VOLUME 23, ISSUE 47 | DECEMBER 1, 2023 |
EDISTO BULLET IS
OUT Book 10 of The Edisto Island Mysteries is out! Those who preordered are already reading it. Unfortunately, my copies were late being shipped by the printer. You've got to laugh at the irony. I could scream and fuss, especially with a Christmas market event tomorrow where I'll have to
explain why the latest isn't out, but it is what it is. It's not a signing specifically for that one book, so that's good. The next Saturday, Dec 9, The Coffee Shelf, Chapin, SC, the signing is planned to highlight the new book. Surely copies will be in by then. Funny how I didn't lose my cool. Not sure if it is age or experience or life post-COVID, but when things are what they are, and my
fussing can't change them, I don't fuss. Keeps me a happier camper, for sure, and I'm sure my family appreciate the calmer me as well. But Edisto Bullet is out, and I hope you enjoy it. It's available wherever books are sold. . . just not me for a day or two. |
C. Hope Clark
Editor, FundsforWriters
Email Hope | Visit Website | Sign up for Newsletter
Newsletter: ISSN: 1533-1326
FFW
has proudly been on the Writer's Digest's 101 Best Websites for Writers list every year since 2000
Our subscriber list is NOT made available to others. Use information listed at your own risk. FundsforWriters gives no warranty to completeness, accuracy, or fitness of the markets, contests, and grants although research is done to the best of our ability. FundsforWriters finds open submission calls, contests, and markets from a wide variety of sources, including Erika Dreifus' Practicing Writer newsletter, Erica Verrillo's blog, Authors Publish, Poets & Writers, Duotrope, Winning Writers, Write Jobs Plus, LinkedIn Jobs, Emily Stoddard, and other newsletters and
online sites. Many announcements are submitted directly to FundsforWriters from active contests, journals, magazines, publishers, residencies, and grant providers. All must be paying opportunities. Contests must pay a minimum of $200 first place. Submit potential listings to hope@chopeclark.com
TWITTER
- http://twitter.com/hopeclark
AUTHOR SITE - http://www.chopeclark.com
FACEBOOK
- http://www.facebook.com/chopeclark
GOODREADS - http://www.goodreads.com/hopeclark
BOOKBUB - https://www.bookbub.com/authors/c-hope-clark Read the FFW Archive There's a reason writers throughout history have felt the call to travel, get out in nature, and immerse themselves in unfamiliar territory.
Research shows all of these boost creativity, sharpen observational skills, and help move ideas from possibility to the page. That's why they are the foundation of Compass Writers
small-group walking writer workshops.
Join us in April 2024 for nine days of walking and writing along the 80-mile St. Cuthbert's Way, an ancient footpath in Scotland's lush borderlands. We'll
write together and explore our craft, engage in various writing forms, and see where the abbeys, historic sites, castles, rivers, and wildlife we encounter along the way take our imaginzations and words. Grounded in the Amherst Writers & Artists method, writers of all levels are welcome. AWA's core belief is simple: every person is a writer, and every writer deserves a safe environment in which to experiment, learn, and develop craft.
This workshop will take place April 20-29, 2024 — participants are encouraged to plan for one
to two days before and after the walk for travel. Space is limited to 8 participants. Registration closes January 15, 2024.
Email facilitator Cherylmurfin@gmail.com at Compass Writers to register. Or register online by clicking here and going to April 20 on the registration calendar.
Come walk and write with us! It will be a journey you won't soon forget.
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BREATHE IN, BREATHE OUT, MOVE ON
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I received the following (edited) piece from a long-time reader, her take on folks who get too terribly disturbed by editors. Aloha Hope, Thank you for your advice to the angry writer fouling her nest. I took it to heart. We've been comrades in this creative game for years. When
slapped silly, our egos pummeled, we merely get to our feet, wipe the dirt off our faces, and shake the humiliation out of our clothes. An angry writer's reaction is unchecked ego stuck in victim mode. To quote the late, great Jimmy Buffett: "Breathe in, breathe out, move on". Shouldn't we all have JB's mantra discreetly tattooed on a body part? Mine is on a cheek and, in hind sight, anywhere visible would be unreadable for all the
wrinkles. Hope yours is on a bicep kept taut by those regular gym outings. I understand the writer's anger. Time spent. Promises given. Expectations not met. The experience has not passed me by. She feels unappreciated. I have worked with editors since....well, let's not pin it down, but broadly speaking: later than having to worry about stepping in dinosaur droppings, and early
enough to need only a healthy typewriter ribbon to complete my work. I can tell her most editors are fair and honest. They communicate succinctly, although sometimes at high volume. Once, while I listened in silence, one berated me about some piece dropped on his desk. He called back to apologize, the piece not even mine. So few writers are aware the amount of time editors spend with
backs to the wall pulling and pushing contributors and staff, like herding feral cats, as deadline, then the drop dead, slithers ever closer like a starving python. No problem is routine. An editor works under a near constant circus-on-fire atmosphere, a ringmaster who can suddenly faces rampaging performers, car clowns to trained monkeys on tiny bicycles; a daunting mistake in the midst is possible. Editors of small diverse publications
with many contributors and limited funds (like an anthology), may have had to call in inexperienced, unpaid volunteers, even family members willing to shovel what frightened elephants deposited, scrape clown makeup off the trapeze equipment, herd miniature horses, calm the spectators; in short, make deadline despite utter chaos. Complain and make stink to the rafters, but you are not going to sully the effort of a 19-year-old college
student who gave up spring break to help Mom get the publication out. Don't expect sympathy, and after complaining, don't expect future work. So, Hope, if I might add my blunt opinion, I know there are few reasons to bad mouth an editor, and all of them require being in touch with accounting, or the police. Not social media. To the dear angry writer: you can still salvage your future despite the steaming pile of mess you've
created. Renounce your nasty words spewed on social media, bow out before posted replies, and sin no more. You are published; you've cleared a high bar. Social media has no bar. Anyone can spout off and someone else just as thick think them witty and wise, inflating each other's egos with fetid swamp gas. The root problem is a fragile ego heavily invested in recognition and
appreciation, blind to the fact you have the latter in hand; and a clear path to the former. Editors consider you an asset, yet you're determined to be part of the circus. They can't change a printed publication and they sure don't need another rampaging monkey. Flaunting disdain is only going to make you a pariah. Deflate your ego and give it a suit of armor. It already feels hurt and
is yet to be kicked to the ground, left bloody and covered with cheap confetti. Accept that you and Toto are not in Kansas any more. Thank the editor/publisher for publishing you. Breathe in, breathe out, move on.
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Don't miss out on your chance to join our dynamic community of writers! The preferred deadline for MFA Creative Writing applications at The New School is January 15th. Apply now and take your writing to the next level https://www.newschool.edu/writing/ - December 2, 2023 - Tinsel Town Holiday
Market - Lake Murray Presbyterian Church, 2721 Dutch Fork Road, Chapin, SC 29036 - 9-1:00 - C. Hope Clark selling books and speaking to fans. NOTE: New title, Edisto Bullet, held up in shipping. May not be available. - December 9, 2023 - Signing, The Coffee Shelf, 130 Amicks Ferry Rd, Chapin, SC -
8-12 AM
- December 9, 2023 - Triangle Sisters in Crime Zoom - Gary W. Clark, Sr talks about crime solving and Hope's books - 1:30-2:30 PM - December 23, 2023 - Signing Edisto Bookstore, Edisto Island, SC - 1-3 PM
- June 1-8, 2024 - The Gutsy Great Novelist Retreat, Bar Harbor, Maine - writer-in-residence - July 9, 2024 - South Congaree-Pine Ridge Branch Library, 200 Sunset Dr, West Columbia, SC 29172 - 5:30-7:00 PM
Email: hope@chopeclark.com to schedule events, online or otherwise. There's starting to be life out there! A professional writer is an amateur who didn’t quit.
~Richard Bach Dear Hope, I'd booked an ad campaign with a prominent magazine that included a two-page bio, book review, and full-page ad for my book. This was a considerable expense for me and a new experiment in promotion. My bread-and-butter comes from my educational series, Daily Living Skills, for which I'd won an award with this magazine. My YA novel, The Edge of Brilliance, had also won an award with that same magazine contest. I'd stated in the interview questions that I wanted to promote Daily Living Skills. Due to a mix-up on their part, my ad hadn't appeared with the story and book review. I'd told them it was "okay" when
they emailed to say they'd run the ad the following month. But, when they sent me copy for approval of the ad the following month, the ad was for The Edge of Brilliance and since we were only days away from publication, I realized it was too late to change it to the other series. I emailed back to them stating "oops, I probably hadn't made myself clear," and
accepted the less-than-desirable ad—as Hope wrote in "Making the Best of It"—I'd take the win. Well, the magazine wrote back, thanking me for my patience and understanding. They would run the ad for The Edge of Brilliance as is. But, in thanks for my understanding, would run a full-page full-color ad the following month for Daily Living Skills at no charge! By being
nice and accepting the magazine's mistakes, I'd parleyed a 1-month ad campaign into 3-months! Thank you, Hope, for always providing us with professional, important advice on how to further our careers. It seems you can catch more flies with honey than vinegar! Best,
Susan Traugh, M.A. Ed.
Author/Presenter
The Edge of Brilliance, Finch-Books.com
Transition2Life/Daily Living Skills
www.transition2lifedailylivingskills.com
www.teacherspayteachers.com/Store/Susan-Traugh
www.healthyplace.com/blogs/parentingchildwithmentalillness/
susantraugh.com
susan.traugh@gmail.com
<<If you have a success story you believe was prompted by FundsforWriters, please share with us! Send to hope@chopeclark.com >>
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New Authors Landing Speaking Engagements
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By Caleb Wygal When an author publishes a book, they often dream about standing in front of an audience and talking about the book and their author journey. It is a great way to get word out about your book(s) and to develop your readership. A question I am often asked is: how do I go about getting those gigs? There is legwork
involved. Prepare to put some miles on your car as you travel to meet those who host events, such as libraries and bookstores. Yes, you can make contact via email or by phone, but I’ve found that by far, the best means of getting your speaking gigs is to meet people in the flesh. Before you do that, you need a few things in place. First is a website. Even a simple one with your book, bio, and contact form will suffice. Create an info sheet
with details about your book containing book cover, publication date, pages, trim size, price, a quote from a reviewer, a bio about yourself and photo. Have business cards with your name, book title, website, and phone number as well. Make sure you have enough books to hand out before embarking on your venture. Once armed, create a list of places and people where you want to introduce yourself and your book. Make sure you dress the part as
well. Flip-flops, shorts, and a t-shirt need not apply. Make a great first impression. Wear the type of clothing you would wear when giving your author talk. . . and a smile. Present an image to the library branch managers of the person who would potentially engage with their community. I’m going to use libraries and independent bookstores in my examples, because those are the places where unknown writers have the best chance of success
when landing speaking (and book signing) engagements. When you get more established as a speaker, there are other places who host authors for talks, such as colleges, Rotary Clubs, and Chambers of Commerce. Go to the circulation desk at a library and introduce yourself and your book(s). Once you have a conversation flowing, ask to speak to the branch manager. Introduce yourself again and hand them your book, sell sheet, and business card.
Tell them how your book is relevant to their library patrons and let them know you are available for author talks and book signings. Use this same method when meeting bookstore owners. I’ve had several occasions where I was invited on the spot to come back and give an author talk or attend an author event. If not, wait a few weeks, and if you haven’t received a response, reach back out to them (yes, you could do this with a phone
call). If you don’t get that invite, don’t be discouraged. You’ve made the libraries and bookstores aware of your book. This could still lead to future orders and event invitations. By having a contact form on your website, you give book club organizers a way to contact you. Book clubs are a fantastic way to hone your speaking skills and turn readers into fans. Some of my biggest fans
and mouthpieces are from book clubs. Many of those invitations came from my website contact form and Facebook Author page (another must-have). When you receive the invitation you’ve been waiting for, celebrate! Don’t get picky about the dates and times they offer for your appearance. Make the arrangement simple for all parties involved, because once you start speaking, word of mouth may land you other gigs as well. Be someone pleasant and
easy to work with. Now that you have your speaking engagement(s) set, you have another question to answer: What are you going to talk about? That’s a whole other topic. BIO: Caleb Wygal is the author of the Myrtle Beach Mystery Series. Women’s World Magazine named the first book in the series, Death on the
Boardwalk, as “The book to read when visiting Myrtle Beach.” He has appeared a dozen times on television to talk about his books, given author talks at libraries in North and South Carolina, spoken at Rotary and other Civic Groups, and is a regular guest at book clubs. Caleb is hard at work on the next book in his series and developing other writing projects. Visit his website at calebwygal.com to learn more.
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ENFIELD POETRY COMPETITION
https://enfieldpoets.com/poetry-competition-2023/
£4 ENTRY FEE ONE POEM. £10 ENTRY FEE THREE POEMS. Deadline December 31, 2023. First
Prize: £500, Second Prize: £250, Third Prize: £125. The Competition is open to anyone aged 17 and above. Entries from outside the UK are welcome but must be written in English. All poems must have a title and must not exceed 50 lines in length. MEMOIR PRIZE FOR BOOKS
https://memoirmag.submittable.com/submit/276953/2024-memoir-prize-for-books
$100 ENTRY FEE. Deadline December 31, 2023. Submit a book-length work on any theme. Traditionally Published, Small, Academic, and Independent presses, Self-published, and Unpublished Manuscripts are all accepted for Grand Prize consideration. Grand
Prize: US$2,000. Finalist: US$1,000. Finalist: US$1,000. THE LETTER REVIEW PRIZE FOR SHORT FICTION
https://letterreview.com/information/
$20 ENTRY FEE. Deadline December 31, 2023. Letter Review is offering $1000
USD Prize pool in a competition for short fiction up to 5000 words. No genre or theme restrictions: all stories welcome. Open to writers who live anywhere in the world. Three Winners are announced who are published and share in the Prize money. Up to twenty writers are shortlisted. All entries are considered for publication, submission to the Pushcart Prize, and for further anthologies. THE LETTER
REVIEW PRIZE FOR POETRY
https://letterreview.com/information/
$15 ENTRY FEE. Deadline December 31, 2023. Letter Review is offering $1000 USD total Prize pool in a competition for poems of not more than 70 lines. No subject or style restrictions: all poems welcome. Open to writers who live anywhere in the
world. Three Winners are announced who are published and share in the Prize money. Up to twenty writers are shortlisted. All entries are considered for publication, submission to the Pushcart Prize, and for further anthologies. THE LETTER REVIEW PRIZE FOR NONFICTION
https://letterreview.com/information/
$20 ENTRY FEE. Deadline December 31, 2023. Letter Review is offering $1000 USD total Prize pool in a competition for nonfiction up to 5000 words in length. The Prize is open to writers who live anywhere in the world. Three Winners are announced who are published and share in the Prize money. Up to twenty writers are shortlisted. All entries are considered for publication,
submission to the Pushcart Prize, and for further anthologies. THE LETTER REVIEW PRIZE FOR UNPUBLISHED BOOKS
https://letterreview.com/information/
$20 ENTRY FEE. Deadline December 31, 2023. Letter Review is
offering $1000 USD total Prize pool in a competition for unpublished books including Novels, Novellas, Short Story Collections, Poetry Collections, and Nonfiction Books. Open to writers who live anywhere in the world. Three Winners are announced who share in the Prize money. Winners can choose whether to publish an extract, or not. Up to twenty writers are shortlisted. THE LETTER REVIEW PRIZE FOR
REPRINTS
https://letterreview.com/information/
$20 ENTRY FEE. Deadline December 31, 2023. Letter Review is offering $1000 USD total Prize pool in a competition for reprints up to 5000 words in length. We are seeking Short Stories, Poetry, and Nonfiction which has been previously published (Trad / Indie /
Self) and is not currently available online. The Prize is open to writers who live anywhere in the world. Three Winners are announced who are published and share in the Prize money. Up to twenty writers are shortlisted. All entries are considered for publication, submission to the Pushcart Prize, and for further anthologies. EZRA JACK KEATS FOUNDATION CHILDREN'S BOOK AWARD
https://www.degrummond.org/ezra-jack-keats-book-award-guidelin
NO ENTRY FEE. Deadline December 15, 2023. Award for a writer and an illustrator of children’s books. The writer award is given annually to a new writer who highlights the universal qualities of childhood and the strength of the family
and community; reflects the multicultural nature of our world; has an original text and original story (no folktales or retelling of folktales); unifies illustrations and text; avoids stereotypes; is respectful of the child’s intelligence, sensitivity, curiosity, and love of learning; and displays freshness and originality of language and literary expression. Writer and illustrator receive $5,000 each. To be eligible, writers and illustrators must have had no more than three books published.
Self-published books are not eligible for consideration. FOSTER-STAHL CHAPBOOK SERIES
https://www.mwcqc.org/foster-stahl-chapbook-series/
ENTRY FEE is proof of purchase of one of the MWC Press chapbooks listed on
line for $10. Deadline December 31, 2023. Looks to publish outstanding short collections of poetry, prose (fiction or nonfiction), or hybrid work from poets and writers living in the upper Midwest region (this includes the following states served by Arts Midwest: IL, IN, IA, MI, MN, ND, OH, SD, WI). Author of the selected manuscript will receive a publishing contract with MWC Press, a $300 publication fee, 20 copies of the finished chapbook, and an invitation to a reading in the
Quad Cities. Manuscript page length: between 20-30 pages of poetry, prose, or hybrid works. GRANTS / FELLOWSHIP / CROWDFUNDING GEORGIA LEGG GRANTS
https://www.georgiawriters.org/literary-events-grant-of-georgia
Literary Event Grants of Georgia (LEGG) supports writers’ fees for literary events
in underserved communities across the state. Literary events include readings, workshops, presentations, and performances. We provide grants of $50-$250 for a literary event. Writers, gather all your favorite, distinguishable works to submit to us for a chance to enroll in our registry so that groups and organizations can ask for you as a presenter. CHACO CULTURE NATIONAL HISTORICAL PARK RESIDENCIES
- NEW MEXICO
https://nationalparksartsfoundation.submittable.com/submit
Deadline December 7, 2023. Comes with $2000 stipend for one month stay. This is a solo residency. Open to all artists, writers, musicians, or performance artists. Located in northeastern New Mexico, an hour and a
half from Farmington, NM, three hours from Santa Fe. The artists will have opportunity to offer a public event or workshop at the National park, online, or at one of their partnering locations. HAWAI'I VOLCANOES NATIONAL PARK JULY 2024
https://nationalparksartsfoundation.submittable.com/submit
Deadline December 15, 2023. Comes with $4000 stipend for one month stay. Residency artists stay at a spacious house just outside the park boundaries. Close to the beaches. The artists will have opportunity to offer a public event or workshop at the National park, online, or at one of their partnering locations. IDAHO GRANTS FOR ARTISTS
https://arts.idaho.gov/grants/quickproject-individuals/
Next deadline December 4, 2023. This quarterly grant opportunity supports artist-initiated projects and activities. Examples include
attendance at an artist residency, release time to create and exhibit a body of work, staging of performances, readings, or the creation of public art. Applicant must be a United States citizen, legal resident, or refugee, and be an Idaho resident for at least one year prior to the application deadline. The grant funds up to 75% of projected expenses. Maximum request is $1,100. NYFA
FELLOWSHIPS
https://www.nyfa.org/awards-grants/artist-fellowships/
Deadline December 13, 2023. Through the program, unrestricted cash grants of $8,000 will be awarded to artists living in New York State and/or one of the Tribal Nations. Fellowship categories 2024 include fiction,
folk/traditional arts, interdisciplinary work, painting, and video/film. The fellowship is not a project grant but is intended to fund an artist's vision or voice at all levels of artistic development. To be eligible, applicants must be age 25 and older, be current residents of New York State and/or one of the Tribal Nations located in New York State, and have maintained residency for the last two consecutive years. MAGMA POETRY COMPETITION
https://magmapoetry.com/magma-2023-24-poetry-competition/
£5 ENTRY FEE. Deadline January 31, 2024. The Judge’s Prize – poems of 11 to 50 lines. The Editors’ Prize – poems of up to 10 lines. First prize for the Judge’s and Editors’ Prize is
£1000, second prize £300 and third prize £150. The six prize-winning poems will be published in Magma and there will also be five special mentions for the Judge’s Prize and for the Editors’ Prize. Winning and commended poets will be invited to read their poems at a Magma Competition Event in Spring 2023. TENNESSEE FELLOWSHIPS
https://tnartscommission.org/grants/individual/
Deadline January 22, 2024. Fellowships provide those individuals who by education, experience, or natural talent engage in a particular art form or discipline, and live and work in Tennessee. To qualify, an artist must be financially compensated for his or her work, and this compensation must be a
significant source of support for their livelihood. The Commission anticipates that each fellowship recipient will be awarded $5,000. In a year, the Tennessee Arts Commission may award approximately 1-2 fellowships each in Craft, Media, Visual Art, Dance, Music, Theatre, and Interdisciplinary Performing Arts as well as three in the Literary Arts. BEZZY
https://boards.greenhouse.io/rvohcontentfreelance/jobs/4301176005
The RVO Health portfolio helps nearly 100 million people a month seek health information,
find doctors, save money, and effectively manage their health and wellbeing. Our family of industry-leading websites, products and services help guide consumers along the path to wellness by making healthcare easier to navigate, more accessible, and more affordable for everyone. We are looking for freelance writers with experience and/or expertise in the chronic condition space or a strong background in general health writing for a consumer audience. Compensation: starting at $250
USD/article. DEFECTOR
https://defector.com/how-to-pitch-defector
DefectorMedia is accepting pitches for compelling stories spanning a range of topics, including sports, politics, arts and culture. Send your pitch to
pitches@defector.com. Pays $500 and up. SEB
https://www.sebiology.org/resource/freelance-science-writer-opportunity-for-the-seb.html
The SEB is looking for new science writers
to commission articles for the website and magazine. This is an excellent opportunity to create/increase your portfolio and build experience as a freelance science writer. We have two spots available for this paid opportunity, and the work is on-demand based on articles commissioned. If successful, you will get paid by invoice. We can help you to put together an invoice for the first time if needed. Articles are commissioned at a standard rate of £100 per 500 words. LEAFIE
https://www.leafie.co.uk/about/
Leafie is an independent media platform exploring cannabis, psychedelics and the cultural events that connect us all. For decades, cannabis and psychedelics have been viewed through a predominantly North American lens, but
across the UK and Europe there are unique, vibrant cultures that often remain uncovered. We believe in celebrating the work of the activists, patients, pioneers and individuals making waves on our own shores. Specifically now seekiung articles on how the cannabis social club model could work for the UK, and cannabis in ‘other’ cultures (either lesser reported countries or groups, e.g. religious denominations). We tend to avoid covering the US/CA unless it's especially unique but we do welcome
international pitches that meet the rest of the brief and have a broad appeal to a UK/European audience. Pays 10-15p per word. ROMANCE WRITERS OF AMERICA
https://www.surveymonkey.com/r/rwrpitchbox
The Romance Writers of
America editor is looking for experienced writers to contribute. Earn up to $500 if your article is selected and published. Romance Writers of America is a nonprofit trade association whose mission is to advance the interests of romance writers through networking and advocacy and by increasing public awareness of the romance genre. NEW LINES MAGAZINE
https://newlinesmag.com/pitch/
Seeking ambitious, insightful, groundbreaking long form reportage or first-person stories for New Lines Magazine. We love a deep dive, a good yarn, a story anchored in history but that shifts the conversation about a current event. We also love stories about the weird, joyous and wonderful side of a region most news outlets only look at when
there's conflict. We also love to publish local writers, whose insights and expertise are nonpareil when it comes to showing the world what's really going on in a place, regardless of what their first language is. If you've got a great story and solid reporting, let's talk. Standard rate for stories of about 2500 words is $800, with flexibility for stories that require exceptional travel, access, etc. or that come with quality multimedia components. MUSE MAGAZINE
https://shop.cricketmedia.com/muse-magazine-for-kids.html#modal-close
Deadline December 15, 2023. Theme July/August: THE SPIRIT OF THE SUMMER GAMES. The science of sport and the role of the competitor, with a focus on the Summer
Olympic Games. MUSE® is a discovery magazine for children and teens. Authors are expected to ensure accuracy in both conception and detail. MUSE purchases all rights to materials. Feature Articles (800–2,000 words, including sidebars). Profiles and Interviews, particularly of underrepresented STEM professionals (500–800 words). Activities and Experiments (500–800 words). Photo Essays (100–300 words). Science Fiction or Science-Focused Fiction (800–1,200 words ). Infographics. Please forward the newsletter in its entirety. To reprint any editorials, contact hope@fundsforwriters.com for permission. Do not assume that acknowledgements listed in your publication is considered a valid right to publish out of ours.
C. Hope Clark
E-mail: hope@fundsforwriters.com
140-A Amicks Ferry Road #4
Chapin, SC 29036
http://www.fundsforwriters.com Copyright 2000-2023, C. Hope Clark
ISSN: 1533-1326 **Note that FundsforWriters.com places paid advertising in this newsletter. ALL ads are related to writers and the
business of writing, screened by FundsforWriters to make sure the information is suitable for writers and their endeavors to improve their careers. While the mailing list is not sold to third parties, other parties do advertise in the newsletter, to include the occasional solo ad. You will not receive this newsletter without your permission. It's physically impossible since recipients must opt-in, giving us permission to send the newsletter. If at any time you no longer wish to receive the
newsletter, click the UNSUBSCRIBE link at the bottom of each newsletter. We want you to enjoy this newsletter at your pleasure, not be forced to read anything you do not wish to receive. Direct any complaints, suggestions, and accolades to Hope Clark at hope@fundsforwriters.com. We are an anti-spam site. | |
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