FundsforWriters - June 16, 2023 - Successful Travel Stories: 9 Questions to Ask Before You Pitch

Published: Fri, 06/16/23

 
 
 

VOLUME 23, ISSUE 24 | JUNE 16, 2023

 
 
     
 


Message from Hope

I'm back!!!  Just spent a week in beautiful Bar Harbor, Maine at the Gutsy Great Novelist Writer's Retreat as the writer-in-residence. Such an honor. The retreat was held in a stunning 100-year-old home owned by mystery novelist and attorney Arthur Train

We had Chef Paulette Phillips cooking unique, clean, and healthy dishes for us all week. Such a luxury. (By the way, she is up for an award, and you can vote for her here.) 

So, what did I experience this week?

1) Lobster - oh yum. 
2) Met a porcupine on a hike. 
3) Hiked to the top of Cadillac Mountain and saw the Porcupine Islands.
4) Learned that Maine people are the nicest souls with the cutest accents.
5) Stayed frozen all week with temps in the 40s at night and 50s in the day. Lucked up with 62 degrees twice. This Southern girl is now basking in 90 degrees and just thawing out.

As for writing, which is sort of what I went up there for, I learned a few things about setting, the theme of the week. Setting is a strong point for me, and I relished learning more. 

I also learned that I can write impromptu which I never, ever thought I could do. We were given the same setting and twenty minutes, then told to insert two of our characters into said setting. We could not make up characters, but had to use two characters we were already intimately familiar with. I chose Slade and Wayne, and y'all, I had everyone laughing at Slade. Probably one of the best times I had that week. 

There was a lot of individual writing time, almost too much for me. I'm an ADHD writer, and sitting alone for three hours at a stretch sometimes works and other times doesn't, but I accomplished quite a bit by the end of the week. 

If you can find a way to experience a retreat, give it a go. Some people are energized by it. Others struggle staying that focused. But you never know until you give it a try. After all, how many us fuss about not having enough time to write! What if you did?




C. Hope Clark
Editor, FundsforWriters
Email Hope | Visit Website | Sign up for Newsletter
Newsletter: ISSN: 1533-1326
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The next Craven County release is July 28!

Craven County Line, Book 3


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(NOT SEEING ANY IMAGES? Click here to read online)    

 

 

 

 

  

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EDITOR'S THOUGHTS

 

PEOPLE DON'T CARE ABOUT MY SWEAT AND BLOOD

 I witnessed a pouty meltdown by an author the other day on Facebook. Someone bashed her book. And instead of walking away, being quiet, or ignoring the remark, she took the challenge and replied to the person, then she went to her peeps on FB and replayed the situation, ripe with vitriol and frustration. 

"People don't care about my sweat and blood," she said. 

"Oh, geez," was about all I could think as I watched her slit her own throat in front of hundreds of friends. 

Readers do not care about the sweat and blood....and they shouldn't. 

Think about the purchases in your life. Do you stop and wonder how many hours, days, week, or months it took to design and make it? I doubt it. You just want the end result, and even then, want it to matter in your world. How it came to be doesn't matter. How it makes your life better does.

Same goes for books, and the stories they contain. The reader wants a good experience and hopes to find a new favorite author. That's all they want. Sometimes they don't like the story and other times they do. You rolled the dice by putting your story out there for such judgement. 

So, your job isn't to make people care about how hard you work. Quite the contrary. They want to feel you are gifted. The story should read easy and admirably smooth, like it was super easy to be written, or that the author has tons of natural talent. That sensation puts the author on a pedestal, so to speak. The author is doing something seamlessly that the reader cannot. 

Your job is to write a good book. If you don't win some readers, so be it. There are so many others to win over out there in the reader sea. 
They don't have to understand the sweat and blood. Frankly, hours invested in something isn't the measure of how good it is. How it improves someone's quality of life is.


 

5938196 © Christopher Nuzzaco | Dreamstime.com

 

SUPER SPONSOR 

 

GUTSY GREAT NOVELIST PAGE ONE PRIZE
https://gutsygreatnovelist.com/page-one-prize/


$20 ENTRY FEE. Submissions open June 14 – July 14. The Gutsy Great Novelist Page One Prize is awarded for an outstanding opening page of an unpublished novel. First prize is $1,000; 2nd is $500; and 3rd is $250. The prize is open internationally to anyone over 18 writing a novel in English in any genre for adult or YA readers.



 

HOPE'S APPEARANCES


    
​​​​​​ 
- July 10, 2023 - Night Harbor Book Club, Night Harbor S/D Rec Center, Chapin, SC - 7-9 PM

- July 28, 2023 - Book release, Craven County Line

- August 7, 2023 - Night Harbor Book Club, Night Harbor S/D Rec Center, Chapin, SC - 7-9 PM

- September 4, 2023 - Night Harbor Book Club, Night Harbor S/D Rec Center, Chapin, SC - 7-9 PM

- September 14, 2023 - Chapin Library, 129 Columbia, Ave, Chapin, SC - 1-3 PM - open to the public

- October 2, 2023 - Night Harbor Book Club, Night Harbor S/D Rec Center, Chapin, SC - 7-9 PM

- October 5, 2023 - Richland County Cooper Library, 5317 N. Trenholm Rd, Columbia, SC - 6:30-9 PM - open to the public



Email: hope@chopeclark.com to schedule  events, online or otherwise. There's starting to be life out there!     








 

 
SUCCESS QUOTE

"Don't wait for opportunity. Create it."

~George Bernard Shaw

 

SUccess Story

 

 - - - 
If you have a success story you believe was prompted by FundsforWriters, please share with us! Send to hope@chopeclark.com 

 

Featured article


Successful Travel Stories: 9 Questions to Ask Before You Pitch

By Roy Stevenson

You spend hours researching your topic. Then you spend time writing a query letter and finding potential magazines to pitch. How can you write successful travel stories that will have a better sell factor to magazine editors? Use this screening technique to examine story feasibility and turn ideas into successful travel stories that get published. I use "Nine Questions Test" all the time, which helps explain why I sell 90% of all stories I pitch. 

1.  Is Your Story Angle Unique?

Say you want to pitch a travel story about Universal Studios in Orlando, Florida. If you do an internet search of “travel articles Universal Studios Adventure Island” you'll find hundreds of articles on this topic. It’s been beaten to death. Likewise trying to sell stories about standard cruises on popular cruise lines unless it has a huge celebrity factor, an unusual theme, or interesting port of call. Uncover fascinating and unique aspects about your destinations you don’t find in a typical online search.  

2.  Does Your Story Idea Pass "The Wikipedia Test"?

Ask yourself, "Does my proposed story have information that Wikipedia does not have?"  If your answer is “yes,” then you probably have a saleable travel story idea. 

3.  Are You Pitching to Non-travel Genres?

I’ve written for 200+ publications, the majority of which have not been travel magazines. Some of the non-travel genre magazines that have published my travel stories include gardening, gold prospecting, ham radios, four-wheel drive vehicles, classic cars, art and sculpture, wine tasting, beer brewing, hiking, kayaking, and living history re-enactments.

I’ve managed to place my travel stories in non-travel magazines like American Cowboy, Beer Connoisseur, Pacific Horticulture, Popular Communications, Renaissance, and Walking New Zealand. Non-travel magazines have proven to be a gold mine for my travel stories.  

4.  Does Your Destination Have Multiple Story Potential? 

Before you take a trip, research the destination and identify multiple story ideas.  With multiple writing assignments about one destination you'll earn more money and have a more fulfilling trip. 

5.  Does Your Story Have Resale Potential?

Closely allied with writing in multiple genres is your capacity to resell across genres. The most lucrative and successful travel stories can cross-transfer from one subject to the next. For example, I’ve sold an article about skin care from overexposure to the sun more than one dozen times. It has sold to gardening, running, triathlon, yachting, tennis, kayaking, travel, and several other genre publications. I still sell it today.

6.  Does Your Story Focus On One Place or Attraction?

Novice writers consistently squeeze too many themes or places into one story pitch. Unless your proposed story is a general roundup about the attractions at a destination, your focus should be as fine as a laser beam. 

Editors will not touch a pitch that jumps around like a pinball machine. This lack of focus tells the editor that you have not established a storyline clearly in your head. If you have a lot of story ideas about a place, you're better off selling multiple story ideas to multiple genres.  See # 3 & 4 above.

7.  Does Your Story Focus On The Positive Aspects Of A Destination?

Travel writers are not critics. The mission is simply to tell a story about a place, and how it resonates with us. We describe what we like and what visitors will enjoy seeing there. It’s not our job to come across as spoiled kids, complaining about “the crowds in Paris” or our “personal moments of self-discovery.”  Successful travel stories are positive, not negative. Nobody wants to visit downer places.

8.  Do You Have High-Resolution Photos To Accompany Your Story?

Most editors appreciate writers who can produce a gallery of high-res images to illustrate their article. This saves them time and money. Many editors won’t buy your article unless you can also provide travel photographs. 

9.  Is Your Story About A Safe Destination?  

I sell 90% of the stories I pitch versus other successful travel writers who sell 25% - 40%. I go with the safe bets. I write about destinations that are well received and safe, countries like Germany, for example. It’s just been ranked first in the Anholt-Gfk Nation Brands Index (NBI) that measures the brand image of 50 nations worldwide. Conversely, I ignore places that tourists shy from because of recent natural disasters or geopolitical hot spots. 

Creating successful travel stories means tempering your enthusiasm with a sound business decision. Vacations are supposed to be “feel good” experiences that liberate us from the drudgery of our miserable 9-to-5 existence. Once a place becomes tainted by natural or man-made disasters, it’s difficult to lure tourists back, making the stories difficult to sell. 

Checking your proposed story idea against this checklist may take you some extra time, but it will skyrocket your chances of seeing your article published—and re-published!

BIO - Roy Stevenson is a professional freelance travel writer and photographer based in Seattle, Washington. With more than 1,000 articles published in 200 regional, national, and international magazines, specialty magazines, custom publications, newspapers, trade journals, in-flights, on-boards, and online travel magazines and blogs, Roy is one of the most prolific travel writers in North America.  
To view Roy Stevenson’s travel articles please go to www.Roy-Stevenson.com and www.PitchTravelWrite.com He also produces a free weekly newsletter for aspiring travel writers: http://www.pitchtravelwrite.com/pitchtravelwrite-ezine.html

 


 

COmpetitions

 

ELIZABETH NUNEZ CARIBBEAN-AMERICAN WRITER'S SHORT FICTION PRIZE
https://www.bklyncbeanlitfest.com/about-bclf-short-fiction-story
NO ENTRY FEE. Deadline July 1, 2023. The BCLF Short Fiction Story Contest is an annual writing competition geared towards unearthing and encouraging the distinctive voice and story of the Caribbean-descended writer and expanding the creative writing landscape of Caribbean literature. Open to unpublished writers of Caribbean heritage. Self-published writers may apply. This prize seeks to unearth hidden storytellers in the United States and Canada. A separate category is open exclusively to Caribbean writers of all levels who reside and work in the Caribbean or are on temporary assignment overseas. Word count: 3,000 words or less. Winners receive a prize of $1,750, publication on the Brooklyn Caribbean Literary Festival (BCLF) website, and an invitation to participate in a BCLF podcast episode. 

MARYSTINA SANTIESTEVAN FIRST BOOK PRIZE
https://www.conduit.org/book-prizes
$25 ENTRY FEE. Deadline July 7, 2023. Awarded annually to a poet writing in English who has not yet published a full-length poetry book. Previously unpublished manuscripts of 48-90 pages should be submitted. The winning poet will receive $1,500, publication, and 30 author copies. 

LOVE BOOKS COMPETITION
https://www.marlboroughlitfest.org/2023-love-books-competition-entry-details
NO ENTRY FEE. Deadline June 30, 2023. We want you to tell us why you love your favourite book, poem or play. Your response should be in the form of a piece of text of up to 750 words. Entrants should explain what they love about their chosen read, highlighting key areas of interest, and why they think others should try it. Age groups: 13-15 years, 16-19 years, 20+ years. Winner for each age group receives £300; the runner-up in each age group receives £100. 

ROBERT AND ADELE SCHIFF AWARDS
https://www.cincinnatireview.com/contests/robert-and-adele-schiff-awards/
$20 ENTRY FEE. Deadline July 15, 2023. One poem, one piece of fiction, and one piece of literary nonfiction will be chosen for publication in our prize issue, and winning authors will receive $1,000 each. All entries will be considered for publication in The Cincinnati Review. Writers may submit up to 8 pages of poetry, 40 pages of a single double-spaced piece of fiction, or 20 pages of a single double-spaced piece of literary nonfiction, per entry.

PETRICHOR PRIZE FOR FINELY CRAFTED FICTION
https://regalhousepublishing.com/the-petrichor-prize-for-finely-crafted-fiction/
$25 ENTRY FEE. Deadline July 15, 2023. Winner receives $1000 and book publication by Regal House Publishing. Minimum of 100 pages, maximum of 350 pages. 

THE W.S. PORTER PRIZE FOR FINELY CRAFTED SHORT STORY COLLECTIONS
https://regalhousepublishing.com/the-w-s-porter-prize/
$25 ENTRY FEE. Deadline December 1, 2023. The W.S. Porter Prize is awarded to recognize a masterfully written short story collection, while also honoring William Sydney Porter, a native born son of North Carolina and an accomplished short story writer who wrote under the pseudonym O. Henry. Winner receives book publication by Regal House Publishing in 2025/6 and $1000 prize. Minimum of 100 pages, maximum of 350 pages.

 

GRANTS / FELLOWSHIPS / CROWDFUNDING

 

NEBRASKA MINI GRANTS
https://www.artscouncil.nebraska.gov/mini-grant/
Mini Grants are designed to provide quick access to funds supporting a variety of arts projects that use artists or arts activities as a key component.  Examples of project types include exhibitions, performances, poetry readings, commissions and/or support of new work development, arts festivals, community murals, and cultural heritage projects. Limit $2,000. Open to groups and nonprofits, but can be used to sponsor individual artists for events. Deadline at least six weeks prior to the project start date.

NEBRASKA CREATIVE AGING ARTS PROGRAM
https://www.artscouncil.nebraska.gov/apply/creative-aging/
This program provides grants to hire an artist to lead workshops at senior centers, assisted living facilities, libraries and nonprofit organizations serving older adults. Applicants select from a list of teaching artists trained in best practices of engaging older adults. Limit $3,000. Apply at https://www.artscouncil.nebraska.gov/artist-roster/join/ to join the teaching roster. 

GRAND CANYON ARTIST IN RESIDENCY
https://artist.callforentry.org/festivals_unique_info.php?ID=11790
Deadline July 31, 2023. Grand Canyon Conservancy's Artist-in-Residence program supports contemporary solo artists who wish to contribute to the cultural and aesthetic legacy of Grand Canyon. Solo contemporary artists exploring concepts of conservation, cultural identity, or community through any discipline are encouraged to apply. We prioritize artists whose work and outreach programs best fit the park's Interpretation and Education goals of telling stories that have been excluded, hidden, unknown, untold, or under-emphasized. Selected artists live and work at the Grand Canyon South Rim in Arizona for up to eight weeks in a private one-bedroom apartment above the historic Verkamp's Visitor Center overlooking the Canyon. In addition to free live/work space, a weekly stipend of approximately $400 is offered to offset the costs of travel, food, and supplies. Residents will have first-hand access to the natural beauty of Grand Canyon National Park, park leadership, staff expertise, on-site resources, archives, and visitors from around the world. Each artist is asked to provide at least two public programs lasting a minimum of 45 minutes each during their stay. 

MASSACHUSETTS LOCAL CULTURAL COUNCIL PROGRAMS
https://massculturalcouncil.org/communities/local-cultural-council-program/
The largest grassroots cultural funding network in the nation, the Local Cultural Council (LCC) Program enriches the cultural life of all cities and towns in Massachusetts. Use this link to find your local council nearest you in the state. https://massculturalcouncil.org/communities/local-cultural-council-program/find-your-lcc/

MASSACHUSETTS STARS RESIDENCIES
https://massculturalcouncil.org/education/stars-residencies/
STARS Residencies support three-day-plus residencies that bring students and teachers together with practicing artists, scientists, and humanists to create rich cultural experiences. These residencies help youth build confidence, discover hidden talents, explore the natural world, understand their place in history, and rise as leaders in their community. Funding is already depleted for this fiscal year, but applications open back in in FY 24, beginning in July 2023

BROTHER THOMAS FELLOWSHIPS
https://www.tbf.org/what-we-do/special-funds/br-thomas-fund
The goal of the biennial Brother Thomas Fellowship program is to support and celebrate a diverse group of Greater Boston artists working at a high level of excellence in a range of disciplines—the visual, performing, literary, media and craft arts—and to enhance their ability to thrive and create new work. The Boston Foundation also hopes that fellowship winners will have greater access to a variety of markets, including galleries, residencies and commissions, and that the importance of artists to the vitality of Boston will be more broadly recognized. Each Brother Thomas Fellow receives an unrestricted award of $15,000—thus fulfilling the needs of artists and the wishes of the donor. 

GRANTS FOR ARTISTS' PROGRESS - WASHINGTON STATE
https://artisttrust.org/grants/grants-for-artists-progress/
Deadline June 23, 2023. Grants for Artists’ Progress (GAP), are unrestricted project-based grants of $1,500 for artists working in all disciplines across Washington State. In 2023, Artist Trust will support artists who are Black, Indigenous, and People of Color (BIPOC) residing in King County, and artists of all backgrounds residing outside King County. In 2023, Artist Trust will award 65 GAPs to be distributed in six regions across Washington State: East, North Central, Puget Sound, South Central, West, and King County. 


 

FREELANCE MARKETS / JOBS


STYLIST
https://www.stylist.co.uk/life/writer-journalist-freelance-career-women-stories-how-to-pitch-an-article/217237
Seeking powerful first-person stories around the topic of mental health, for Stylist's Frame of Mind series. Pitch to Ellen C. Scott, Deputy Digital Editor at ellen.scott@stylist.co.uk. Find samples at https://www.stylist.co.uk/tag/processing

SCIENCE MAGAZINE
https://www.science.org/content/page/freelancer-guidelines
Submit pitches to Matthew Warren, European News Editor at mwarren@science-int.co.uk. Are you a freelance journalist with a hot scoop or juicy scandal, a compelling profile of a scientist, or an original take on a science policy issue? If so, bring it to the award-winning News department of Science, the flagship research journal from the world’s largest general science society. We have plenty of appetite for freelance contributions—everything from 140-word news briefs to 2500-word features to investigative projects. Our rates begin at $0.75 per word for online-only stories and $1.25 per word for print-only stories. For certain types of stories, we pay a flat rate negotiated in advance—a typical online Q&A, for example, is $500. We cover travel expenses if agreed upon in advance and pay for reporting by the hour under certain circumstances.

YOGA JOURNAL
https://www.yogajournal.com/freelance-contributor-and-writer-guidelines/
Our typical article runs 500 to 1000 words and could be focused on recent research, anatomy hacks, soulful first-person sharing, reporting on a recent happening or trend, or a larger feature that explores some aspect of the practice or industry of yoga. 

OUTSIDE MAGAZINE
https://www.outsideonline.com/magazine/contact-us/how-to-pitch-freelance-outside-magazine/
Outside publishes stories about adventure sports, gear, travel, fitness, health, culture, and the environment. We’re always on the lookout for reporting, essays, service pieces, and media reviews focused on the outdoor world. Rates typically start at 50 cents per word for online stories and go up from there, depending on the complexity of the reporting and your experience as a writer. Our features run anywhere from 2,000 to 10,000 words, though most land somewhere between 3,000 and 5,000. Various other departments from health to adventure to travel.

AMERICAN EDUCATOR
https://www.aft.org/article-submission-guidelines
American Educator is the professional journal of the American Federation of Teachers, covering research and ideas from early childhood through higher education. We are interested in a wide range of articles on curriculum and instruction; social and emotional development; the science of how students learn; the high school to college transition; history, civics, and democracy; diversifying the teaching profession and the professoriate; confronting bias in schools and on college campuses; supporting teacher professionalism and protecting academic freedom, among other educational topics and trends. We also welcome articles on international affairs and labor issues of interest to teachers and professors as AFT members. Articles may vary in length from 1,000 to 5,000 words, depending on the topic. Pay is roughly $300.


 

Publishers/agents



ATRIA BOOKS
https://www.atriabooks.biz/
Atria has published hundreds of bestsellers including commercial and literary fiction, mysteries and thrillers, narrative nonfiction, politics and popular culture, science, personal development, and spirituality. Atria is a place where great books come to light. Look for our books under these imprints: Atria Books, Atria Español, Black Privilege Publishing, Emily Bestler Books, One Signal Publishers, and Washington Square Press.

AND OTHER STORIES
https://www.andotherstories.org/about-us/
Right now only accepting submissions from translators. Only accepts via snail mail. And Other Stories publishes mainly contemporary writing, including many translations.

GALLEY BEGGAR
https://www.galleybeggar.co.uk/submissions
We publish adult literary fiction (novels and short story collections) and narrative non-fiction. We are not currently considering other genres (e.g., poetry, lifestyle, commercial fiction).

PRATHAM BOOKS
https://prathambooks.org/submissions/
At Pratham Books, we publish books that enrich the reading experience for a child. We select manuscripts based on several parameters. Selected stories may not have all of the following attributes, but we do look for scripts that match most of them: Original and engaging, Indian setting, Interesting plot and characters, Diverse, Fiction, creative non-fiction, nonfiction. If you don’t hear from us within two months, you may assume that your manuscript has not been selected.

MONTAG PRESS
https://www.montagpress.com/about
MONTAG PRESS presents the very best in experimental, weird, subversive, speculative, science, historical, and horror fiction, in either a narrative or dramatic structure, with a strong plot, well-developed characters, and engaging voices. MONTAG PRESS is a BAY AREA-based publisher of original fiction and drama. Montag Press publishes the highest quality stories and plays for paperback and e-book distribution. 

​TILBURY HOUSE
https://www.tilburyhouse.com/submissions
Tilbury House publishes a wide range of children’s books, including board books, beginning readers, picture books, and middle grade titles. We publish both fiction and nonfiction. We are committed to the principles of diversity, equity, and inclusion, and we welcome stories from diverse authors.

SIBYLLINE PRESS
https://sibyllinepress.com/submissions/
After reviewing the submissions, we’ll narrow down the list of prospective books for a given season. Then we will reach out to those authors with requests to complete our in-depth author questionnaire and to schedule a Zoom interview. We work intimately with our authors and want to ensure that we are a match. At this time, we also will send you a full description of our proprietary two-year launch program for your review, along with information on the financial investment that contributes to the marketing budget to effectively launch your book. If your book is selected, we’ll invite you to be our partner and take part in the two-year intensive publication program. If you accept, you will receive an author contract giving Sibylline the rights to publish your book (you retain copyright). Your book will be one of our six titles published in the following Fall or Spring seasons. Submissions are currently open for our Spring and Fall 2024 lists. If you are a woman 50 or older and your book is both ready and excellent, we want to see it.


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FINE PRINT


Please forward the newsletter in its entirety. To reprint any editorials, contact hope@fundsforwriters.com for permission. Please do not assume that acknowledgements listed in your publication is considered a valid right to publish.

C. Hope Clark
E-mail: hope@fundsforwriters.com
140-A Amicks Ferry Road #4
Chapin, SC 29036
http://www.fundsforwriters.com

Copyright 2000-2023, C. Hope Clark
ISSN: 1533-1326

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