VOLUME 24, ISSUE 4 | january 26, 2024
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BE THAT LOCAL
FACE I attended a school program presented by my grandson's fourth grade class this week. Someone hollered my name in the hubbub of folks leaving afterwards, saying, "Hope Clark! My favorite author!" We laughed and I thanked her. The principal of that same school stopped me in the school pick-up line not long ago and asked if I was Hope Clark the author.
I said yes. We talked and talked about my books and how he'd read them. I spoke to my grandson's class on Secret Reader day, when a secret family member appears to read a book to the class. I had to give five clues about who I was in terms of what I did or what I enjoyed. My being an author became a big topic of conversation that day. I was asked for my autograph on a student's notebook. I could go on and on about this subject. A lot of writers see successful as being nationally known. What difference does it make if you sell 5,000 books locally or nationally? Trust me, those locally who love you will spread the word outside of the local area anyway. It's not about where you advertise. It's about being seen, being consistent in your promotion, and offering a constant
production of material that proves you are indeed a writer.
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C. Hope Clark Editor, FundsforWriters Email Hope | Visit Website | Sign up for Newsletter Newsletter: ISSN: 1533-1326 FFW
has proudly been on the Writer's Digest's 101 Best Websites for Writers list every year since 2000
Our subscriber list is NOT made available to others. Use information listed at your own risk. FundsforWriters gives no warranty to completeness, accuracy, or fitness of the markets, contests, and grants although research is done to the best of our ability. FundsforWriters finds open submission calls, contests, and markets from a wide variety of sources, including Erika Dreifus' Practicing Writer newsletter, Erica Verrillo's blog, Authors Publish, Poets & Writers, Duotrope, Winning Writers, Write Jobs Plus, LinkedIn Jobs, Emily Stoddard, and other newsletters and
online sites. Many announcements are submitted directly to FundsforWriters from active contests, journals, magazines, publishers, residencies, and grant providers. All must be paying opportunities. Contests must pay a minimum of $200 first place. Submit potential listings to hope@chopeclark.com
TWITTER
- http://twitter.com/hopeclark AUTHOR SITE - http://www.chopeclark.com FACEBOOK
- http://www.facebook.com/chopeclark GOODREADS - http://www.goodreads.com/hopeclark BOOKBUB - https://www.bookbub.com/authors/c-hope-clark Read the FFW Archive
MORE ON PITCHING TO MARKETS As I tried to explain last week, pitches must be smart and cater to the needs of the editor and their publication first and foremost. Again, in my researching markets, I came across a guidelines page with great advice.
Climate Change News posts detailed and informative guidelines at https://www.climatechangenews.com/write-for-us. In your pitch, explain: What is new? Whether your story is based around a single
event, ongoing process or trend, explain why *now* is the time to read about it. Why does it matter to an international audience? Who are the main actors? To catch a reader’s attention, there should be colourful characters and/or tension between different interest groups. What sources would you use? Make the most of any hard-to-reach contacts, leaked documents, original analysis and on-the-ground reporting. What is your background? If you have not written for us before, include a short bio and links to two or three stories you have had published. Where is the action? For certain reporting programmes, we can cover reasonable travel expenses, by prior agreement. Is there a visual or audio component? While our reporting is text-based, good photos can elevate a story and we are open to multimedia ideas. The guidelines go into greater detail about rates, themes, the dos and don'ts. . . just the type of guidelines one loves to find when seeking markets. FundsforWriters posts a very detailed guidelines page for probably the same reasons. 1) To avoid the back and forth banter with prospective
writers. There just isn't time. 2) To weed out those writers who don't have the knowledge or experience.
3) To make selection easier (i.e., to save time).
As to that last one, when someone neglects to follow the guidelines, it's easier to reject. It saves the time of reading
the actual submission. That sounds shallow, but when faced with a pile of submissions, there has to be a time-saving way to cull. Be that writer who follows every word of the guidelines, and you might be amazed at how quickly an editor gets in touch. At least they'll read your submission.
Need accountability for your writing practice? Inside StoryCore, my new online writing community, you'll find a humming network of writers who are dedicated to making progress on their own work, growing their craft and helping other writers along the way. A
low-cost monthly membership gives you: - Inspirational quotes and questions
- Writing challenges
- Monthly writing craft talks
- 1-1 coaching calls to talk about your work
- Monthly Q&A sessions, where you can ask anything about your writing project or the writing craft in general
- Invitations/opportunities to join small writing groups
- Opportunities to connect with an accountability
partner
- Opportunities to receive feedback on your works-in-progress
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Join for just $37/mo (or get two months free on the annual plan of $370/year) and take your writing to the next level! Learn more and sign up at https://community.thestorycore.org/products/communities/storycore Questions? Email kate@katemeadows.com.
-February 12, 2024 - International Women's Writers Guild, Zoom, The Facts, Fiction, and Hope of Grants for Writers, 4 PM Eastern. -March 8,
2024 - Colleton County Library, 600 Hampton St, Walterboro, SC - 1-2PM -March 22-24, 2024 - Writer's Digest Mystery/Thriller Virtual Conference - presenter - Keeping Pace in the Middle of Your Mystery -May 29, 2024 - A Moveable Feast, presenter C. Hope Clark, Restaurant TBD, Pawley's Island, SC -June 1-8, 2024 - The Gutsy Great Novelist Retreat, Bar Harbor, Maine - writer-in-residence
-June 22, 2024 - Richland County Library, Ballentine, 1200 Dutch Fork Rd, Irmo, SC - time TBD - July 9, 2024 - South Congaree-Pine Ridge
Branch Library, 200 Sunset Dr, West Columbia, SC 29172 - 5:30-7:00 PM
Email: hope@chopeclark.com to schedule
events, online or otherwise. There's starting to be life out there!
“The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.” – F. Scott Fitzgerald
<<If you have a success story you believe was prompted by FundsforWriters, please share with us! Send to hope@chopeclark.com >>
Why (and How) Writers Should Master WordPress
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By Alex J. Coyne Writers who know the nuances of WordPress can manage their own websites better -- and be of more help to their clients by mastering WordPress as an extra skill. Wordpress.com and
.org As much as 40% or more of the internet
uses WordPress to post blogs, manage websites, and create content. Learn this skill, and you can present something more to clients (or manage your own blog). Wordpress.org is the version you want for maximum premium (paid) features, for business. Wordpress.com is the platform to use if you’re still finding your way. Domain Registration Domains help people find things. Domains identify who you are, or what you have to offer. Writers can use their names as a domain like I have (alexjcoyne.com), and Hope has (www.chopeclark.com) while others may use their brand or business name (like
www.thewritingroom.co.za or www.fundsforwriters.com ). Choose something easy-to-remember that can’t be mistaken for something else at a glance. I registered an extra domain, alexcoyneofficial.com to grab more traffic. Search for available
domains, and pick your pricing guide. The more important you become, the more valuable your domain name becomes as well, but automatic renewal stops your domain from
being snatched by someone else.. Basic Pages and Posts Pages like About and Contact are important, and the first tabs people (and engines) will see. These, and other site posts, are called “internal links” because they remain on your website. Basic pages and posts should: • Be Clear and Score for Readability • Contain a Featured Image • Use Active Voice • Use [but not Overuse] a Keyword like Author • Contain External and Internal Links Add “tags” to your posts and pages in the WP sidebar. Tags and keywords help engines and visitors find your website. For example, I use “journalist” and “author” as featured page tags for the About
page. The Publish Button Only use “Publish” when you are 100% sure about your post. Posts with mistakes can be removed from your site, but end up in the Internet Archive and other places nonetheless. Once published, it’s out there. I once spelled an international card player’s name wrong: it’s corrected now, but still digitally out there as an archived reminder of “being more careful.”
Using Advanced Links in Posts
External links, like this one to the Guardian’s homepage, are also
important for every post or article: these increase your SEO score if they go to reputable, relevant pages with at least four in the average post. High SEO scores, means you’re more liked by search engines. When adding a link, the “nofollow” option means search engines will “ignore” this link. If there’s something you want readers to click on, but that could distract a search for the keyword, use
nofollow. Links can also “open in a new tab”, which keeps users on your site rather than redirect them somewhere else. A slug is the name for the main URL at the top. Slugs can be edited, and should be, so that the link at the top doesn’t-end-up-reading-like-this-to-the-reader-until-the-end. Shorten it
for better SEO results. Compare this slug: https://fundsforwriters.com/how-to-write-this-book-about-this-topic With this one: https://fundsforwriters.com/how-to-write-this-book See? Adding
Widgets A “widget” is any small, programmable site tool like a Contact form or Follow Me button. My site’s widgets are simple, never overdone. Widgets are added in Settings: premium WP has more options, but basic WP can set up a good site. Widgets will appear on every page, consistent with your
selected theme. Keep widgets easy to manage. Quick-loading, and easy-to-use should always be the point. Courses in Wordpress WordPress courses are worth it, believe me. I learned the hard way first, and it cost years of time I could have saved with simple online
courses! Yoast Academy, Udemy, and WordPress can teach you tricks and guides I can’t include here. After a course or two, what you’ll know so much more about WordPress, and SEO will be more understood and better utilized than
before. My WordPress skills have come in handy, and I manage my own posts for The South African on the back-end as well as my own site. Hope
manages both of her own WordPress sites. The savings can be incredible. About the Author: Alex J. Coyne is a journalist, writer, and proofreader. He has written for a variety of publications and websites, with a radar calibrated for gothic, gonzo and the weird. Occasionally, he also cowrites.
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Like many of us who KNOW we have lived through an experience that simply must be written, you’ve probably gotten stuck somewhere along the writing path. Most of us who long to write our memoirs do a lot of PAINFUL stopping and starting. Are you ready to get your book done? The Narrative Project’s 9-month Get Your Book Done program will give you EVERYTHING YOU NEED to complete the first draft of your memoir and prepare you for developmental edits. The Get Your Book Done program is a live tele-program, which means you get to take part virtually from the comfort of your own home. We
enroll a maximum of 24 writers per cohort. We help you create an organized writing life that is designed specifically for YOUR personality, temperament, and schedule. We provide accountability for getting your work done and support for the hard times. We teach you story-telling skills that help you craft effective narrative arc, build characters on the page, develop theme, construct scenic depiction,
establish pacing, discover voice, and create believable dialogue. And… at the end of the process you are guaranteed publication in an anthology of your peers. Get more information and apply today at https://www.thenarrativeproject.net/the-program/
TIMES/CHICKEN HOUSE CHILDREN'S FICTION COMPETITION https://www.chickenhousebooks.com/uncategorized/the-2024-times-chicken-house-childrens-fiction-competition-is-now-open/ NO ENTRY
FEE. Deadline June 1, 2024. A worldwide publishing contract with Chicken House with a £10,000 advance (subject to contract) for a complete fiction manuscript of any genre for children aged 7 up to YA. The winner will also be offered representation by Lydia Silver of Darley Anderson Children’s Book Agency. THE LIME PICTURES NEW STORYTELLER AWARD https://www.chickenhousebooks.com/uncategorized/the-2024-times-chicken-house-childrens-fiction-competition-is-now-open/ NO ENTRY FEE. Deadline June 1, 2024. A prize sponsored by leading TV production company Lime Pictures, awarded to the submission which shows the greatest TV development potential and chosen by Chicken House Publisher Barry
Cunningham and Lime Pictures’ Tim Compton. The winner will receive a £7,500 publishing contract plus an offer of representation. The good news is, you don’t need to do anything extra to be considered for the Lime Pictures New Storyteller Award; simply enter the TIMES/CHICKEN HOUSE CHILDREN'S FICTION COMPETITION above as normal. PURORRELATO MICRO-STORY CONTEST https://www.casafrica.es/en/event/purorrelato-2024-micro-story-contest NO ENTRY FEE. Deadline April 16, 2024. Aims to promote literary creation that encourages us to feel and think about Africa and to continue showing different realities that approach us to the continent, away from the stereotypes that have marked it for so long. Any person over the age of 18 can participate, with a maximum of
three micro-stories per author. The micro-stories could be submitted in Spanish, English, French or Portugueses, with a maximum length of 1500 characters (not words) including spaces and excluding the title. First award: 750 euros. Second award: 375 euros. Third award: 225 euros. ABR ELIZABETH JOLLEY SHORT STORY AWARD https://www.australianbookreview.com.au/prizes-programs/elizabeth-jolley-story-prize/current-prize ENTRY FEE AU$20 to AU$30. Deadline April 22, 2024. For an original work of short fiction of between 2,000 and 5,000 words, written in English. First prize: $6,000 AU. Second prize: $4,000 AU. Third prize: $2,500 AU. FITZCARRALDO ESSAY PRIZE - UK/IRELAND https://fitzcarraldoeditions.com/prizes/essay-prize NO ENTRY FEE. Deadline March 17, 2024. An annual competition for unpublished writers. The judges will be looking for essays that explore and expand the possibilities of the essay form, with no restrictions on theme or subject matter. Pays £3,000 to the best proposal for a
book-length essay (minimum 25,000 words) by a writer resident in the UK & Ireland who has yet to secure a publishing deal. In addition to the £3,000 prize the winner will have the opportunity to spend up to two months in residency at the Mahler & LeWitt Studios in Spoleto, Italy, to work on their book. The book will then be published by Fitzcarraldo Editions. GOLDEN HAIKU POETRY COMPETITION https://goldentriangledc.com/event/golden-haiku/ NO ENTRY FEE. Deadline February 4, 2024. Poets are invited to submit up to two original, self-authored haiku. Winning poets will win monetary prizes and recognition, while selected haiku (which includes winners) will be displayed throughout the neighborhood starting in March. The competition is open to all ages, worldwide. Golden Haiku follows the Haiku
Society of America’s guidelines for modern haiku, which does not require the traditional 5-7-5 structure. First Place – $500. Second Place – $200. Third Place – $100. Regional/DC – $200. This year's theme is "Transforming Paths." DIANA WOODS MEMORIAL AWARD https://lunchticket.org/contests/dwm/ NO ENTRY FEE. Open through February
2024. Creative nonfiction authors are invited to submit an essay of up to 3,500 words on the subject of their choice to be considered in creative nonfiction. Winners will receive $250 and their work will be featured in the next issue of Lunch Ticket. Each award recipient must submit a 100-word biography, current photo, and send a brief note of thanks to the Woods family. LITTLE TOKYO HISTORICAL SOCIETY SHORT STORY
CONTEST https://www.littletokyohs.org/ NO ENTRY FEE. Deadline February 29, 2024. The Little Tokyo Historical Society (LTHS) seeks fictional short stories for its 11th annual Imagine Little Tokyo short story contest in the categories of English language, Japanese language and youth (18 and younger). The purpose of the contest is to raise awareness of Little Tokyo through a creative story
that takes place in Little Tokyo. Each category winner will be awarded $500 in cash with their short story being published in The Rafu Shimpo, Discover Nikkei and Little Tokyo Historical Society website. THE ANDRÉS MONTOYA POETRY PRIZE https://www.andresmontoyapoetry.com/andr%c3%a9s-montoya-prize.html NO
ENTRY FEE. Deadline February 16, 2024. Supports the publication of a first full-length book of poems by a Latinx poet residing in the United States. The winning poet will receive $1000 from the Huizache Literary Initiative and a contract from University of Nevada Press as part of its New Oeste Series. Upon publication of the winning book, the Huizache Literary Initiative will extend an invitation to both the winner and the judge to give a joint reading at UC Davis.
Geminga 24: $500 for Tiny Fiction, Nonfiction, Poetry, Graphic Novel, or Art Authors & Artists Eligible Geminga is a neutron star so small it was difficult to detect. With Geminga:
$500 for Tiny Fiction, Nonfiction, Poetry, or Art, Sunspot Lit honors the power of the small. No restrictions on theme or category. Word limit is 100 for fiction and nonfiction. Micropoetry is limited to 140 characters. Graphic novels should be 4 pages or less. Submissions may be excerpts from longer works. Visual art entries should be paintings, drawings, or sketches no larger than 25 inches square. Sculptural
forms should be no larger than 25 inches in any dimension (length, height, or width).
Open: January 1 Close: January 31 Entry fee: $12.50 Prize: $500 cash, publication for the winner, publication offered to runners-up and finalists. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works, along with the creators’ bylines, are published in the next quarterly digital edition an average of two months after contest completion, as well as in the annual fall print edition. Works should be unpublished except on a personal blog or website. Artists offered
publication may display their pieces in galleries, festivals or shows throughout the publication contract period. Enter as many times as you like through Submittable or Duotrope, but only one piece per submission. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected.
GRANTS / FELLOWSHIP / CROWDFUNDING
THE JESSIE KESSON FELLOWSHIP - UK https://www.moniackmhor.org.uk/writers/awards-residencies/jessie-kesson-fellowship Deadline February 15, 2024. The Jessie Kesson Fellow receives time and space to develop their work, as well as
opportunities to expand their practice. This includes delivering creative writing workshops based on or inspired by Jessie Kesson’s life and work, with local youth groups, libraries, or community groups. Live on-site in the cottage at Moniack Mhor from Monday 26th August – Saturday 14th September 2024. Receive a stipend of £350 per week (up to 3 weeks), plus travel and accommodation. The fellowship is open to established writers working in fiction, poetry, non-fiction, song-writing, or
playwriting. To be eligible for the fellowship, applicants must have had at least one major piece of work published by a UK publishing house. REPLENISH RESIDENCIES https://www.astudiointhewoods.org/apply-for-replenish-residencies-2024-25/ Deadline March 13, 2024. Recipients will
receive a $1,600 stipend, staff support, and an opportunity to have a documentation session with a photographer. Replenish Residencies provides 1-2 week restorative visioning retreats to local BIPOC artists and culture bearers; the heart of New Orleans culture. Location New Orleans. CALIFORNIA GRANT PANELISTS NEEDED https://arts.ca.gov/grants/panels/ Deadline March 8, 2024. The California Arts Council is seeking arts and cultural practitioners from disparate communities statewide to volunteer for a critical role in the grant application process as grant review panelists. Prospective candidates must be California residents age 18 or older with experience in a wide range of artistic, cultural, and social fields. Individuals who complete their
panel service will receive a $300 honorarium to subsidize them for their attendance at two to three virtual meetings and rank submission activities. Panelists make a four- to six-week commitment to read and rank roughly 30-50 applications by the grant review deadline. An average of 30-60 minutes of time is needed to appropriately review and rank each panel application. FUND FOR INVESTIGATIVE JOURNALISM SEED GRANTS https://investigate.submittable.com/submit Deadline February 15, 2024. Grants are for preliminary reporting for specific projects. The grants cover early reporting that can lead to full investigative projects. Grants are $1,000 to $2,500. The entire grant is paid up-front. Journalists who receive seed funding can apply for full grants (up to $10,000) once they conduct the preliminary reporting and
secure a commitment from a media outlet to publish or broadcast the story. FUND FOR INVESTIGATIVER JOURNALISM REGULAR AND EXPEDITED GRANTS https://investigate.submittable.com/submit Deadline January 28, 2024. The Fund provides grants to journalists for investigative stories that break new ground. Grants are for
specific investigative projects. They average $5,000 but can be as high as $10,000. They cover out-of-pocket expenses such as travel, document collection, and equipment rental. The Fund also considers requests for small stipends. The Fund provides grants for print and online articles, television and radio stories, documentaries, podcasts, and books. To be considered, foreign-based story proposals must come from US-based reporters or have a strong US angle involving American citizens, government,
or business; all stories must be published in English, in a media outlet in the United States. JAMES WELCH PRIZE FOR INDIGENOUS WRITERS https://poetrynorthwest.submittable.com/submit/182716/submit-to-the-james-welch-prize-for-indigenous-writers The prize is open to
emerging poets who are community-recognized members of tribal nations within the United States and its trust territories (including American Indians, Alaska Natives, Native Hawaiians, Chamorros, and American Samoans). Only poets who have not published more than one book-length literary work in any genre are eligible. Between December 15 and February 15, each entrant may submit up to three poems in a single document. Winners receive $1,000.
CLIMATE HOME NEWS https://www.climatechangenews.com/write-for-us/ Send a short (<300 words) outline of what you intend to write, not the finished article. The relevant editor may have guidance on how to make it a good fit for Climate Home. Successful
stories complement the coverage of our editorial team and combine human interest with hard news. All stories must have a climate change angle and an international outlook. While our coverage is informed by scientific evidence, our editorial focus is on the political, economic and social dimensions of the climate crisis. Topics of interest include climate finance, major energy projects, land use conflicts, loss and damage attributable to climate change, greenwash, climate diplomacy and
geopolitics. Rates start at £0.35 a word (GBP). A standard 600-word news story should involve interviewing (and usually quoting) at least three sources and linking to relevant data or research. Email news pitches to Joe Lo jl@climatehomenews.com and investigative pitches to Sebastian Rodriguez sr@climatehomenews.com. CHICKEN SOUP: ANGELS AND
MIRACLES http://www.chickensoup.com Deadline February 28, 2024. We are looking for powerful, astounding stories that will make people say "wow" or give them chills. This book is for everyone, whether religious or non-religious. Limit 1,200 words. Pays $250 and 10 free copies of your book. THE GUARDIAN - WHY I QUIT COLUMN https://www.theguardian.com/commentisfree/series/why-i-quit Writers, activists and celebrities talk about something they have swept from their lives, for the better – or worse.
DOUBLE DAGGER BOOKS https://doubledagger.ca/submissions/ We are a Toronto-based publisher of military and security-focused fiction and non-fiction works. We’re interested in material that sheds new light on familiar topics, or that changes what we think we know about a topic. We are not restricted
to signing only Canadian or Canada-based authors, and will happily consider works by writers who are farther afield. HAYMARKET BOOKS https://www.haymarketbooks.org/pg/submissions We are interested in manuscripts that are accessible to a wide range of progressive and radical political activists, while also being useful to an
academic audience. Please note that we are not accepting submissions for the following genres at this time: fiction, poetry, memoirs, cookbooks, self-help, or dissertations. TIMBER PRESS https://www.hachettebookgroup.com/imprint/workman-publishing-company/page/workman-work-with-us/workman-author-submissions/ Timber Press is devoted to sharing the wonders of the natural world by publishing books from experts in the fields of gardening, horticulture, and natural history. Our list includes gardening how-to, garden design, popular science, nature,
garden literature, and both regional and national field guides. We consider new book ideas from authors and agents. STOREY PUBLISHING https://www.hachettebookgroup.com/imprint/workman-publishing-company/page/workman-work-with-us/workman-author-submissions/ The books we select to carry out this mission include nonfiction titles for adults and children on gardening, home reference, crafts, cooking, beer & wine, nature, raising animals, horses, building, farming, homesteading, and
mind/body/spirit. We are always pleased to review new proposals on these topics directly from authors and from agents. (Note: no fiction, poetry, or children’s picture books, please.) FAMILIUS https://www.familius.com/author-submissions/ Our categories include children’s picture books and board books, parenting, relationships,
self-help, family fun, education, cooking, and health and wellness for both adults and young adults. Basically, if your book can help us achieve our mission of helping families be happy, we want to talk to you. AETHON BOOKS https://aethonbooks.com/submissions/ At Aethon Books, we’re open to all genre fiction, with a focus on Science
Fiction and Fantasy. We don’t care what sub-genre you write in. Hard Sci-fi, Epic Fantasy, Romantasy, Space opera, LitRPG, Military SF, Alt/History, Time Travel and more, our main concern is story, story, story. We are also now open to Thrillers of all types, though with an emphasis on Action, Political, and Military Thrillers. We are only looking to publish novel-length work that can either stand-alone or are part of a greater series. No novellas or short story collections at this time. No
poetry or plays, graphic novels, or anything else that is plainly not a prose novel.
Please forward the newsletter in its entirety. To reprint any editorials, contact hope@fundsforwriters.com for permission. Do not assume that acknowledgements listed in your publication is considered a valid right to publish out of ours.
C. Hope Clark E-mail: hope@fundsforwriters.com 140-A Amicks Ferry Road #4 Chapin, SC 29036 http://www.fundsforwriters.com Copyright 2000-2023, C. Hope Clark ISSN: 1533-1326 **Note that FundsforWriters.com places paid advertising in this newsletter. ALL ads are related to writers and the
business of writing, screened by FundsforWriters to make sure the information is suitable for writers and their endeavors to improve their careers. While the mailing list is not sold to third parties, other parties do advertise in the newsletter, to include the occasional solo ad. You will not receive this newsletter without your permission. It's physically impossible since recipients must opt-in, giving us permission to send the newsletter. If at any time you no longer wish to receive the
newsletter, click the UNSUBSCRIBE link at the bottom of each newsletter. We want you to enjoy this newsletter at your pleasure, not be forced to read anything you do not wish to receive. Direct any complaints, suggestions, and accolades to Hope Clark at hope@fundsforwriters.com. We are an anti-spam site. | |
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