and I thought about his volume of work performed. Currently, I am looking up the movies he has done that I have not seen, so I can enjoy more of him. I subscribe to a newsletter called Letters of Note that posts letters from well known people, usually centered around a theme, and these letters give you insight into the humanity of the famous. You learn they are as human as the rest of us and can be quite eloquent. I have bought several of their compilations/books
as well. Just quality work. Well, today, in honor of Donald Sutherland, they posted a letter from Mr. Sutherland to the then-director of The Hunger Games, the movie in which Mr. Sutherland plays the antagonist Mr.
Snow. This man's word usage blew me away. I have to share it with you. In this link you will also see the YouTube version of this letter in which he reads it aloud. It only makes you admire the man more. Read it once then read it again. Then listen to it. The words are beautiful. I would love to write this well. |
Are you writing a book? Feeling a bit stalled or wondering whether your idea has legs to carry you across the finish line? Consider joining Ignite Your Write's Book Boost. The Book Boost is for you if: · You have several thousand words already written. · You're looking for inspiration to move your project forward. · You'd like to talk to someone about your book, but you're a bit afraid
that non-writers won't be supportive. · You're interested in the comradery of other writers who are also writing books. · You're tired of writing into the vacuum. · You're struggling with writerly procrastination and
need some guaranteed writing time to inspire you to get back to your desk. · You're wondering whether your idea is on the right track, and you could use some feedback. · You're not interested in joining a harsh critique group. Spend a month of Wednesdays working on your book in the company of other writers. Led by Ignite's Claire Sheridan, writers will share bits of already-written work, give and receive feedback about what's working, and have generative writing time. Interested? Get all the details and register here. FundsforWriters Readers save 10% with code: Funds10 July 17th-August 14th AT THE CROSSROAD
First, I don't believe in a muse. I believe you write or you don't write. If you feel you need to be in a mood to write, then conjure up the mood. Candles, music, coffee, bourbon, whatever. Make it happen instead of waiting
for it to happen. There are some days where you sit down and you've got nothing. You feel like words have bottled up someplace you cannot see, and to write would only create a mess. There are some days you don't bother to sit. You don't even want to face the screen, much less type. It doesn't feel like
fun. It doesn't feel motivational. It doesn't seem worth the effort. So you find something else to do. You are at a crossroad. It is at this moment that you define whether you really want to write. Writing is not easy. It's not supposed to be. Good writing is agonizing, over time, during the times you
least want to touch it. Writing is not this exercise that makes you feel alive, scrumptious, and smart. While there are moments like these, they are not the average moments. Most of the time, you ponder, delete, rewrite, curse, and stack words that you hope make sense or fit together well. Writing is
not magical in the doing. The magic comes in the reading. The writer isn't a magician until the words spark inside a reader's head. Between the doing and the reading is a lot of sweating over the right words. No, it isn't easy. If you think it is, you might need to take another look. So when you hate
writing, when you want to clean toilets or mow the yard versus planting your butt in a chair, consider making yourself sit and write anyway. It's facing up to the difficulty that makes each and every time you write more natural. Not easy, mind you, but more of a habit. Then one day you'll realize you feel empty if you haven't written your words before you put yourself to bed.
FREE MASTERCLASS FOR WOMEN WRITING NONFICTION BOOKS Finish Your Nonfiction Book: 3 Shifts You Need to Make This
masterclass is for you if you're a woman writing nonfiction and you feel like: - You've been working on your book FOREVER and you don't know if, how, or when you'll ever finish.
- You don't know if continuing to work on your book project is even worth it anymore.
- No one cares about your story or will want to read it anyway, so why
bother?
- You can never find the time or energy to give dedicated and focused attention to your writing.
- You're stuck and you don't know what your book needs, so you may as well just shelve it for a while.
- You really could use some extra support for your writing and book project, but you don't know how or where to get it.
Hi there, I'm Janna Maron and I'm a book coach for women writing nonfiction. It's my joy and pleasure to hold space for women telling personal stories that they know will help others. Click here to sign up for this free masterclass to learn about my philosophy for establishing a holistic approach to getting a book done (including the successes of many of my clients). -June 22, 2024 - Richland County Library, Ballentine, 1200 Dutch Fork Rd, Irmo, SC - 2:30-3:30 PM - July 9, 2024 - South Congaree-Pine Ridge Branch Library, 200 Sunset Dr, West
Columbia, SC 29172 - 5:30-7:00 PM -October 5-12, 2024 - Edisto Bookstore, exact dates in that week TBD -October 5-12, 2024 - Edisto Island Library, Hwy 174, exact dates in that week
TBD -November TBD, 2024 - Irmo Chapin Holiday Market, Chapin, SC - 8AM - 2PM -May 17, 2025 - Pelion Library Book Club206 Pine St, Pelion, SC, Saturday,
1-2PM
Email: hope@chopeclark.com to schedule events, online or otherwise. “Art resides in the quality of doing, process is not magic.” – Charles Eames
<<If you have a success story you believe was prompted by FundsforWriters, please share with us! Send to hope@chopeclark.com >>
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5 Ways I Broke Out of a Writing Rut
By Rachel Carrington We writers often stay in our own wheelhouse, our comfort zone. We stick with topics that allow us the ease and knowledge to keep money flowing in. Therefore, the articles and essays we write often come from the wealth of information
we've gathered over the years. But what happens when creativity for those same topics stops? What if you're bored with your writing? That happened to me last year. I would start writing an article and then stop. I'd start an essay then put it aside. Nothing I wrote excited me, and I knew if I wasn't excited, no one else would be. Since my income depends upon my ability to write, I came up with a five-week game plan that helped me break out
of the rut. Step One Since I'm a subscriber to FundsforWriters, I challenged myself to write for one market in each week's newsletter even if it was something I didn't normally write about. I read the guidelines, did some research, and jumped in. Soon, I found myself looking forward to the weekly newsletters even more. Recently, I wrote and pitched to Insider Freelance about grocery shopping! Step Two Then, I wrote out a list of topics I was even the slightest bit familiar with and picked one at
random and began to write. This wasn't about creating something publishable, although that turned into my end goal. It was about stretching my writing muscles and seeing what made me look forward to writing again. I wrote a short story that ended up being a finalist in a writing competition. (https://www.wow-womenonwriting.com/contest.php) Step Three Next I chose a
topic I'd never written about and knew next to nothing about. I needed encouragement to learn. With a new topic, I had to read, watch videos, and learn as much as I could about the subject I'd chosen. I didn't become an expert, but the exercise opened up new possibilities for me, and I now have an article under submission with AARP Magazine. (https://www.aarp.org/about-aarp/info-05-2010/writers-guidelines-aarp-magazine.html) Step Four I also turned an eye toward my hobbies and decided to challenge myself to write an article that would entice others to take an interest. This would work especially well with a niche hobby like archery or geocaching. One of mine is studying history, and I submitted an article about why I think it's both fascinating and important to History Today Magazine.
(https://www.historytoday.com/submissions) Step Five Finally, I decided to veer way off track. I wrote a letter to my state senator, someone with opposing views from mine. Writing a convincing argument proved to be a difficult challenge, but, in this instance, I was writing about something I believed in. The letter won't necessarily bring in income, but it allowed me
to talk about a cause that was close to my heart, which felt freeing. At the end of my five-week strategy, I'd written and pitched an essay about a family secret, an article about surviving Facebook, an essay about my first love, and a devotional for an online magazine, which did end up getting rejected. I ended the year with 65 submissions, not including manuscripts. The plan gave me
a new love for writing, and I realized that I didn't have to stick with the same topics I'd covered for years. I'd discovered limitless possibilities, and I've continued to utilize these steps. As writers, we don't have to be chained to one subject. We can explore, learn, and challenge ourselves to add more topics to our portfolio that will help our careers and open new doors. BIO
Rachel Carrington has written hundreds of articles and essays for various publishers, including the New York Times, The Writer, FundsforWriters, and Writers Weekly. Follow her on Twitter/X @rcarrington2004.
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GUTSY GREAT NOVELIST PAGE ONE PRIZE $20 ENTRY FEE. Submissions open June 17 – July 17, 2024 (5PM ET). The Gutsy Great Novelist Page One Prize is awarded for an outstanding opening page of an unpublished novel. First prize is $1,000; 2nd is $500; and 3rd is $250. The prize is open internationally to anyone over 18 writing a novel in English in any genre for adult or YA readers. ANTHOLOGY SHORT STORY CONTEST
https://anthology-magazine.com/awards/short-story-competition/
€18 ENTRY FEE. Deadline July 31, 2024. First prize of
€1,000 and the winning story published in Anthology magazine. Second prize €250. Third prize €150. Competition is open to original and previously unpublished short stories in the English language by a writer of any nationality, living anywhere in the world. There is no restriction on theme or style. Stories submitted must not exceed the maximum of 1,500 words. ANTHOLOGY PERSONAL MEMOIR
COMPETITION
https://anthology-magazine.com/awards/memoir-competition/
€18 ENTRY FEE. Deadline August 31, 2024. The winner will receive a €500 and the chance to see their work published in a future issue of Anthology. The Anthology Personal Memoir Competition is open to original and
previously unpublished memoirs in the English language by writers of any nationality, living anywhere in the world. In the spirit of authenticity, there are no constraints on themes or writing styles. Memoirs submitted must not exceed a maximum of 1,500 words. CUSHING PUBLISHING GRANT
https://www.cushingpublishing.com/contest-rules-and-details
$10 ENTRY FEE. Deadline July 31, 2024. To enter you may submit individual entries works of prose up to 3000 words. You may submit up to three poems per entry. May submit up to three photographs per entry. Poetry prize $200 and a copy of Back Roads and Low Tides. Prose prize $200
and a copy of Back Roads and Low Tides. Photography $100 and a copy of Back Roads and Low Tides. Along with publication in the next issue of Back Roads and Low Tides: A Literary Journal and an interview on Carolina Writers Speak or Speaking of Writing Podcast. Entrants can be of any age or from any location worldwide. LOS ANGELES REVIEW WRITING AWARDS
https://losangelesreview.submittable.com/submit
$20 ENTRY FEE. Deadline June 30, 2024. The Los Angeles Review Poetry Award is a prize of $1,000 and publication in LAR given annually for each winner in the categories of poetry, short fiction, flash fiction, and creative nonfiction. Flash limited to 1,000 words. Creative nonfiction and short
fiction limited to 2,500 words. Poetry limited to 50 lines. NEW WRITERS POETRY COMPETITION
https://newwriters.org.uk/poetry-competition/
£10 ENTRY FEE. Deadline July 31, 2024. Open to poets from around
the world, offers a top prize of £1,000, a second prize of £300 and a third prize of £200. The three winning entries will be published on the NewWriters.org.uk website an in a future New Writers Anthology. Word Limit: 42 lines. GRANTS / FELLOWSHIP / CROWDFUNDING MILES MORLAND FOUNDATION
https://milesmorlandfoundation.com/entry-requirements/
To help meet this need the MMF annually awards a small number of Morland Writing Scholarships,
with the aim being to allow each Scholar the time to produce the first draft of a completed book. The Scholarships are open to anyone writing in the English language who was born in Africa, or both of whose parents were born in Africa. The Foundation welcomes both fiction and non-fiction proposals. MID-ATLANTIC FELLOWSHIPS - NEW JERSEY
https://www.midatlanticarts.org/opportunity/new-jersey-state-arts-fellowships/
Deadline July 16, 2024. The foundation invites applications from practicing New Jersey artists for its Individual Artist Fellowship program for the New Jersey State Council on the Arts. Artistic categories supported through the program in 2025
include choreography, crafts, music composition, photography, playwriting/screenwriting, poetry, and sculpture. Fellowship awards have ranged between $4,000 and $32,000. DELAWARE INDIVIDUAL FELLOWSHIPS
https://arts.delaware.gov/grants-for-artists/
Deadline August 1, 2024. Individual Artist Fellowships are awarded for artistic quality to Delaware creative artists working in the visual, performing, media, folk, and literary arts. Fellowships are designed to enable recipients to purchase equipment and materials, allocate working time, or fulfill other needs that will allow them to advance their careers (excluding
foreign travel and lobbying). Fellowship recipients are required to present examples of their work to the public during their Fellowship year. Applicants select between Emerging or Established categories. The Masters Fellowship is available in select disciplines on a three-year rotating basis to artists who meet specific criteria. Awards are $5,000 for Emerging; $8,000 for Established; and $12,000 for Masters. RHODE ISLAND GENERAL OPERATING SUPPORT FOR ARTISTS/WRITERS
https://arts.ri.gov/grants/general-operating-support-artists
Deadline July 1, 2024. Provides grants for artists to work toward larger, self-identified goals in their art practice. This funding is
unrestricted, meaning artists can use the funds to support their goals however they need. This program includes a cohort community of current grantees, with meetings and learning opportunities that are focused on the grantees’ needs. Each year, three artists are selected for this program, for a total of nine artists receiving yearly grants at any given time. Pays $6,000 a year for three years.
BUSINESS INSIDER
https://www.businessinsider.com/how-to-write-for-insider-life-division
The Life team believes some of our best stories aren't from professional
writers at all, but from people living life as an adventure, either through their vocation or in their free time. A myriad of topics include: Lifestyle (beauty/style, food, travel, theme parks, weddings, royals, interior design, tiny living, and more); Health (wellness, sex and relationships, parenting, LGBTQ, college life); Sports (discovering the world of sports through a celebrity, lifestyle, and health/wellness lens); Entertainment (movies, TV, music, celebrity memoirs and podcasts, and
celebrity culture). EXPERIENCE LIFE
https://experiencelife.lifetime.life/magazine/about-us/experience-life-writers-guidelines/
Experience Life is a progressive
health/fitness/quality-of-life magazine (we call it “a healthy-way-of-life magazine”). It’s also the membership magazine of Life Time — a large and rapidly growing health and fitness organization with dozens of industry-leading facilities located throughout the country. Each issue of Experience Life includes three in-depth features (2,500 to 3,500 words), plus four departmental neighborhoods of shorter pieces. We also publish several digital-only articles each month on our website,
ExperienceLife.com. See the themes and deadlines on this page. Excellent guidelines. CURBSIDE CHRONICLE
https://www.thecurbsidechronicle.org/
Deadline July 14, 2024. The Curbside Chronicle is Oklahoma’s street
paper created to provide both a voice and employment opportunities for people who are experiencing and at risk of homelessness. Street papers like the Curbside Chronicle enable people to earn enough money to get into housing and end their homelessness. Another core mission of Curbside is to create community and build relationships. Nathan Pope, editor, seeks pitches for annual animal-themed issue. Overlooked invertebrates, amazing creatures you oughta know, or humans working hard to make life
better for our winged and four-legged friends would be ideal. Rates depend on the story but writers won't walk away with less than $250 and we need all pitches before July 15. Contact editor at https://x.com/NathanPoppe/ for more information. THE HUMAN SPACE
https://www.thehumane.space
The Humane Space is a wellness company that helps people live more meaningful lives through lifelong learning, curiosity, and awe. Through The Humane Space app, we curate multimedia stories and thoughtful daily prompts that feed curiosity and widen perspective,
encouraging you to consider the worlds beyond and within. Questions to hi@thehumane.space. Each Immerse story is between 500 and 800 words. We can offer $250 for each one. Our editors will choose the Immerse topics and provide brief outlines to write from. We’re looking for several writers to write Immerse stories on an ongoing basis (up to four Immerses a week). If interested,
please send a few writing samples that would best align with this project along with a resume and/or cover letter to Carey Dunne at write@thehumane.space.
BASS CLEF BOOKS
https://www.bassclefbooks.org/general-submissions
Bass Clef Books reads year round. BCB invites poets from all genres to submit. We pride ourselves by encouraging
divergent voices and styles--but BCB enjoys the best representation of traditional form as well. Bass Clef Books does not judge manuscripts by the number of publication notches. Rather, we wish to select the manuscript that elicits the best aesthetic response. FREE SPIRIT PUBLISHING
https://www.teachercreatedmaterials.com/free-spirit-publishing/resources/submission-guidelines/
Free Spirit Publishing welcomes both agented and unagented submissions. Free Spirit is the leading publisher of learning tools for youth and educators that support young people’s social, emotional, and educational needs. We
help children and teens think for themselves, overcome challenges, and make a difference in the world. BLACK, INC.
https://www.blackincbooks.com.au/submissions
We accept proposals from Australian writers only, for
general, literary and commercial non-fiction – including history, current affairs, memoir and biography. We also accept proposals from corporate organisations for custom publishing projects. We are not currently accepting unsolicited fiction submissions, poetry, plays/scripts, YA, middle grade or picture books. ONEWORLD
https://oneworld-publications.com/about/book-proposals/
Accepting nonfiction only at present. With nonfiction, it is important that you tell what makes you particularly qualified to write this book. Not all of their writers are academics, but they are all experts in their chosen field. If you have had books published previously, please give as much information
about these as possible; if not, please give details of your other writing experience. They publish books by writers who have not been published before, but bear in mind that writing a full-length book, particularly if it is intended for the general reader, is a long and difficult process, and they will require evidence that you will be able to write in the appropriate style, meet deadlines etc.
Please forward the newsletter in its entirety. To reprint any editorials, contact hope@fundsforwriters.com for permission. Do not assume that acknowledgements listed in your publication is considered a valid right to publish out of ours.
C. Hope Clark
E-mail: hope@fundsforwriters.com
140-A Amicks Ferry Road #4
Chapin, SC 29036
http://www.fundsforwriters.com Copyright 2000-2024, C. Hope Clark
ISSN: 1533-1326 Our subscriber list is NOT made available to others. Use information listed at your own risk. FundsforWriters gives no warranty to completeness, accuracy, or fitness of the markets, contests, and grants although research is done to the best of our ability. FundsforWriters finds open submission calls, contests, and markets from a wide variety of sources, including Erika Dreifus' Practicing Writer newsletter, Erica Verrillo's blog, Authors Publish, Poets & Writers, Duotrope,
Winning Writers, Write Jobs Plus, LinkedIn Jobs, Emily Stoddard, and other newsletters and online sites. Many announcements are submitted directly to FundsforWriters. All must be paying opportunities. Contests must pay a minimum of $200 first place. Submit potential listings to hope@chopeclark.com **Note that FundsforWriters.com places paid advertising in this newsletter. ALL ads are related to writers and the business of writing, screened by FundsforWriters to make sure the information is suitable for writers and their endeavors to improve their careers. While the mailing list is not sold to third parties, other parties do advertise in the newsletter, to include
the occasional solo ad. You will not receive this newsletter without your permission. It's physically impossible since recipients must opt-in, giving us permission to send the newsletter. If at any time you no longer wish to receive the newsletter, click the UNSUBSCRIBE link at the bottom of each newsletter. We want you to enjoy this newsletter at your pleasure, not be forced to read anything you do not wish to receive. Direct any complaints, suggestions, and accolades to Hope Clark at hope@fundsforwriters.com. We are an anti-spam site. | |
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