VOLUME 23, ISSUE 40 | OCTOBER 13, 2023 |
I spoke to the
St. Matthew, SC library last night, and the interest in the room was palpable. Once I took a quick hands-up poll about the composition of the room, I learned quickly these were readers, not writers, and they wanted to talk story. While it wasn't a huge group, it was large enough, and we spent the hour talking about the Edisto Island Mysteries. The book club was reading Murder on Edisto this upcoming week, so the interest was truly there. Some of the questions involved how real the books were compared to real life. QUESTION: "Is anyone in the Edisto books a real person since there are so many different kinds of people on Edisto Beach in real life." ANSWER: "Yes, Sophie Bianchi. She is a dear friend who does teach yoga and has spiritual connections. She is a beautiful person, and we've been friends for many years now. She adores being represented in the books, and she's my best Edisto cheerleader." QUESTION: "I love knowing
the street names and restaurants, having been there before. Have you ever had a problem with that?" ANSWER: "No problem whatsoever because I paint them in an accurate and loving light. I am presenting Edisto to the world, going as deeply into the setting as I can to make it seem real. Readers, like you, love envisioning the book's chapters in real, tangible places.
I stop, however, at the point of having a crime or murder occur at a real home or business. I only paint real addresses in a positive light." Since the audience consisted of South Carolina people, they knew where Edisto was, they could pronounce it properly, and they understood the magic of the setting. As a result, we sold at least one book per person. One lady who
prefers audio books, bought two paperbacks just because she'd heard me and wanted the autograph. These events are wonderful. There may be ten people or a hundred, but if you talk to them like they are the special ones, they are the ones who keep your books thriving, and they are as important to you as you are to them, then a magical friendship occurs . . . and
you gain fans. |
C. Hope Clark
Editor, FundsforWriters
Email Hope | Visit Website | Sign up for Newsletter
Newsletter: ISSN: 1533-1326
FFW
has proudly been on the Writer's Digest's 101 Best Websites for Writers list every year since 2000
Our subscriber list is NOT made available to others. Use information listed at your own risk. FundsforWriters gives no warranty to completeness, accuracy, or fitness of the markets, contests, and grants although research is done to the best of our ability. FundsforWriters finds open
submission calls, contests, and markets from a wide variety of sources, including Erika Dreifus' Practicing Writer newsletter, Erica Verrillo's blog, Authors Publish, Poets & Writers, Duotrope, Winning Writers, Write Jobs Plus, LinkedIn Jobs, Emily Stoddard, and other newsletters and online sites. Many announcements are submitted directly to FundsforWriters from active contests, journals, magazines, publishers, residencies, and grant providers. All must be paying opportunities. Contests must pay a minimum of $200
first place. Submit potential listings to hope@chopeclark.com
TWITTER - http://twitter.com/hopeclark
AUTHOR SITE - http://www.chopeclark.com
FACEBOOK - http://www.facebook.com/chopeclark
GOODREADS - http://www.goodreads.com/hopeclark
BOOKBUB - https://www.bookbub.com/authors/c-hope-clark Read the FFW Archive The Missouri Review has extended the deadline for the 33rd Annual Jeffrey E. Smith Editors' Prize! Entries in fiction, poetry, and nonfiction are invited by October 16, midnight PST. Winners receive $5000, publication in the
Spring 2024 issue of TMR, as well as promotion on our website, in our newsletter, and across our social media platforms. Submit one piece of fiction or nonfiction up to 8,500 words or up to 10 pages of poems. Enter online or by mail, following the guidelines here. Regular entry fee: $25. All-Access entry fee: $30. Every entrant receives a one-year digital subscription to the Missouri Review (normal price $24) and a digital copy of The Talent: Stories of Authors and Artists, the latest title from our imprint, Missouri Review Books (normal price $7.95). All-Access entrants receive access to the last decade of digital issues of TMR, which also offers audio recordings of the stories, poems, essays featured in each issue. All entries are
considered for publication, whether for the print and digital issues or our online exclusive features, BLAST and Poem of the Week. Winners, runners-up, and finalists will be announced in early 2024.
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MAKE A PROMISE AND KEEP IT
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As writers we make promises. We forget that sometimes. -We promise to write a great article that fits the readership, giving it our absolute best, delivering it on time. -We promise to write a solid book, published professionally. -We promise to spin a tale that entertains while tickling the
intellect. -We promise to provide a regular article/blog post/periodical/column that maintains a standard. But the promise we are making, the unsaid promise but the very expected promise, is that we will continue to fulfill these promises in each and every piece of writing we do afterwards. We will not backslide. We will not rest on our laurels. We will continue presenting our best work, in the best way
possible. Quality is character. Maintaining a standard can represent a dozen or more different aspects of you and your writing. -Quality of word choice.
-Quality of grammar.
-Quality of topic.
-Quality of delivery per contract.
-Quality of cover.
-Quality of speaking ability.
-Quality of website.
-Quality of voice on social media.
-Quality of reachability.
-Quality of storytelling.
-Quality of voice.
-Quality of concern
for the reader.
-Etc. For instance, because you won an award does not mean you've arrived. Your next work should be every bit as good or better. Because you landed a gig in a prestigious publication doesn't gain you access to other publications unless you have the writing chops to prove you are still that good. Some artists
and writers cringe at winning an achievement prize, because that piece of work dictates the standard they have to adhere to from then on. Truth is, with or without a prize, the simple act of signing your name to the piece you wrote is like signing a contract to your readers, fans, and followers. You've just presented to them what they will perceive as the best you have to offer. When you present to the world, you are professing loyalty and homage to the
reader. To not consider that as an honor, to not present anything short of your best, is to risk being akin to an ambulance chaser....someone trying to earn a buck without much effort. Sure you can do the latter. . . sell your wares with minimal effort (i.e., AI, plagiarized, bait and switch products, cheap covers), but eventually comes the realization that you might be more concerned with the income than the product, and even less the customer. And
that realization is not just to the reader, but to yourself as well. There's nothing really left to be proud of when you don't fight to be authentic and on the tippy top of your game.
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The Institute for Writers has over 30 years of experience teaching students how to write sellable fiction & nonfiction manuscripts, and how to market their writing to publishers. Work one-on-one with a published author and professional editor as your instructor. Together you'll stretch your imagination and set attainable goals for your stories. When you enroll, you'll master
writing techniques, explore what inspires you, draw upon your observations, imagination, and interests, and translate your ideas into compelling stories and articles for adults. Think: goal setting, targeting, planning, editing, and critiquing assignments. By the time you complete your course, you'll have at least 1 manuscript suitable for submission to publishers.
Upload your Writing Sample to
kick things off. → https://www.instituteforwriters.com/ffw6
- October 26, 2023 - Podcast - Everyone Has a Story: True Tales from Everyday Life - guest C. Hope Clark - November 18, 2023 - Crooked Creek Holiday Market - 1098 Old
Lexington Hwy, Chapin, SC 29036 - 8-2:00 - C. Hope Clark selling books and speaking to fans. - December 2, 2023 - Tinsel Town Holiday Market - Lake Murray Presbyterian Church, 2721 Dutch Fork Road, Chapin, SC 29036 - 9-1:00 - C. Hope Clark selling books and speaking to fans.
- December 9, 2023 - Triangle Sisters in Crime Zoom - Gary W. Clark, Sr talks about crime solving and Hope's books - 1:30-2:30 PM
- June 1-8, 2024 - The Gutsy Great Novelist Retreat, Bar Harbor, Maine - writer-in-residence
Email: hope@chopeclark.com to schedule events, online or otherwise. There's starting to be life out there! If it sounds like writing, I rewrite it. ~Elmore Leonard Dear Hope, I just wanted to thank you for always reminding your readers to be professional, to be gracious, and to follow up, even when discouraged. I recently pitched an essay to an online publication and received a
rejection, albeit a kind one. While it was tempting simply to file the email into my pitch folder and move on, I remembered your guidance and replied to the editor, thanking him for his quick response and encouraging words. I couldn't believe it when he emailed the next day, apologizing for sending me an incorrect response to my pitch. He said it was meant for
another writer and that he would love to see my essay. I sent it, and after some minor revisions, it's set to be published later this year. By heeding the professional advice you impart each week in FundsforWriters, my rejected pitch became a successful one. Thank you. Sincerely,
Carrie Steckl
carriesteckl.com
<<If you have a success story you believe was prompted by FundsforWriters, please share with us! Send to hope@chopeclark.com >>
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Ace That Freelance Writing Virtual Interview
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By Louisa Eunice Years ago, I was a freelance writer who had run the gamut regarding content mills. I was overworked, underpaid, and something in me kept saying that I deserved better. Working for $0.03 per word didn’t pay the bills. After hundreds of Google searches, I found the method to the madness was pretty easy. I had to scour three job boards; Pro Blogger, Blogging Pro, and Freelance Writing Jobs, and pitch
for better-paying jobs. This is where other freelancers said they made it, and I was ready to try just about anything to get ahead. New Challenges As I made the resolve to succeed, I spent my days and nights weeding through these job boards. For the first time, I came across decently paying writing jobs by top-tier companies, quite a nice change of scenery. While I had the experience, one requirement proved
consistent; the need for a virtual interview through Skype or Zoom to finalize the process. For instance, this is a message I received from Quoko Studios after my application went through: "Our hiring team has reviewed your application, the next step is a skills assessment. If you pass, we'll invite you for a short zoom interview and make the final decision." Usually, these virtual calls involved
discussing what I brought to the table and how it would help the prospective company reach its goals. Admittedly here were moments when the thought of an interview got scary and I made up an excuse to blow it off. I once sent this message to a client; " I'm so sorry, I'm struggling with my internet connection. I tried to log into Zoom several times but failed. I'd ask to schedule a written interview but I totally understand if you
move forward with another writer." I thought the client would understand, but I ended up losing the opportunity altogether. They sent me this message in return: "We hoped you fixed the problem with your internet connection but after you didn't show up for the interview, we decided to move forward with another writer." To build a strong portfolio that included renowned brands, I had to kick
fear to the curb and learn how to ace a virtual interview. This didn't happen overnight. It took time, practice, and patience to master the right skills. But once I did, I was able to interview and work with a plethora of great clients. These are my best tips for mastering the online interview: Prepare but Don't Memorize As with any other type of interview, preparation is key. While there is no way to know the questions that the interviewer will ask, prepare the best you can. Be ready to cover your writing experience, your niche, and the strengths you'll bring to the writing project as these are the top three key elements for any freelance writing virtual interview. Ideally, tailor all of your answers to the project at
hand. Dress the Part Even in a virtual interview, dress just like you would at an in-person meeting. Casual wear is a big no-no. For your outfit, choose neutral colors that will not wash out your image under harsh lighting. Preferably, go for colors that will complement your skin tone yet still look professional. Keep accessories to a minimum as you don't want all the attention to
go to your jewelry. Be Yourself Potential clients have the task of determining whether you are a good fit for the company culture, so let your personality shine through during the interview. Give them a reason to hire you by showing you can get the job done by being yourself. Writer Bio:
Louisa Eunice is a freelance writer who has experience writing B2B and B2C
content for a variety of audiences and publications. She also writes short-form marketing content for an array of unique brands. Some past organizations Louisa has worked with include Writers Weekly, TapDesk, Captive Network, Reviewed, and many more. Writer Website: https://louisaeunice.contently.com/
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Got obstacles? Write Anyway!
A free
summit JUST for writers struggling with obstacles and procrastination is happening October 16-19!
Join us for the Write Anyway Summit to learn from top writers, editors, publishers, and coaches about how to keep writing and reach the potential you
KNOW you have.
How would it feel to....
- Have a consistent writing practice that helps you produce books you're proud of?
- Overcome your fears of putting yourself out there?
- Be able to coach yourself through any challenge you face to protect your writing time?
We will help you with all this and more at the Write Anyway Summit.
The best part? It's FREE!
Get your FREE ticket and join us October 16-19 at
www.writeanywaysummit.com = = = POLTERGEIST WRITING CONTEST
https://www.geist.com/contests/poltergeist-contest/poltergeist/
$25
ENTRY FEE. Deadline November 13, 2023. For this contest, we seek fact + fiction and all the stories that dwell in between. We’re looking for stories that give voice to ghostly echoes and make homes in eerie landscapes. Send us your haunted cartographies, your paranormal prose and your uncanny tales, from the strangeness of the everyday to the sublime. Tell us a polterGeist-inspired story in 500 words or less; both fiction and nonfiction approaches are welcome. First Prize: $500.
Second Prize: $250. Third Prize: $150. All winning entries will be published in Geist and on geist.com GEMINI POETRY OPEN
https://gemini-magazine.com/poetry-open-contest-2024
$9
ENTRY FEE FOR THREE POEMS. Deadline January 2, 2024. First prize $1,000. Second Prize $100. Four Honorable Mentions $25. All six finalists will be published online in the March/April 2024 Issue. Any Subject, Style or Length. Entries must be unpublished with the exception of poems on personal blogs. BARDSY WINTER ANTHOLOGY CONTEST
https://bardsy.com/contest
$20 ENTRY FEE. Deadline January 15, 2023. Grand Prize $1000 and anthology publication. All finalists will receive $50 and anthology publication. Enter the first chapter of your in-progress novel or memoir. Your goal is to create a sample that compels readers to click buy. That means we're looking for
first chapters that capture our attention and leave us eager to keep reading. Successful first chapters will build a foundation for the story to come, establishing key story elements like character, world, and conflict. All qualified entrants will receive professional feedback from our editing team before judging, so the earlier you submit, the more time you have to revise. Prerequisites: An original, unpublished first chapter. 2,500-3,000 words. Entrants must be 18+. Please do not send short
stories or your entire manuscript. English only. KENT AND SUSSEX POETRY SOCIETY OPEN POETRY CONTEST
https://kentandsussexpoetry.com/kent-sussex-poetry-society-open-poetry-competition-2024/
£5 ENTRY FEE. Deadline January 31, 2024. 1st Prize: £1000. 2nd Prize: £300. 3rd Prize: £100. 4th Prize: 4 x £50. The competition is for anyone aged 16 and over, from anywhere in the world. Poems must be in English, your original work, on any subject, in any style, no longer than 40 lines. WRITER'S DIGEST SHORT SHORT STORY COMPETITION
https://www.writersdigest.com/writers-digest-competitions/short-short-story-competition
$50 ENTRY FEE. Deadline November 15,
2023. One First Place Winner will receive $3,000, their short story title published in Writer’s Digest magazine’s September/October 2024 issue, and a paid trip to the Writer’s Digest Annual Conference, including a coveted Pitch Slam slot. The Second Place Winner will receive $1,500, their short story title published in Writer’s Digest magazine’s September/October 2024 issue. The Third Place Winner will receive $500, their short story title published in Writer’s Digest magazine’s
September/October 2024 issue. Fourth through Tenth Place Winners will receive $100, their short story titles published in Writer’s Digest magazine’s September/October 2024 issue. Eleventh through Twenty-Fifth Place Winners will receive a $50 gift certificate for writersdigestshop.com. Limit 1,500 words.
GRANTS / FELLOWSHIP / CROWDFUNDING MISSISSIPPI MINI-GRANTS
https://arts.ms.gov/grants/grants-for-individuals/minigrants-for-individuals/
Deadline
November 1, 2023. Applicants may apply for up to $500. The Individual Artist Mini-grant is a reimbursement grant that supports established and emerging professional artists based in Mississippi by providing funds to assist then with professional development such as attending a training, conference or workshop. Individual Mini-Grants can also be used for promotional efforts and marketing materials such as business cards or website design or can be used to purchase expendable art
supplies. MISSISSIPPI ARTIST ROSTER
https://arts.ms.gov/artist-roster/?view=mississippi
The Mississippi Arts Commission’s Artist Roster is a listing of artists
who have been accepted to the Teaching Artist Roster, the Mississippi Artist Roster, or both. Each artist or arts group applied and went through a thorough review by a panel of artists, presenters and educators. Grant funds are available to organizations for presenting Roster Artists (see Minigrants for Organizations). Individual artists may apply to be included in the Roster for a three-year term. Their fees are paid by the Mississippi Arts Commission. MISSOURI SCRIPTWRITING FELLOWSHIP
https://mofilm.org/film-community/scriptwriting-fellowship-competition/
EARLY DEADLINE ENTRY FEE $45. Early deadline November 5,
2023. The Missouri Stories Scriptwriting Fellowship is an international competition for screenplays and television pilot scripts with storylines set in Missouri. Three writers’ scripts will be chosen. Winners receive an all-expense-paid trip to the concentrated fellowship experience, held in Missouri. The writers will be joined by accomplished industry mentors who will work with each fellow. There is no page minimum or maximum, but the feature screenplay should be approximately 90 - 120
pages in length. Pilot scripts between 30 – 65 pages. Submissions must have been written originally in English. BREAKTHROUGH SCHOLARSHIPS - CURTIS BROWN CREATIVE - UK
https://www.curtisbrowncreative.co.uk/breakthrough-scholarships
Deadline October 29, 2023. We regularly offer funded places on our courses to talented writers facing barriers to entry. Our central programme of scholarships is funded by the Curtis Brown Group and Curtis Brown’s literary agents. ONE - John le Carré Scholarship. One talented writer with low income will be awarded a place on our three-month online
Writing Your Novel course. TWO - Gillian McAllister Scholarships will award one talented writer of limited financial means a free place on our London-based Writing Your Novel – Three Months course. THREE - Amita Parikh Scholarship will award one talented writer of limited financial means a free place on our London-based Writing Your Novel – Three Months course. THE
STUDIOS AT MASS MoCA RESIDENCY PROGRAM
https://www.assetsforartists.org/applying
Deadline November 8, 2023. Calls for applications are made four times a year and will open two months prior to the deadline. We have several different ways to apply. The Studios is MASS MoCA’s artist and
writers residency program situated within the museum’s factory campus and surrounded by the beautiful Berkshire Mountains. Operated by MASS MoCA’s Assets for Artists department, the residency runs year-round and hosts up to 10 artists at a time. Artists of any nationality can apply for stays of two or four weeks. Location North Adams, Massachusetts.
THE DRIFT
https://www.thedriftmag.com/wp-content/uploads/2023/06/Pitching-the-Drift.pdf
We’re looking for essays that
are driven by sharp, surprising argumentative interventions in
ongoing conversations. These may include: socially engaged cultural criticism; class-sensitive analysis; pieces that point out what’s being avoided or talked around in politics, media, arts, or even academia; upbeat cynicism; un-self-serious screeds; generous takedowns; entries from the margins. Pays $2,000 for essays, $500-$1,000 for fiction, $150 for poems, and $25 for Mentions. TRICYCLE MAGAZINE
https://tricycle.org/
Covers Buddhism, mindfulness, religion, art, history, and pop culture (even better if a combination of all of the above). Rates start at $250 for basic
interview pieces, personal reflections, and teachings and go up from there for reported pieces, reviews, and more in-depth projects. Pitch Mike Sheffield, Web Editor at msheffield@tricycle.org MOTHER UNTITLED
https://www.motheruntitled.com/aboutus
Deadline October 31, 2023. Accepting pitches for reporting stories and think pieces that challenge the perception of stay-at-home parenthood. Please reach out at lizzie@motheruntitled.com if you'd like to chat through a story idea! Include links to anything that gives me a sense of your writing style. Pays $200/story. Open to new writers and international writers. Specifically looking for writers who identify as the primary or lead parent in their family. Use [PITCH]: Headline in the subject line. As an oasis and leading resource for women in the gray area between paid work and motherhood,
MU amplifies stories of career pauses and downshifts and affirms stay-at-home mothers as an influential cohort in a vital life chapter. Pitch Lizzie Goodman, Editorial Director at lizzie@motheruntitled.com RUFFWEAR
https://ruffwear.com/pages/pitch
Ruffwear is an outdoor dog gear brand based in Bend, Oregon. We're founded on a passion for inspiring dog and human connections in the outdoors – and storytelling is a big part of doing just that. We're looking for personal stories that tell the tale of outdoor experiences you’ve shared with your dog(s) – anything from an
epic adventure to those everyday moments when you seek fresh air with your canine sidekick. We pay a flat rate of $500 per story, which covers roughly 800-1000 words and 8-10 photos to be included. EACH OTHER - INSPIRED SOURCE
https://eachother.org.uk/eachother-exciting-news-inspired-source-series/
We pay aspiring writers based in the UK £100 to produce a 400-600 word opinion piece. We launched The Inspired Source series as a pilot program in 2020. It was part of our work to amplify voices that are underrepresented in the media and marginalised by society. The
Inspired Source is a series of opinion pieces, containing stories that are generally 400-800 words long and examine a human rights issue by which the writer or their community is affected. CHICKEN SOUP: LAUGHTER IS THE BEST MEDICINE
http://www.chickensoup.com
We are looking for stories about something that happened to you in your life — in your relationship with a partner or spouse, a parent or child, a family member or friend, at work or at home — that made you and the people around you laugh out loud. Did you mean for it to be funny? Maybe not. Sometimes the funniest things were not meant to be funny at all! Did someone make you laugh? Did that other
person mean to make you laugh? Did a situation just get out of control? Did a misunderstanding snowball into a comedy of errors? We can't wait to hear your true stories. Pays $250 and ten copies. Limit 1,200 words. COLUMBIA HIGH SCHOOL WRITING TUTOR - Columbia, SC and other places
https://www.linkedin.com/jobs/view/3730947505/
The Varsity Tutors platform has thousands of students looking for online High School Writing tutors nationally and in Columbia. As a tutor who uses the Varsity Tutors platform, you can earn good money, choose your own hours, and truly make a difference in the lives of your students. SHORT STORIES PRESS
https://www.sportstoriespress.com/sport-stories-press
Submit a query letter with the first 5-10 pages of your manuscript. We prefer fiction
or creative nonfiction full-length manuscripts but will consider novellas, short story collections, chapbooks, and poetry full-length manuscripts. We are most interested in stories about amateur adult sportswomen. We will also highly consider stories about professional women athletes and college women athletes. 404 INK
https://www.404ink.com/inklings-info
We will be open for Inklings submissions from 1-31 October 2023. Inklings are non-fiction books of about 20k words. We only accept pitches, not complete books. AUNT LUTE
https://www.auntlute.com/submissions
Aunt Lute Books is an intersectional, feminist press dedicated to publishing literature by those who have been traditionally underrepresented in or excluded by the literary canon. BEN
BELLA BOOKS
https://benbellabooks.com/pitching-benbella/
BenBella Books is a publishing boutique that publishes around 40 books a year, is very selective in what it acquires, and works with great diligence to publish each book to its maximum potential. We are actively acquiring strong nonfiction manuscripts. We are
not looking for fiction at this time. We pay advances in the range of $5,000 to $20,000 for most books, but for books we really want, we offer profit-sharing deals with extraordinary upside. For all of our books, we pay standard big-house royalties or better, including full royalties on most special sales and author sales. PM PRESS
https://blog.pmpress.org/about/
PM Press is an independent, radical publisher of books and media to educate, entertain, and inspire. PM Press amplifies the voices of radical authors, artists, and activists. Our aim is to deliver bold political ideas and vital stories to all walks of life and arm the dreamers to demand the impossible. SMALL TOWN GIRL
https://www.smalltowngirlpublishing.com/submissions
We are looking for totally awesome manuscripts that take place in or about the Awesome 80s. Fiction or
Nonfiction. MADNESS HEART PRESS
https://madnessheart.press/staff/?v=7516fd43adaa
Madness Heart Press is a small indie horror publisher. We look for authors and for works that won’t be
published elsewhere. We gladly consider, Splatterpunk, Extreme Horror, Bizarro, Poetry, and even stage plays. Our goal is to publish the things we love regardless of commercial viability. BLIND EYE BOOKS
https://www.blindeyebooks.com/submissions/
Blind Eye Books publishes science fiction, fantasy, mystery, and romance novels featuring LGBTQ protagonists. We do not publish short story collections, poetry, erotica, horror or non-fiction. We would hesitate to publish any manuscript that is less than 70,000 or over 150,000 words. ARTE PUBLICO PRESS
https://artepublicopress.com/submissions/
Publishing twenty five to thirty books each year, Arte Público Press is David to New York publishing industry Goliaths. However, because of its cultural sensitivity to its writers and the experiences they write about, along
with a vision for the role of Hispanic literature in the United States, the Press has demonstrated that size (or lack of it) is not proportionately related to success in the commercial book market. PINATA BOOKS
https://artepublicopress.com/submissions/
Piñata Books is Arte Público Press’ imprint for children’s and young adult literature. It seeks to authentically and realistically portrayed themes, characters and customs unique to US Hispanic culture. Submissions and manuscript formalities are the same as for Arte Público Press. GALLEY BEGGAR PRESS
https://www.galleybeggar.co.uk/submissions
Deadline November 10, 2023. We publish adult literary* fiction (novels and short story collections) and narrative non-fiction. We are not currently considering other genres (e.g., poetry, lifestyle, commercial
fiction). Right now specifically seeking women only. Please forward the newsletter in its entirety. To reprint any editorials, contact hope@fundsforwriters.com for permission. Do not assume that acknowledgements listed in your publication is considered a valid right to publish out of ours.
C. Hope Clark
E-mail: hope@fundsforwriters.com
140-A Amicks Ferry Road #4
Chapin, SC 29036
http://www.fundsforwriters.com Copyright 2000-2023, C. Hope Clark
ISSN: 1533-1326 **Note that FundsforWriters.com places paid advertising in this newsletter. ALL ads are related to writers and the
business of writing, screened by FundsforWriters to make sure the information is suitable for writers and their endeavors to improve their careers. While the mailing list is not sold to third parties, other parties do advertise in the newsletter, to include the occasional solo ad. You will not receive this newsletter without your permission. It's physically impossible since recipients must opt-in, giving us permission to send the newsletter. If at any time you no longer wish to receive the
newsletter, click the UNSUBSCRIBE link at the bottom of each newsletter. We want you to enjoy this newsletter at your pleasure, not be forced to read anything you do not wish to receive. Direct any complaints, suggestions, and accolades to Hope Clark at hope@fundsforwriters.com. We are an anti-spam site. | |
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